Lead Editor and Post-Supervision. My duties include gathering all assets and storing, media pipeline and workflow, editing, color correction, sound mixer, and motion graphic artist.
Summary
Based in Los Angeles, CA, I've been a freelance editor for 15 years. I have worked with a wide array of clients from corporate to broadcast. I am proficient in FCP X, DaVinci Resolve, Adobe Premiere, After Effects, and Motion.
Credits
4/11 – 8/20
Editor (Final Cut Pro X, DaVinci Resolve, Premiere) – ARRI
Social Media — Corporate Details
4/11 – 8/20
6/12 – 2/13
Editor (Final Cut Pro X) – Jessica James Yoga
YTC Films Details
6/12 – 2/13
Contracted by the client to provide them with editorial, motion graphic, color correction, and post-supervision services for a 2 hour DVD program, along with, promotional commercial and scripted introduction. Editorial and finishing in FCP X, with audio finishing sent to Logic 9.
12/12 – 1/13
Editor (Final Cut Pro X)
YogaWorks — Advertising — Fluid Frame Photography Details
12/12 – 1/13
Contracted by the client to provide them with editorial, color correction, and sound mixing for a 60 second spot. Post-production workflow was done entirely in FCP X.
12/12 – 12/12
Editor (Final Cut Pro X)
Gaiam — Advertising — YTC Films Details
12/12 – 12/12
Contracted by the client to provide them with editorial, color correction, and sound mixing for a 60 second spot. Post-production workflow was done entirely in FCP X.
10/12 – 12/12
Editor (Producer, Post-Supervision)
Tech Hollywood — Advertising — Tech Hollywood Details
10/12 – 12/12
Contracted by the client providing them with editorial, compositing, motion graphics, and color correction services. Post-Production workflow used for these projects were Final Cut Pro 7 and X, Adobe After Effects CS6, and Apple Compressor 4.
8/12 – 10/12
Editor (Final Cut X) – NFL Reality Show Pitch
Sizzle Reel — Indepenedent Details
8/12 – 10/12
I was contracted by an Independent Production Company to edit a reality show sizzle reel for network pitch. The services I provided to the client were editorial, motion graphics, and color correction. Post-Production Workflow I worked with was Final Cut Pro X, Adobe After Effects CS6, and Apple Compressor 4.
5/12 – 6/12
Editor (Final Cut Pro 7) – The Weekly Squeak (Pilot)
Disney Channel — Watson Bay Entertainment Details
5/12 – 6/12
Contracted by the client to provide them with editorial, compositing, motion graphics, color correction, and DIT services. Post-Production workflow used for this project was Final Cut Pro 7, Adobe After Effects CS6, and Apple Compressor 4.
5/12 – 6/12
Editor (Final Cut Pro 7 and Final Cut Pro X) – ARRI Product Instructionals
Internet — Digital — ARRI Details
5/12 – 6/12
Contracted by the client to provide them with editorial, color correction, and sound mixing services. Post-production workflow initially started in FCP 7, then I migrated it over to FCP X. Other tools involved were Adobe Premiere CS6, Logic Pro 9, and Apple Compressor 4.
Media
Recos
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Education
Class of '01
California State University, Fullerton
BA, Communications
My Gear
Skills
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