T.S. Green

I was responsible for lighting for a one take steadicam project where I had to figure out the best way to light so that none of the equipment would be seen during the take.

I was responsible for lighting live sit down interviews being broadcast to various TV stations.

I was responsible for lighting interviews and b-roll and assisting the DP.

I was responsible for lighting various scenes and assisting the DP.

I was responsible for lighting interviews and b-roll and assisting the DP.

I was responsible for lighting our sit down conversations and setting our 12x12 overhead.

I was responsible for lighting a choral performance and assisted the DP with gear load in and setup in a swing type capacity.

I was responsible for lighting interviews and b-roll and assisting the DP.

I worked to rig lights and run power for main unit.

I was responsible for lighting interviews and b-roll and assisting the DP.

I was responsible for lighting scenes and working with the DP to achieve the desired look and lighting of given scenes.

My primary responsibility was lighting scenes and assisting the DP on multiple episodes shot in the midwest.

I operated a Fischer 10 during the shoot and helped assist with lighting.

I was responsible for light different scenes and helping load in/load out gear.

I was responsible for lighting scenes and operating camera to promote the DCI Ambassadors program.

I was responsible for lighting scenes and assisting the DP for DCI Ambasadors video produced by Rebel Pilgrim Creative Agency.

I was responsible for light different scenes and helping load in/load out gear.

I was responsible for light different scenes and helping load in/load out gear.

I was responsible for light different scenes and helping load in/load out gear.

I ran power and set lights as part of the electric rigging crew to prepare sets for main unit electric.

I helped light scenes and drive our grip truck to various sets.

As the Gaffer on Chance I worked with the DP to achieve the visual look and style needed for each scene and helped advise on needed gear to accomplish those ends.

As the AC I was responsible for building our two FS7's, keeping up with batteries/media, helping light scenes, and manage gear.

For our two day shoot I helped light scenes, set flags/silks/modifiers, and assist the DP with whatever was needed including setting up our fisher 11 dolly and running dolly.

As the AC for the shoot I was responsible for setting up our Sony F5, assisting with lens/media/battery changes, setting up and pulling focus on our wireless follow focus, setting up our DJI Osmo, setting our Kessler Cineslider w/parallax, and assist with any other needs etc.

As the AC and Media Manager I helped set up cameras, light scenes and interviews, run power, manage and transfer media to our master drive and backups, spot check clips, and make brief log notes for post.

As the Director of Photography for the Cincinnati Bell 'Connections Story: Donna' I was responsible for running camera and lighting our interview & B-roll scenes according to the director's vision for the project.

I was the Gaffer for the Rookwood Pottery/Cincinnati Zoo Superbowl commercial celebrating Fiona. On the project I lit shots according to the direction of the Director and DP while managing our grip and electric teams.

As the swing for the shoot I helped set lights, run power, black out windows with 12x12 rags, cut and place ND on windows, set modifiers, helped set our dana dolly, and assist with whatever the DP needed.

For the shoot I shot and directed background participants in scripted celebration bites and recorded various crowd reactions to big plays during week 1 for for hype videos that will play at Heinz field on the jumbo tron during the Pittsburgh vs. Cincinnati game in week 7.

As the AC for the shoot I was responsible for setting up our Sony F5, assisting with lens/media/battery changes, setting up and pulling focus on our wireless follow focus, setting up our DJI Osmo, setting our Kessler Cineslider w/parallax, and assist with any other needs etc.

As the electric swing I primarily helped with setting lights, running power, and served as on set lighting tech assisting the gaffer. I also helped the grip team as needed with frames/modifiers, and bringing gear to and from set.

For our shoot I helped build and set our 12x12 overhead frame, shadow the gimbals operator for safety, and helped set various modifiers and bounces.

I ran second camera during scene work, shot b-roll, and helped light scenes and interviews.

As the AC and Media Manager I helped set up cameras, light scenes and interviews, run power, manage and transfer media to our master drive and backups, spot check clips, and make brief log notes for post.

As the swing I helped both grip and electric with setting lights, running power, setting frames/modifiers, and bringing gear to and from set, and assisting electric in grip teams with whatever they needed.

As the Gaffer (swing) I helped build and set lights and modifiers, ran power, and assisted the DP with any needed help during shooting of various commercial spots.

As the swing I helped run power from our 600 amp generator, helped set/rig/modify lights, bring gear to and from set, and assist Electric in grip teams with whatever they needed.

Worked with the electric team on set to help set/rig lights, place and operate condor lifts, assist with running power, and bringing gear to/from set.

As the Gaffer/swing I set lights for interviews and helped assist with the needs of the shoot.

I worked with the electric team to help set/rig lights, assist with running power, and bring gear to/from set.

As the DP for the shoot I set up and lit two cam interviews, ran audio, conducted interviews, shot scene and general b-roll, and oversaw the second operator.

As the Grip/Gaffer I helped build and set lights and modifiers that included a 6x6 frame, built our 8ft Porta Jib, ran power, and assisted the DP with any needed help during shooting of various commercial spots.

As a rigging electric I worked on various days prerigging lights and running power ahead of the main unit, followed behind main unit wrapping gear from various locations, drove and operated condor lifts to rig/derig equipment on various roofs, and occasionally worked on set helping main unit as needed.

As the DP for 'The Great Gate' I was responsible for the look and feel of the project as it relates to camera work and lighting in order to establish the mood and tone of the film in conjunction with the vision of the director.

As the Grip on Ride TV's 'This Old Horse' I helped light interviews with the gaffer and assist with lighting B-Roll and different host segments as needed.

Electrician on the short film Help. On the project I helped set lighting and modifiers, and ran power.

I was the DP for the Setco Southeast overview video. On the project I light and shot interviews and b-roll, and set up our mini jib and slider for various shots.

I was the Gaffer for an internal training video series for Old World Industries with drag racer John Force. On the project I light various scripted scenes, ran power, placed modifiers, and in general helped the DP with whatever was needed.

DP for videos highlighting the BPH170 attachment and the FTX128 rubber track capabilities. My work consisted of lighting interviews and shooting b-Roll, and using our 3' slider and mini jib.

I was the Gaffer for various internal videos for Signature Hardware. My work consisted of lighting interviews and b-Roll, setting up our Dana Dolly and Kessler Pocket Jib, and running power.

I was Director of Photography for Sirrus Inc. video highlighting their company and their capabilities. For the project I lit and shot interviews and b-roll, monitored audio, and set up our jib and slider.

I was the Gaffer for various commercial spots promoting different Barber Foods ready to make products. On the project I light scenes, ran power, and helped set up dolly/jib/slider shots according to the direction of the DP.

Key Grip on various spots for Rockin Refuel with wide receiver AJ Green. My responsibilities included managing our grip/PAs, building multiple 8' and 12' frames with different silks and flags etc, placing modifiers, blacking out a number of windows etc, setting up and moving video village and courtesies, driving 3 Ton Grip truck, and managing/packing the truck.

Worked multiple days as an additional grip helping with setting flags/modifiers, assisted with setting dolly track, helped rig a flyswatter on an 80' Condor, and bring gear to/from set as need.

Worked as an additional electric helping fly gear to/from set, helped with running power lines and power distribution, and helped place a balloon light for a night exterior.

Director of Photography for a corporate video shoot for Setco highlighting their trueset diagnostic tool. The shoot primarily consisted of gather b-roll and using a slider.

Worked as an additional electric and as an additional grip on various days. As an additional electric I helped set/rig lights, assist with running power, and bringing gear to/from set. As an additional grip I helped set flags/nets/modifiers, bring gear to set, help with dolly and slider setups, skin and set frames (6x6, 8x8,12x12 ect), and fly gear to/from set.

Worked with the electric team on multiple large scale days to help set/rig lights, assist with running power, and bringing gear to/from set.

Director of Photography for a corporate video shoot for Fecon highlighting their FTX128 track carrier and attachment line up. I was responsible for setting up interviews, running camera, shooting b-roll, and using a slider.

As the AC for the show I prepped cameras, assisted with lighting, changing media/lenses/batteries, and managed media ensuring everything was transferred properly to our master and backup drives, and spot checked files.

Helped the DP and Gaffer to set up and light various commercial spots for Big Sandy Superstore. Duties included setting lights/flags/nets/silks, running power, assembling/managing gear, setting up preview monitor, assist with lens/battery/media changes and anything else that was needed during the shoot.

Helped with rigging lights to an overhead grid and wrapping gear from a previous location.

Responsible for setting lights, running power from our 600A genie, and maintaining/organizing gear, and managed our electric team.

Director of Photography for a corporate video shoot for Insight Automation that gives a brief history and overview of the company. I was responsible for setting up two camera angles for multiple interviews, lighting the project, shooting b-roll, getting mini jib shots and using a slider.

On set electric responsible for setting lights according to the gaffer's request and aid the best boy in maintaining our gear/truck organization and helpping run power from our 500A generator

Prepped our FS5, balanced and calibrated our Ronin-M for various shots/setups, changed lenses/batteries/media, and helped with interview lighting set ups, and whatever else was needed to assist on the shoot.

Prepped our 2 Ex3's each day for shooting, set GoPros for various scenes, prepped 2 5DMkii for interviews, helpped with setting lights, changing lenses/battery/media, and managed media verifying proper transfer to each drive and spot checking files.

Director of Photography for a corporate video shoot for Bravewriter that introduces poetry teatime and it's benefits to home school families and beyond to help kids grow in their writing abilities. I was responsible for setting up two camera angles for scripted delivery, as well as lighting the project and shooting b-roll, and using a slider.

Assisted with setting/building modifiers and general grip duties while working on set and helped rig/unrig lights and run power as a rigging grip.

Director of Photography for a corporate video shoot for Bowie Industries highlighting the benefits of their Hydro-Mulcher equipment. I was responsible for setting up nterviews, running camera, shooting b-roll, and using a slider.

Director of Photography for a corporate video shoot for Fecon highlighting their new product Stumpex stump grinder. I was responsible for setting up and lighting interviews, running camera, shooting b-roll, directing the second op, and using a slider and an 8' mini jib.

Director of Photography for a corporate video shoot for Mesa Industries highlighting their new product the Airplaco Procreator. I was responsible for setting up and lighting interviews, running camera, shooting b-roll, directing the second op, and using a slider and an 8' mini jib.

Conception, development, and execution of branding idea that includes directing talent, operating camera, and editing/overseeing the final edit/score/color grade. https://www.youtube.com/watch?v=zhcS2oJrQ5A

I lit scenes working with the DP, helped manage/organize gear, and oversaw the G/E team throughout the production.

Electric Swing responsible for assisting the gaffer with setting lights in our various competition rooms, placing modifiers/gels, running power, keeping track of various gear placed throughout the convention center with the need of striking and setting up quickly as room available regularly changed, helped set interviews, and maintain organization of our two gear carts.

AC for Let It Fly Promotional video for a basketball training app shot with NBA basketball player Mike Miller of the Cleveland Cavs. During the shoot I helped set lights, pulled focus on wireless follow focus, did lens changes/batteries/media cards, and transferred media.

Grip for Fox Sports 1 interview with Melvin (Father) and Devin Booker (University of Kentucky Men's Basketball player). As the grip for the shoot I was responsible for helping load/unload gear, rigging/setting lights, and assisting with any needs to complete the interview set up and assist with B-roll.

Grip for Fox Sports 1 interview with University of Louisville Men's Basketball Coach Rick Pitino. As the grip for the shoot I was responsible for helping load/unload gear, rigging/setting lights, and assisting with any needs to complete the interview set up.

Director of Photography for a corporate video shoot for Hydroteck highlighting their new product test stand. I was responsible for setting up and lighting interviews, running camera for interviews and b-roll, and operating a camera slider and using an 8' mini jib.

Key Grip for the film ‘Chain of Command’ staring Stone Cold Steve Austin (WWE) and Micheal Jai White (Black Dynamite). On the film I was responsible for assisting the gaffer with placing lights and modifiers, running power, setting up our two dollies, and maintaining the organization of our 3 ton grip truck.

AC for the an untitled project for A&E featuring the Nick and Drew Lachey. I was responsible for prepping cameras, loading/unloading gear, assisting with lighting setups, rigging/setting GoPros, setting up charging stations during and after shoots, and running our 3rd EX3 during big scenes.

Grip for Fox Sports 1 interview with Cincinnati Bengal QB Andy Dalton. As the grip for the shoot I was responsible for helping load/unload gear, rigging/setting lights, and assisting with any needs to complete the interview set up by the scheduled interview time.

Director of Photography for a corporate video shoot for Positrol Workholdings highlighting their company and products. I was responsible for setting up and lighting interviews, running camera for interviews and b-roll, and operating a camera slider and using an 8' mini jib.

Director of Photography for a corporate video shoot with Cincinnati Incorporated for Oak Ridge National Laboratory (Dept. of Energy) filming their industrial size 3D printer as it printed a prototype 3D car for the Chicago Auto Show. I was responsible for lighting interviews, running camera and shooting b-roll.

Director of Photography for a corporate video shoot for Airplaco highlighting their Pump Master Mudjack pump. I was responsible for shooting b-roll, setting up time-lapse with a GoPro of work being done with the unit, and set up and lit testimonial interviews.

Director of Photography for a corporate video shoot for McKendry Village of Nashville highlighting their community and care services. I was responsible for lighting interviews and scenes, running camera, and shooting b-roll, and using camera slider and an 8' mini jib.

Director of Photography for a corporate video shoot for The Palms of Sebring in Sebring, FL highlighting their community and care services. I was responsible for lighting interviews and scenes, running camera, and shooting b-roll, and using camera slider and an 8' mini jib.

Director of Photography for a corporate video shoot for Friendship Village highlighting their community and care services. I was responsible for lighting interviews and scenes, running camera, and shooting b-roll, and using camera slider and an 8' mini jib.

Director of Photography for the Brave Writer seminar where I lit the main session and breakout rooms, lit placed cameras for sessions, ran 7D and slider for main sessions and breakouts, lit and shot participant testimonials and B-Roll.

Director of Photography for a corporate video shoot for Standex-Meder highlighting their company and products. I was responsible for setting up and lighting interviews, running camera(s), operating slider for interviews and b-roll, and using an 8' mini jib.

I worked directly with the DP to set up and light various commercial spots for Ashley Home Furnishings. Duties included setting lights/flags/nets, running power, assembling/managing gear, setting up a preview monitor, assisting with lens/battery/media changes and anything else that was needed during the shoot.

I managed sub contractors (electricians ect.), vendors, and PA's to make sure materials were accurate and that work was being completed according to schedule. I addition to management duties, I drove a 26' truck for large materials pick-ups and a bobcat to assist with demolition clean up.

I was a camera operator for the live performance of 'The Gospel of John' theatrical performance running camera and helped with gear load in/out.

I worked directly with the DP to set up and light various commercial spots for Big Sandy Superstore. Duties included setting lights/flags/nets, running power, assembling/managing gear, setting up preview monitor, assist with lens/battery/media changes and anything else that was needed during the shoot.

Worked with the DP helping set/adjust lights, helped build and set up cameras and monitors, set up the camera slider, and kept lenses/batteries on hand for quick changes.

As the camera PA assisting the DP and camera operators with set ups, lens changes, batteries, ect. Additional duties included shooting with the C300 during the interview with John Calipari, driving crew to b-roll locations, transporting talent, doing lunch and other runs as needed, and the occasional appearance release.

I worked directly with the DP to set up and light various commercial spots for Big Sandy Superstore. Duties included setting lights/flags/nets, running power, assembling/managing gear, setting up preview monitor, assist with lens/battery/media changes and anything else that was needed during the shoot.

As the camera PA assisting the DP and camera operators with set ups, lens changes, batteries, ect. Additional duties included shooting with the C300 during the interview with Rick Pitino, driving crew to b-roll locations, transporting talent, doing lunch and other runs as needed, and the occasional appearance release.

I was the Gaffer for the SAG film Hope Bridge staring Booboo Stewart (Twilight) and Kevin Sorbo (Hercules) were my primary responsibility was determining the best way to light scenes based on the vision and input from the DP.

Camera/Set PA in charge of driving our 32' RV; assisting crew with setup/tear down of gear; shooting when needed; making sure lunch was taken care of on time; and doing releases and runs.

Set PA

Camera PA

(Set PA: Smithsonian Channel)

Set PA

Camera Operator for Family Feud Casting Event.

Key PA

Set PA

Camera Assistant

Production Coordinator

Key Set PA/2nd AD

Lighting Assistant

Camera Operator

1st AC

Camera Operator

Camera Operator

Camera Operator

1st AC

1st AC

1st AC

Camera Operator