Ty Baillie

I worked side-by-side with the Key Grip and Cinematographer to insure lighting and electricity were distributed and set-up in both a timely and efficient manner. As well I maintained proper exposure and mood for each shot and set-up.

I worked side-by-side with the Key Grip and Cinematographer to insure lighting and electricity were distributed and set-up in both a timely and efficient manner. As well I maintained proper exposure and mood for each shot and set-up.

I worked side-by-side with the Key Grip and Cinematographer to insure lighting and electricity were distributed and set-up in both a timely and efficient manner. As well I maintained proper exposure and mood for each shot and set-up.

I controlled the boom and levels to create as clean of audio as possible for each location. Partway through the shoot, I also trained a secondary Boom Op so that I could focus on the increasingly complex lighting set-ups, as I was the Gaffer originally.

I worked side-by-side with the Key Grip and Cinematographer to insure lighting and electricity were distributed and set-up in both a timely and efficient manner. As well I maintained proper exposure and mood for each shot and set-up.

I maintained inventory of the grip and electric equipment, wrangled distribution cables, and coordinated much of the lighting and rigging setup autonomously from the D.P. to his and the Director's satisfaction.

I locked in talent and locations, scheduled and attended table reads and tech scouts, and maintained a production bible and schedule.

I organized and scheduled the day-to-day business of the production: everything from call sheets, releases, and contracts to equipment orders and craft services.