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Susumu Kimura

Los Angeles, CA

http://staffmeup.com/profile/susumu

Media Education Recommendations Gear/Skills

Summary

Message

Independent filmmaker and editor for film, television, and digital contents. 15 years of experience include narrative, documentary, music video, reality shows, commercials and promos/sizzles. Proficient in English and Japanese.

Credits

12/22 – 2/23

Editor – Sizzle Reels

Digital — RoseRock Entertainment Details

12/22 – 2/23

edited promo reels

8/22 – 11/22

Editor (Premiere Pro) – Celebrity Sluggers

YouTube — Digital — Whistle Sports

8/22 – 11/22

8/21 – 11/22

Editor (Premiere Pro)

Staff Position — BookClub.com

8/21 – 11/22

3/22 – 7/22

Editor (Premiere Pro) – Home Team (Season 1)

YouTube — Digital — Whistle Sports

3/22 – 7/22

9/21 – 3/22

Editor (AVID) – Chasing Waves (Season 1)

Disney+ — TV — Boardwalk Pictures

9/21 – 3/22

2/20 – 11/21

Editor (Writer / Director) – Submittan

Dust — Film (Short) Details

2/20 – 11/21

Written, Directed, Edited a short film currently distributing on DUST network

3/21 – 3/21

Editor (AVID) – Chasing Waves (Pilot)

Disney+ — TV — Boardwalk Pictures

3/21 – 3/21

11/20 – 1/21

Editor (Premiere Pro) – Google Small Business

Google — Digital — INVISIBLE Collective

11/20 – 1/21

9/20 – 12/20

Editor (Premiere Pro) – Behind the Design

Nike — Digital — Calico

9/20 – 12/20

8/17 – 6/20

Editor

Staff Position — NBC Universal

8/17 – 6/20

1/18 – 4/18

Editor – What The Fashion (Season 1)

E! Entertainment — TV — E! Entertainment Television

1/18 – 4/18

12/13 – 6/17

Editor

Staff Position — Trium Entertainment / INE Entertainment

12/13 – 6/17

9/16 – 1/17

Editor (AVID) – Ultimate Beastmaster (Season 1)

Netflix — TV — 25/7 Productions

9/16 – 1/17

5/16 – 8/16

Editor – Dying to Kill

Dying to Kill — Film (Feature-length) — Dying to Kill

5/16 – 8/16

9/14 – 12/14

Post Production Supervisor – Kepler X-47

Erin Li Films — Film (Short) — Erin Li Films

9/14 – 12/14

6/14 – 9/14

Editor – Kepler X-47

Erin Li Films — Film (Feature-length) — Erin Li Films

6/14 – 9/14

6/06 – 11/13

Editor

Staff Position — TV Guide Network

6/06 – 11/13

3/12 – 7/13

Editor (FCP) – To The Bone

Erin Li Films — Film (Feature-length) — Erin Li Films Details

3/12 – 7/13

Picture-edited the short film with the editor. Coordinated with sound facility and the colorist through finishing. Final conforming/titling/output. Also responsible for some of the effects and last fixes in the movie.

12/12 – 6/13

Editor (FCP) – Dear Susan

Film (Feature-length) Details

12/12 – 6/13

Edited the picture and sound of self-directed, produced film. Worked with sound mixer for the final 5.1 mix. Color corrected. Final conforming/titling/output. Delivery.

3/13 – 3/13

Editor (FCP) – My Dear Americans

Film (Feature-length) — Film Independent: Project Involve Details

3/13 – 3/13

Picture-edited the short film with the editor. Coordinated with sound facility and the colorist till finishing. Final conforming/titling/output.

8/12 – 1/13

Editor (FCP) – Pray For Japan

AMC Theatres — Film (Feature-length) — Pray for Japan Film Details

8/12 – 1/13

Co-edited the feature-length documentary. Part of 4-person editing team.

6/12 – 9/12

Editor – Count It Down: Best Chick Flicks

TV Guide Channel — Film (Feature-length) — TV Guide Network

6/12 – 9/12

3/12 – 6/12

Editor – Catching the Invisible Light

Focus Forward Films — Film (Feature-length) — Erin Li Films

3/12 – 6/12

3/12 – 4/12

Editor (FCP) – Rosita Lopez For President

Film (Feature-length) — Film Independent: Project Involve Details

3/12 – 4/12

Picture-edited the short film with the editor. Coordinated with sound facility and the colorist till finishing. Final conforming/titling/output. Also responsible for some of the effects and last fixes in the movie.

1/08 – 7/11

Editor (FCP) – Hollywood 411

Pop — TV — TVGN in house production Details

1/08 – 7/11

Working with the producers, edited the segments/packages that runs during live recording of the whole show. Often with Graphic works (motion or after effects) and audio sweetening, selecting music. Responsible for outputs (tape and digital) as well.

7/03 – 12/10

Editor (Avid) – Consciousness

Geia Production — Film (Feature-length) — Geia Production Details

7/03 – 12/10

Re-edited the whole movie with the director.

6/10 – 9/10

Editor – Death Calls

1st Command Productions — Film (Feature-length) — 1st Command Productions

6/10 – 9/10

8/09 – 5/10

Editor (FCP) – I Have A Victory: Crenshaw Elite Choir

Film (Feature-length) Details

8/09 – 5/10

Re-edited the previously-edited TV program into feature-length documentary with newly-shot footages. Created sound and music track. Final conforming/title/output.

1/09 – 4/09

Editor – Hollywood 411 (Season 1)

TV Guide Channel — TV — TV Guide Channel

1/09 – 4/09

7/08 – 10/08

Editor (FCP) – Koroshiya

The Evans-Masters Company — Film (Feature-length) — The Evans-Masters Company Details

7/08 – 10/08

Picture-edited the short film. Coordinate with sound editors / colorist until the finishing and delivery completed.

12/07 – 12/07

Online Editor (Avid) – Watch Over Me

MyNetworkTV — TV — Gone Fission Productions Details

12/07 – 12/07

Color Correction, Rotoscoping, Conforming and output to HD.

8/07 – 12/07

Editor (FCP) – The 411

Pop — TV — TVGuide Details

8/07 – 12/07

2/06 – 7/07

Editor – Tv Guide Channel Watch This

2/06 – 7/07

10/05 – 6/07

Editor (FCP) – Watch This With John Henson

Pop — TV — TVGN in house production Details

10/05 – 6/07

1/07 – 4/07

Online Editor – Watch Over Me (Season 1)

Disney Channel — TV — 20th Century Fox Television

1/07 – 4/07

4/06 – 7/06

Editor – I.R.A.: King of Nothing

Peacock Films — Film (Feature-length) — BBI Entertainment

4/06 – 7/06

1/06 – 4/06

Editor – The 411 (Season 1)

TV Guide Channel — TV — TV Guide Channel

1/06 – 4/06

1/06 – 1/06

Motion Graphics – Aol Purina Incredible Dog Challenge

Details

1/06 – 1/06

Motion Graphics

12/05 – 12/05

Editor – Acc College Hoops

Fox Sports

12/05 – 12/05

9/05 – 12/05

Second Assistant Editor – Callback

Show-Gun-Eye Entertainment — Film (Feature-length) — Show-Gun-Eye Entertainment

9/05 – 12/05

1/04 – 9/05

Editor (Avid) – DIG Studios

DIG Studios Details

1/04 – 9/05

Edited DVD extra content and other promotional item for Disney, New Line Cinema and Fox. Also responsible for creating motion graphic designs.

7/05 – 8/05

Editor (FCP) – I.R.A. King of Nothing

Film (Feature-length) Details

7/05 – 8/05

Finished picture-lock the feature film in 2 weeks!

5/05 – 8/05

Editor – Watch This

TV Guide-Gemstar — Film (Feature-length) — TV Guide-Gemstar

5/05 – 8/05

4/05 – 5/05

Editor (also graphic, rotoscoping) – Disney Playhouse Disney Live Queue Line Tape

Details

4/05 – 5/05

also graphic, rotoscoping

4/05 – 4/05

Editor (also graphic) – Disney Abc Little Einsteins Promo

ABC Family Details

4/05 – 4/05

also graphic

3/05 – 3/05

Assistant Editor (also rotoscoping) – Mgm Beauty Shop Dvd Extra

Details

3/05 – 3/05

also rotoscoping

2/05 – 2/05

Editor (also graphic, title) – Warner Bros Constantine Spots

MTV Details

2/05 – 2/05

also graphic, title

1/00 – 4/02

Assistant Editor (Autodesk Inferno / Quantel Henry) – various

Omnibus Japan — Advertising — Omnibus Japan Details

1/00 – 4/02

Assist editors in every way: ingest, graphic needs, output, telephone calls, note taking, archiving, prepping.

View 40 More Credits

Unions

IATSE Local 700 Motion Picture Editors Guild (MPEG)

Media

Sci-Fi Short Film "Submittan" | DUST | Online Premiere
Short Film "To The Bone"

Recos

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Education

Class of '98

Emerson College

B.S. in Visual and Media Arts

My Gear

Adobe Premiere Pro
Avid Media Composer
Davinci Resolve
Adobe Photoshop
Adobe After Effects

Skills

AVID Media Composer
Adobe Premiere
DaVinci Resolve
Adobe Photoshop
Adobe After Effects

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