Jimmy Siermine

B Cam for reveals/walkthroughs, Also A Cam during DEMO, process, and beauty shots as well as BROLL with 5D Mark III

Worked with C300 and 5D mark III, also media managed.

B Cam for reveals/walkthroughs, Also A Cam during DEMO, process, and beauty shots as well as BROLL with 5D Mark III

Shooting hidden-Camera shoot with C300 and GoPros

Assistanting C300 and GoPros as well as media managing

Working with C500, C300, and GoPros.

Assisting cam ops with C300, formatting cards changing lenses and media management (DIT). Also set up GoPro shots.

Building, breaking down camera. Assisting with green screen interview lighting set ups

Assisted with building cameras, monitors, and lighting set ups. Coordinated gear pickups and drop offs from rental houses.

Working primarily with camera team assisting camera and lighting set ups with LED light panels, Arri Kit lights, C300 and Sony PMW

working with DP and gaffer on lighting set ups

Grip on commercial, TV, and film productions. Also drive grip trucks to and from location.

Loading/Unloading grip truck, setting up and building lighting rigs, handheld and jib set ups. Assisting camera with 5D III as well as RED Epic and Sony PMW 300.

Helping camera crew with battery changes, loading in and out gear. Lighting Set ups, tear downs

Helping camera crew with battery changes, loading in and out gear. Lighting Set ups, tear downs

Helping camera crew with battery changes, loading in and out gear. Lighting Set ups, tear downs

Helping camera crew with battery changes, loading in and out gear. Lighting Set ups, tear downs.

Helping camera crew with battery changes, loading in and out gear. Lighting Set ups, tear downs.

Loading/Unloading grip truck, setting up and building lighting rigs, handheld and jib set ups, Facilitating camera team.

Assisting camera team, setting up lighting equipment.

Job responsibilities included helping unload/load gear into trucks as well as facilitating crew with set up and tear down. Job responsibilities were also making runs, driving throughout NYC and Brooklyn and signing talent releases.

Loading/Unloading grip truck, setting up and building lighting rigs, camera set ups. Facilitating camera team.

Job responsibilities included helping unload/load gear into trucks as well as facilitating crew with set up and tear down.

On this job I helped assist production by making runs for the crew and producers as well as helping manage and organize camera/grip gear.

On this job I helped assist production by making runs for the crew and producers as well as helping manage and organize props.

As production assistant, I helped facilitate production by making sure batteries were charged, gear was being watched, and making sure cam ops had the gear they needed.

On this job, I was responsible for helping the AC and DP with lighting and camera. This included running batteries, changing lenses, moving sticks, changing discs, and helping with the regular work flow of the camera team.

On this job I camera op'd 6 games for both days of the tournament.

On this job I was responsible for helping crew members take apart and rebuild the set at a bakery.

On this job, I was responsible for rigging the lights on the set as well as putting together the dolly and jib.

On this job, I was responsible for helping the AC and DP with lighting and power. This included setting up light panels, holding lights for the camera in front of talent, and running power to and from the generator.

On this job, I was responsible for helping the DP light the scene by setting up lights, silks, and keeping the area clean. I also helped the photographer with setting up her shot as well as focusing the lights during the shoot.

I was the 2nd shooter. Throughout the wedding we shot the bride and groom preparing for the ceremony as well as b-roll of them getting their portraits done. We then shot the ceremony in its entirety and then stayed throughout the reception to shoot the rest of the night.

For this shoot, I assisted in helping the production during each shoot day which sometimes included pulling focus, recording sound, setting up lights, and assisting in wrangling footage.

I was the 2nd shooter. We shot the entire reception and also got coverage of their portraits.

I did BTS videography for the concert at the House of Blues in Boston, MA. I worked with a sound mixer/boom op to shoot the set up of the concert.

I operated the camera as well as DP'ed this feature film. I worked with the director to help compose each shot as well as help light the scene.

For this job, I helped set up the lighting and camera for the shoot. This was a very basic shoot for a training video that used LED lighting, a white backdrop, and a Canon HDCAM.

For this job, I worked as a film instructor at Princeton University to teach kids how to use final cut pro. I also taught students different aspects of film production and how films, tv shows, and other productions are made.

On this shoot, I was responsible for rigging and focusing lights on the sound stage as well as helping with balancing power and wrangling cable.

On this job I set up monitors for the camera team and director during production. This included cable wrangling and signal flow. (BNC, amperage balancing, RCA,etc..). I was also responsible for recording the footage from the camera and providing the director with an edit by the end of production.

As assistant editor I helped the Director finish the final cut of the film. This included adding effects, organizing the footage, and making last minute editing decisions. and When the film was finished the director, Kyle Romanek, submitted it to Cannes film festival

On this shoot, I worked with the camera operator which included placing talent markers, swapping lenses out, and moving the camera from set up to set up.

On this shoot, I was responsible for rigging and focusing lights on the sound stage as well as helping with balancing power and wrangling cable.

On this shoot, I was responsible for rigging and focusing lights on the sound stage as well as helping with balancing power and wrangling cable.

On this shoot, I was responsible for wrangling all the footage from the camera onto the harddrive during production. Once production was over I edited the documentary in its entirety.

During this shoot, I was responsible slating each shot, as well as switching out lenses, taking notes of each take, and making talent markers. I also did editing in post production for the final edit.