Summary

Born to shoot. Been doing it since I was 8y/o. I specialize in making the director's vision come to a beautiful and expensive-looking life. I can do a lot with a little and I'm down for whatever.

Credits

12/15 – 3/16

Visual Effects Supervisor Vigilante Diaries

Film (Theatrical)
12/15 – 3/16
11/15 – 2/16

Director of Photography Code Of Honor

Film (Theatrical)
11/15 – 2/16
10/15 – 1/16

Visual Effects Artist Papa: Hemingway in Cuba

Film (Theatrical)
10/15 – 1/16
9/14 – 12/14

Visual Effects Supervisor Big Time in Hollywood, FL 1

COMEDY — Scripted (TV) — Brillstein Entertainment Partners
9/14 – 12/14
5/14 – 7/14

Visual Effects Artist The Night Crew

Film (Theatrical) — Premiere Entertainment Details
5/14 – 7/14

Over 200 VFX shots including tracer rounds, bullet hits, glass breaking, destruction, limb chopping, blood impacts, muzzle flashes galore.

1/14 – 6/14

Editor (FCP) Compound Fracture

Film (Theatrical) Details
1/14 – 6/14

Ground-up director's cut, including syncing sound and assistant editing. Cleaned up additional editing. Post supervised VFX, and did about 50% of them myself including making several shots that we didn't even film (drawer opening, security cams, screens, mirrors breaking, etc...)

2/14 – 5/14

Director (Producer, Cinematographer, Editor, Additional VFX) Compound Fracture

Film (Theatrical) Details
2/14 – 5/14

Everything technical. Pre-production, gathering crew, equipment, directing, post supervising, etc... Biggest, most intense job I've ever done.

12/13 – 5/14

Cinematographer Compound Fracture

Film (Theatrical)
12/13 – 5/14

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Education

Class of '05

Miami University, Communications/Film

Bachelors in Arts/Science
Class of '03

NYU Tisch School of the Arts

Film