Scott Miller

Production Consultant - Plan and development of Internet Video Marketing for Small Business DP - Oversight of 'B' Camera Op & Lighting/Grip - Audio Capture Camera Op - 'A' Camera - Sony HVR-V1u Editor - Adobe Production Premium CS6 - Graphic Artist - Flash Developer

Videography of live event. Camera Op - Canon EOS Mark II - Supervision of 'B' Camera Op Editor - Graphic Designer - Colorist

Production Consultation from Pre to Post Production Camera Op - Sony HVR - FX1 (x3) DP alongside the venerable Mark McDowell Gaffer and Key Grip to push a motivated volunteer crew. Jib Op - 12' Kessler - Provided educational material format for a large NPO.

Production Coordination - Production of 5 live event screenings - Consultation - Technical Implementation Camera Operator - Nikon d7000 Editor - Adobe Production Premium CS6 Live Event Camera Op - Panasonic AAG-HMC115 ~ shot, chopped & cropped x5 + 1 live shoot ~

Production Consultation - Combination of all works captured in remote locations of different states and countries to singular Post facility. - Coordination of Humanitarian Photographers to assist NPO's celebratory cause. - Procurement of all funding for production. Post Director - Editor - Compiler - Audio Tech - Graphic Artist

Camera Op - Canon XL- H1 Keyed all Car Mounts Assisted Grip and Lighting when needed. Rigging Consultant to Stunt crew. - Independent feature that seems to have gone nowhere. - Footage is in the can, right alongside the paychecks.

Key Grip for Fox Teaser. Exterior location shoot, small highly skilled crew under Cinematographer Peter Coggin. Support and implementation of all grip, lighting, diffusion, and jib equipment. Jib arm operator. Oversight and utilization of multiple PA's for Camera Department.

Gaffer/Key Grip to pilot location shoot. Light interior and extensive exterior; on & off river. Jib operator, lighting, diffusion, bounce, power, flags, et al. Support for DP - John Finger & Cameramen - Heath and John Firestone. Small highly professional crew, fast schedule, excellent talent, superior post service with lack-luster producer.

- Rigging Grip Foreman, 2nd Unit. - Extensive crane rigging to implement camera placement outside and atop three story set rigged to blow with water Fx.

- Rigging Grip Foreman. - Studio Grip when requested (1st & 2nd Unit). - Provided full support to Lighting and Camera Departments. - Jib/Crane arm Rigger/Operator - Lenny Arm.

- 2nd Unit - Key Rigging Grip. - 1st Unit - Rigging Grip, Studio Grip. - Full support to Lighting and Camera Departments. - Jib/Crane arm Rigger/Operator - Lenny Arm II. - Foreman on-camera aluminum truss structure (1st Unit).

- Rigging Grip, Foreman, Pusher. - Grip upon request. - Jib/Crane arm Rigger/Operator - Lenny Arm. - Full support to Lighting and Camera Departments. - 13 episodes season 8: "Within" "Without" "Patient" "Roadrunners" "Invocation" "Redrum" "Via Negativa" "Shurekill" "Salvage" "Badlaa" "The Gift" "Medusa" "Per Manum" - Industrial "kook-a-Saurus" and diffusion rigs.

- Key Rigging Grip to facilitate Stunt Department's "flying angels". - Construction of 40' x 40' x 25' free-standing truss structure with travelers, motors and necessary equipment to facilitate "flight" above Venice Beach, CA. - Duties included but were not limited to; location scout, engineering, crew call, production interface, and strike.

- Key Rigging Grip to facilitate Stunt Department's "flying angels". - Construction of 40' x 40' x 25' free-standing truss structure with travelers, motors and necessary equipment to facilitate "flight" above Venice Beach, CA. - Duties included but were not limited to; location scout, engineering, crew call, production interface, and strike.

- Rigging Grip Foreman. - Crew of 6 to 12 personnel.

- Key Rigging Grip to facilitate Stunt Department's "flying angels". - Various "angels" flew before chroma-key screen, dancing, bouncing, bounding, twirling, and rolling through traditional motion control systems. - Small, light, quick and efficient shoot to comply with client's requested resources. - Provided all fly rigging, oversight, and manpower for stunts.

- Key Rigging Grip to facilitate Stunt Department's "flying angels". - Various "angels" flew before chroma-key screen, dancing, bouncing, bounding, twirling, and rolling through traditional motion control systems. - Small, light, quick and efficient shoot to comply with client's requested resources. - Provided all fly rigging, oversight and manpower for stunts.

- Key Rigging Grip to facilitate Stunt Department's "flying angels". - Various "angels" flew before chroma-key screen, dancing, bouncing, bounding, twirling, and rolling through traditional motion control systems. - Small, light, quick and efficient shoot to comply with client's requested resources. - Provided all fly rigging, oversight and manpower for stunts.

- Rigging Grip Pusher of crews of 3 to 6. - Jib/Crane arm Rigger/Operator - Lenny Arm. - Full support to Lighting and Camera Departments. - Set Grip when requested (1st & 2nd Unit). - Jib/Crane arm Rigger/Operator - Swiss Jib.

- Rigging Grip, Grip. - Jib/Crane arm Rigger/Operator - Lenny Arm, I, II, III's. - 12 episodes in Season 7: "Hungry" "Millennium" "Rush" "The Goldberg Variation" "Orison" "The Amazing Maleeni" "Signs and Wonders" "Sein und Zeit" "Closure" "X-Cops" "First Person Shooter" "Theef" - Industrial "Kook-a-Saurus" and diffusion rigs.

- Rigging Grip Foreman to crew of 7 personnel. - Exterior hang of 3-Ring circus tent within airport hanger to facilitate Stunts "flying man from a canon". - Interior hang of all truss and travel systems for Stunt Department integrated with exterior rigging.

- Rigging Grip Foreman to crew of 3. - Aerial Camera placement above "elevator" set-shaft. - Traveling Camera placement adjacent to "elevator" set-shaft. - Super Bowl Commercial.

- Rigging Grip, high and low crewman. - Lighting and Camera Department support and implementation. - Jib/Crane arm Rigger/Operator - Lenny Arm. - House and Industrial Day-For-Nights. - Industrial diffusion. - Motion Control Aerial Camera implementation.

- Rigging Grip to Aerial Camera unit for Church sequences.

- Grip. - Jib/Crane Operator & Rigger. - Played on 6 episodes during season 2. - Jib/Crane arm Rigger/Operator.

- Rigging Grip. - Grip. - 1st introduction to NLE through Karen Stern, A.C.E. (Her idea to save one from, "The life of a Grip".) - 6 episodes during season 4.

Foreman of Rigging Grip crew - 18 personnel. - Construction of world's 3rd largest self-supported aluminum truss structure. Development and implementation of Fly-by-Wire Motion Control Aerial Camera System (CRF). - Jib/Crane arm Rigger/PreOp - Lenny II.

- General Grip duties to support Lighting and Camera Departments. - Jib/Crane arm Rigger/Operator - Lenny Arm.

- Pusher, Rigger, Grip for high and low rigging during all phases of set construction and demo. - Crew size from 6 to 32 personnel. - Jib/Crane arm Rigger/Operator - Lenny Arm.

- Rigging Grip. - Grip. - 1st introduction to NLE through Karen Stern, A.C.E. (Her idea to save one from, "The life of a Grip".) - 7 episodes during season 3.

- Crane diffusion rigging at Falls Lake.

- Rigging Grip

- Rigging and implementation of Motion Control Aerial Camera system. - Provided live tracking coverage of the Mogul and Giant Slalom competitions.

- Rigging Grip - Grip

- Design and implementation of rigging system provided for story-integral scene development.

- Rigger for first live over-the-field Motion Control Aerial Camera system. - Crew Foreman of staff of 7 personnel.

- General Grip duties to support Lighting and Camera Departments. - Visa Super Bowl commercial featuring a little girl drinking tea with her "imaginary" friend, the elephant in the attic.

- Aerial Rigger to Motion Control Aerial Camera unit with Wiggins Aerial Rigging. - Best Boy duties included all payroll and expenses with Production while on location in L.A. - Acted as Consultant to Production & Wardrobe Depts. - Driver - 5ton rigging truck.

- General Carpenter for all aspects of ABC location shoot. - Foreman to rigging crew of 4 personnel to secure large (30' - 40') pine trees for on-camera scene development.

- Production Assistant/Best Boy to Stunt & Motion Control Aerial Camera unit, Wiggins Aerial Rigging. - B.B. duties included all office and payroll accountability with production office while on location. - Driver - 5ton rigging truck. - Apprentice Rigger.

- Production Assistant to Motion Control Aerial Camera unit, Wiggins Aerial Rigging. - Driver - 5ton rigging truck. - Apprentice Rigger.

- PA to Wiggins Aerial Rigging. - Apprentice Aerial Rigger. - Flew mast-and-boom rigs atop 600' cliff towers in Monument Valley, AZ. to film rock climbers. - Copious helicopter interface including but not limited to "long-line", "toe-in" and "drift" work. - All work atop, or upon the faces of towers themselves.

- PA to Wiggins Aerial Rigging. - Apprentice Aerial Rigger. - Flew mast-and-boom rigs atop 600' cliff towers in Monument Valley, AZ. to film rock climbers. - Copious helicopter interface including but not limited to "long-line", "toe-in" and "drift" work. - All work atop, or upon the faces of towers themselves.

- PA to Wiggins Aerial Rigging providing Motion Control Aerial Camera. - Apprentice Rigger due to fellow rigger's injury on location. - Flew 600' highline down the American River, CA to film world class kayakers in class 5 water.