Carry and Operate LED Light Panel for on-field interviews.
Summary
Travis, a Panel Light Tech, based in Snellville, has 3 Camera Operator credits and 2 Camera Utility credits, and has been a member since 2014.
Credits
10/16 – 10/16
Panel Light Tech – Louisville vs Clemson
ESPN — TV — ESPN Details
10/16 – 10/16
11/13 – 2/16
Camera Operator (Sony FS7, Sony EX3 and Canon C500)
Staff Position — SPARK (Full Sail's Student Production Agency) Details
11/13 – 2/16
Operate and maintain cameras. Train new members the layout and how to operate the cameras.
3/13 – 2/16
Camera Utility (Stagehand, Jib Assist, camera utility, camera operator) – WWE NXT
Live/Special Event — World Wrestling Entertainment (WWE) Details
3/13 – 2/16
Assist in the setup, production, and strike of NXT shows at the Full Sail Live Venue. Run triax cables for the different cameras. Assist in setting up guerilla room and ensuring they are getting their video feed. Assist in setting up the vignette room. Shot backstage packages operating the Sony HDW-F900R. Switched out cassettes as directed and handed them to be labeled.
1/16 – 1/16
Camera Utility (Jib Assist) – WWE Royal Rumble
Live/Special Event — World Wrestling Entertainment (WWE) Details
1/16 – 1/16
Assist in running camera cables during setup. During show, wrangle the jib's cable as it moved through the venue.
9/15 – 9/15
Camera Operator (Sony F65 and Sony F55) – The Rift
Film (Short) — Full Sail University Productions Details
9/15 – 9/15
Was responsible for loading and unloading of all necessary camera equipment from production truck. Ensured the cameras were built properly and ready for production and properly broken down and stored. Worked with DIT to ensure the right numbered storage media was used for each day of shooting. Walked through the shot list with DP and director to ensure their vision was captured on set and made adjustments. Operated on sticks and hand-held.
9/15 – 9/15
Camera Operator (Sony F65) – Unusual Places
Film (Short) Details
9/15 – 9/15
Load in/out camera gear. Supervise the building of the camera and layout of gear in working area. Review shot list with DP before shooting begins every day. Operate the camera. Set camera settings as desired by DP and director. Communicate with DIT over the proper media card to use each day and handing over at the end of each day.
Recos
Education
Class of '15
Full Sail University
Master of Fine Arts (MFA)/Film Production
Class of '14
Full Sail University
Bachelor of Science (BS)/Film
My Gear
Skills
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