As 1st AD I was responsible for coordinating all departments, generating and distributing call sheets, generating and distributing shooting schedules, providing cast and crew with pertinent pre-production information, insuring that shoot days ran on schedule, calling for camera and sound to roll, and handling/delegating any other issues that arose during filming.
Summary
I started out as a performer but wanted to put my passion for logistics to use alongside my desire to share art. I began in stage management for theatre, then, transitioned to film crew. If you'd like more information, please let me know!
Credits
6/17 – 6/18
Production Assistant – Headliners
NBC — TV
6/17 – 6/18
12/16 – 5/17
First Assistant Director
Staff Position — Epic Dreams Productions
12/16 – 5/17
4/16 – 4/16
First Assistant Director – Mom
Film (Short) — Changing The Game Productions Details
4/16 – 4/16
4/16 – 4/16
First Assistant Director – Hey Girl
Film (Short) — Agatha Aramayo Details
4/16 – 4/16
As 1st AD I was responsible for coordinating all departments, generating and distributing call sheets, generating and distributing shooting schedules, providing cast and crew with pertinent pre-production information, insuring that shoot days ran on schedule, calling for camera and sound to roll, and handling/delegating any other issues that arose during filming.
3/16 – 3/16
Script Supervisor – Coney Island (Pilot)
TV Details
3/16 – 3/16
As script supervisor I responsible for tracking which takes were marked to print or for safety. I also took note of any changes in continuity as well as takes that were not able to be used and why.
2/16 – 2/16
First Assistant Director – There is a Reaper
Film (Short) Details
2/16 – 2/16
As 1st AD I was responsible for coordinating all departments, generating and distributing call sheets, generating and distributing shooting schedules, providing cast and crew with pertinent pre-production information, insuring that shoot days ran on schedule, calling for camera and sound to roll, and handling/delegating any other issues that arose during filming.
7/15 – 7/15
Script Supervisor – Fatal Destruction
Film (Short) Details
7/15 – 7/15
As script supervisor I responsible for tracking which takes were marked to print or for safety. I also took note of any changes in continuity as well as takes that were not able to be used and why.
3/15 – 3/15
Stage Manager – A Raisin in the Sun
Live/Special Event — Keep the Change Productions Details
3/15 – 3/15
As Stage Manager I was responsible for generating a rehearsal schedule, tracking cast/crew conflicts, maintaining a safe working environment, making sure that rehearsals ran according to schedule, enforcing deadlines (such as being on book), preparing the performance/rehearsal space before "go-time", generating design run and technical schedules.
Orgs
Recos
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Education
Class of '12
Old Dominion University
Theatre Education
Skills
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