Organized shooting schedule, managed crew during principle photography
Summary
I am a dedicated worker who tries to anticipate the needs of the crew and ensure that filming can be a positive and productive experience. I can work as a local in Atlanta, Wilmington, Greenville, SC, Augusta, GA, and Salt Lake City, UT.
Credits
5/22 – 6/22
First Assistant Director – Christmas Party Crashers
Film (Feature-length) — CP Crashers LLC Details
5/22 – 6/22
10/21 – 12/21
Second Assistant Director – Where All Lights Tend To Go
Film (Feature-length) Details
10/21 – 12/21
Oversaw cast going through the works, call sheet prep and distribution, coordinated with BG casting
7/20 – 8/20
First Assistant Director – Mediator
Film (Feature-length) — E-TRE PRODUCTIONS Details
7/20 – 8/20
Establish shooting schedule, create and distribute daily call sheets, monitor on-set time management, ensure COVID compliance, communicate with departments heads re: changes to daily schedule
2/20 – 3/20
First Assistant Director – Awaken
Film (Feature-length) — Wake Me LLC Details
2/20 – 3/20
Establish shooting schedule, oversee on set time management to ensure daily productivity, monitor crew safety, communicate with producers and heads of department on last minute changes
12/19 – 12/19
Production Assistant – Sunbelt Championship
ESPN — TV Details
12/19 – 12/19
PA/Runner supporting production
11/19 – 11/19
Key Set Production Assistant – The Royal
Film (Feature-length) — The Royal Film LLC Details
11/19 – 11/19
Assisted First AD in set management, talent management, and managed set PAs.
11/19 – 11/19
Production Assistant – Tulsa vs. ECU
ESPN — TV Details
11/19 – 11/19
PA/Runner supporting production
12/18 – 12/18
Director – Curtain Call
Film (Short) Details
12/18 – 12/18
Wrote and Directed short for the 100 Hour Film Race.
Recos
Rigger
- Kevin was Line Producer and Barbara was Second Second Assistant Director on Encounter, Dwight in Shining Armor, The Reason
My Gear
Skills
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