I composited or oversaw completion of over 400 shots which ranged from matte paintings, liquid sims, and all with characters. I supervised render artist and developed tools for pipeline that could a accommodate a smaller crew and lower budget.
Summary
Tim, a Compositing Supervisor, based in San Francisco, has 1 Compositing Supervisor credit and 3 Compositor credits, and has been a member since 2014.
Credits
4/13 – 2/14
Compositing Supervisor (Visual Effects Artist) – The Adventures of RoboRex
Film (Feature-length) — Escapology, Wulf/ Gourly Productions Details
4/13 – 2/14
1/13 – 3/13
Compositor (Visual Effects Artist) – Dragon Warriors
Film (Feature-length) — Dragon Warrior Details
1/13 – 3/13
I composited a magical dragon fly and hologram sequence. Designed pixie dust elements and added weapons a fight scene.
8/12 – 12/12
Compositor – The Crown and the Dragon
Film (Feature-length)
8/12 – 12/12
1/12 – 2/12
Compositor (Matte Painter) – Scoot & Kassie's Christmas Adventure
Film (Feature-length) — Wulf / Gourley Productions Details
1/12 – 2/12
I added snow, green screen car composites, signage removal, performance enhancement
9/11 – 9/11
Assistant Camera (AC) – El Murciélago
Film (Feature-length) Details
9/11 – 9/11
On this show I assisted with lighting and focus pulling for the night shoots. It was shot on the Canon Mk II for black and white. My cinematographer was Sean Slobodan.
1/10 – 7/10
Editor (FCP) – The Food Nanny (Season 2)
TV — KALEIDOSCOPE PICTURES Details
1/10 – 7/10
I edited several episodes for this program, It was a multi-cam shoot with a fast turn around. Despite the rigors of the schedule it was very enjoyable and a good company to work for.
10/09 – 5/10
Producer (Screen Writer) – The Maze
Film (Feature-length) — Ground Glass Entertainment Details
10/09 – 5/10
I co wrote and produced the Maze with Katy Baldwin Lewis. The Director and Editor, Steve Shimek and Kristi Shimek produced as well It won Best PIcture and Best Cinematography at the Salty Horror Film Festival.
7/07 – 10/07
Line Producer – Dragon Hunter
Film (Feature-length) — Ground Glass Entertainment Details
7/07 – 10/07
This film was a first for a lot people involved so I was the Michael Clayton. If there was a problem with locations, talent, crew, or mother nature I had find a solution quick.
Recos
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