Robert Stockwell III

Receive camera and lighting gear in. Prepping the entire package for shooting / verifying everything is in working condition. Managing a 2x Serv 1x Link and iPad Monitoring setup. Assisting where needed with 2x Operators in the field using FS7's. Setup and managing up to 8x GoPros. Assisting with lighting where / when needed (4x Astra Panels, Ribbon Lights, and Litra Onboard lights). Loading gear in and out of hotel gear room every day. Keeping gear organized and communicating with production for anything that needs replaced or supplemented in the kit. Also handling media management using Shotput Pro. For up to 2x FS7's, 8x GoPros, 1x Drone, and 1x Osmo. Creating a card field log with notes from the day. And communicating with post as needed to address any specific notes from the field.

Receive camera and lighting gear in. Prepping the entire package for shooting / verifying everything is in working condition. Managing a 2x Serv 1x Link and iPad Monitoring setup. Assisting where needed with 2x Operators in the field using FS7's. Setup and managing up to 8x GoPros. Assisting with lighting where / when needed (4x Astra Panels, Ribbon Lights, and Litra Onboard lights). Loading gear in and out of hotel gear room every day. Keeping gear organized and communicating with production for anything that needs replaced or supplemented in the kit. Also handling media management using Shotput Pro. For up to 2x FS7's, 8x GoPros, 1x Drone, and 1x Osmo. Creating a card field log with notes from the day. And communicating with post as needed to address any specific notes from the field.

Prepping the Alexa Mini package, Slating, Notes/Field Log, general camera assistance.

Typical 2nd AC Responsibilities

Typical 2nd AC Responsibilities

Typical 2nd AC responsibilities.

Handling media management and logging of footage along with general support for the camera team.

Oversee the remote studio setup for Jeannie Mai.

2nd AC and Media Management for a 2 camera shoot with Drone, Steadicam.

Media management: Duplication and verification of media largely in the field along with tracking logs. Occasionally handling light AE work syncing and distributing shot media to whomever needs it either for their own use or for review. Lightweight field teams so also assisting as needed with any and all tasks to help ensure a smooth shoot.

Assisting with 16 GoPro's setup in various cars and locations along with a 5 Camera team.

Assisting two camera operators in the field on a run and gun style reality production. Handling media management, card logs, assisting with lighting setups, operating / rigging GoPro's.

Typical 2nd AC responsibilities along with Media Management in the field.

Assist two operators on a four camera shoot and handle media management.

Was actually running the non-union transpo team for this. Hiring, managing, coordinating the breakdown, setup and movements of all the production vehicles and base camp.

General Assistant Camera duties for reality tv

Assisting with general setup and operations of the event and associated filming of the event during its Atlanta tour date.

Media Manager swing AC. Camera count... Many. I think a total of 22 camera sources and 3 primary audio sources along with multiple cast self record devices.

Day Player - Typical house reality duties

Media Manager / Swing - Dumping/Duplicating and verifying media integrity along with tracking. Swing with G&E, Cam, PA duties on a small crew.

Assisting with sign out and build, managing direct and client monitors, slating, swinging lenses, batteries, camera log, keeping things clean and organized, etc...

Assisting mainly with talent coordination and accommodation for a segment filmed inside the Mercedes Benz Stadium leading up to the Super Bowl.

Only AC - Camera support for two operators using FS7's. Including gear checkout and checkin. -- Goes between reality run-and-gun style and interviews.

Camera support for a fairly light-weight pickup shoot.

Shenanigans with an Alexa Mini

Overnight baby sitter for adult talent. So basically reading books and ensuring they didn't burn the house down.

Digital Loader, backing up 4K media from a Panasonic EVA 1, Panasonic LT, and a Shogun Flame for each of them as well as intermediately from an Odyssey Q7+. Spot checking footage. Cutting quick looks per scene. Assisting camera team on set whenever possible or whenever needed.

Assisted on shoots in Asheville and Auburn with both units (two unit filming team). Prepping gear, hotel, loading in/out, appearance release heavy, assisted with setting up lights, and swinging camera gear. Was a fun show with great people in a couple of great little towns.

Mostly shenanigans A7s builds.

B-Roll Cam Op Day Player

Run and Gun Style shooting on B-Roll Cam

Coordinating transportation of production vehicles between locations including hiring drivers and managing start paperwork and hours for all drivers.

Media Management for the duration of a sizzle shoot as well as driver/PA/Swing.

Primary responsibility was media management and logging footage for post production. I also worked as swing, coordinating insurance, meals, crafty, rental paperwork and in general whatever needs arose on the fly.

Assist with Camera department, manage media dumps / duplication. Build the project including reviewing footage and creating notes for footage etc...

Director Bret Wood. Assisted with setup / breakdown, crafty, runs. Also worked as 1st AC one day filling in: Slating, monitor and cable runs, swinging lenses, setting up gimbal, swapping bricks, etc...

Some light assistance on shoot dates for filming. Handled organization, editing and gfx.

16 Passenger Van (shuttle) driver for Film Festival patrons.

Vehicle, general gear, camera gear pickup and drop-off. General PA Duties as assigned.

PP3 Photo shoot - Being a photo shoot, in general much broader set of responsibilities not limited by department. Essentially any and all duties as assigned across departments to optimize the speed at which the production could move.

Pickup / Drop-off vehicle, gear and crew. General transportation for crew. On set mainly assisted camera operator / DP.

Assisted with general PA duties as needed during the shoot, managed media (dump and duplication) during shoot, rebuilt brand logo and assisted with editing the commercials.

Assisted with general setup / tear down, set dressing, fire watch, meals, transportation.

Day player for photography crew.

Mainly Transportation - Driving a 16 passenger van.

Load in / out, crafty, meals. Drove production van (rented gear). Assisted Cam last day.

Dumping cards, setting up base project and syncing audio.

Managed the crew, ensured we had crafty and meals available when necessary, ensured we had crew, talent and location releases necessary for submission, assisted with editing.

Managed all technical aspects of production from signal routing to system maintenance, oversaw online video library management, production workflow, backups and more. I also functioned as needed in any of the production aspects for the live and look-live productions though I mainly trained others on the operation of the equipment and oversaw the productions. Edited as needed, created still and motion graphics for show intro's, lower thirds, and commercials. Managed the websites and provided troubleshooting support for clients.

Managed the location, assisted with writing, setup of scenes, dumping and duplicating media, and lead editor.

Was brought on as a PA and moved to Cam Op to finish out the shots we needed and then moved to assistant editing to ensure we got it in on time.

Setup all pre-produced graphics, lower thirds, credits and commercials on a TriCaster 460 and operated the TriCaster during the shoot.

- Rebuilt the website that hosted the programs. - Assisted in shooting and editing all in-house commercials to air during live broadcast - Created all motion graphics including show intros, credits and lower thirds - Setup the TriCaster 460 and loaded all content necessary onto it - Setup the livestream on the OVP - Ran / Monitored the livestream while we were live - Technical Directed / Operated the TriCaster 460 during the live broadcasting - Setup the computers working in parallel with the TriCaster 460 for things like live viewing websites and pulling in Skype feeds for interviews. - Split the programming into individual shows and made them available On Demand on the OVP

Technical director for live and look-live broadcasts for an internet broadcasting company that was primarily business to business. I also managed the live streams, online video library, media backups, edited as necessary and advanced into motion graphics and miscellaneous other responsibilities as assigned.

Operated NewTek VT4, Sony PTZ Robotic Cameras, input lower thirds and all commercials, monitored live stream.

Assisted with setup for the shoot, organized and dumped media, synced all cameras and audio together, and cut together a look-live format series of videos for release.