Tyler Hutcherson

1 of 2 production sound mixers for a comedy titled Man of the Cloth. I was responsible for recording sound for the film, as well as appearing in the film as part of the "documentary" crew following Alex and Ryan, the 2 main characters.

Maintain an organized workspace backstage, and mic Rackspace executives and presenters before going on stage. Also managed lav mics, handheld mics, and one tossable cube mic for crowd interactions.

Provide sound for student film - Alex; about a high school student who comes out as trans to their father.

Provide coverage of event audio, as well as stand up interviews to camera.

Provide field sound when production moved from LA to the Rio Grande Valley in Texas for a quick 2 day shoot. Included in-car audio as well as exteriors.

Assisted with setting up lights, platforms, and a little bit of audio for a green screen commercial shoot with The Law Guns.

Fill-In Media Manager. Provided reliable data backup and helped production move smoothly without their normal DIT.

Sound mixer for Unit A shooting interviews with Petsmart employees responsible for grooming dogs that are up for adoption. Interviewees wore smocks that gave me a challenge but was able to produce clean sound without rustles.

Provide field sound mixing along the US/Mexico Border in McAllen, TX. This was a very run-and-gun type of shoot with a ride along with the Chief of the McAllen Border Station both in an SUV on the ground, as well as aboard a Border Patrol Blackhawk helicopter. I was responsible for capturing audio in all locations at all times.

Provide Event Coverage audio as well as audio for to-camera interviews about how Great Hearts helps educate children differently, and more effectively.

Provide Event Coverage audio as well as audio for to-camera interviews about how Great Hearts helps educate children differently, and more effectively.

Sound Mixer for a PSA/Scripted comedy/Drama about how the "pull out" method of contraception is ineffective. 21 pages of script in 2 shoot days.

Work in tandem with the sound mixer to provide smooth boom operation to make sure each scene has sufficient coverage

Provide clean audio from lavs and boom on construction sites. Run wireless hops and time code to 2 cameras in a fast paced reality/eng environment

Provide sound mixing for interviews with oil company executives about improving the rubber in their tires for use with electric vehicles.

Help set and power lights during reveal day.

Provide quality production sound mixing for Going Under, for San Antonio's 48 Hour Film Project

Sound Mixer for roaming camera team

Provide sound for interviews with AAA insurance policy holders and fill in as a grip on b roll shoot days

Utilized smart shoe feature on Sony FS7 and a dual channel Sony receiver to send post fader mixes of L and R channels from mixer wirelessly to camera. We did this to prevent any hangups in editing.

I worked with my client to create an introduction video for his company, Memphis Buy and Hold, to place on the companies homepage. The goal of this video is to create confidence in the company for out of town investors, as well as encourage investment in the city of Memphis.

Set up and record sound for interviews of students and parents involved in the Memphis Grizzlies Scholarship Program. Used Lavalier and a boom mic to record sound in both home and office environments.

Set up and mix/record Sound for an indoor scene involving 3 speakers comparing rings. Used 3 separate lavalier mics and a boom,

Responsible for using light modifiers on an all outdoor shoot, as well as act as dolly grip, and sound supervisor,

Assist the Key Grip in setting up bounces and diffusion, while maintaining a neat and safe working environment

Responsible for placing lavalier microphones on talent, making sure batteries were full, and that mics stayed where placed. Operated the boom microphone, and recorded room tone throughout festival.

Helped Brandon Robertson mic talent, and set up boom, and run slate.

I was responsible for recording clean sounding audio using a mixture of wireless lavalier microphones and a boom mounted shotgun microphone. I mixed and recorded using a Zoom F8 which sent a post-fader mix to the camera as well as camera hops. For time code we used Tai Audio Tentacles synced off of the F8.

I was responsible for recording clean sounding audio using a mixture of wireless lavalier microphones and a boom mounted shotgun microphone. I mixed and recorded using a Zoom F8 which sent a post-fader mix to the camera as well as camera hops. For time code we used Tai Audio Tentacles synced off of the F8.

I followed a group of Memphis community members as they got to visit 2 different schools in the Gestalt Charter School organization on March 10, 2017. I was responsible for creating a short 3 minute highlight reel based off of the footage I captured, as well as providing all footage to David Roseberry for his use in his editing.

I captured video of every live performance at the Memphis Charter School Enrollment Fair that was put on by the Tennessee Charter School Center. My role was to simply document every performance for future use by David Roseberry, the in-house editor.

As the director of photography, I was responsible for designing each shot directly from the script, without storyboards. As a co-director I helped coax strong performances out of all of our talent.

Operated boom mounted microphone to record clean sound in very windy, outdoor environments around Memphis. Worked under the direction of Brandon Robertson

I was responsible for setting the sound department up at all locations, setting wireless lavalier microphones on our talent, and monitoring sound for any distracting noises. I primarily operated the boom microphone and monitored sound, but acted as a mixer on the last day of production to allow the original mixer to act as a producer.

I was responsible for capturing as much of the conference as possible for Downline Ministries' use in future marketing and in-house productions.

Capture clean audio in studio and exterior environments for a mideivel comedy. Included micing suits of armor and fight scenes.

Worked from a provided script to film an engaging video to help The Sycamore School in Memphis, TN raise money for their first year of operation.

I work with producers in the field to capture the daily life of Kenyan athletes as they walk 836 km through Kenya's North Rift Valley to promote peace. We interview the athletes, organizers, and communities we travel through to find out what peace means to each of them, and for Kenya.

I conceptualized and co-wrote Strangers with my fiance, Sarah Erlandson, then directed and filmed it for the MyRodeReel competition hosted by Rode Microphones.

I operate 1 of four cameras from either 1st base, above 3rd base, above home base, or from center field, and follow each play according to the action taking place on the field. My camera feeds into a system where the director switches between cameras, replay, and crossfire for broadcast.

I helped light scenes at a local restauraunt, SWBC Office, and a neighborhood street.

I was responsible for event photography during the CIS annual luncheon, honoring the class of 2014, raising funds for the next year, and recapping the year's achievements. The keynote speaker was Sheriff Susan Pamerlou

I captured video of The Heroine during their performance at River City Rockfest in San Antonio, TX.

I created videos to attract customers to City Tours Inc.'s tours in San Antonio, TX. These videos were designed for web publication through youtube and embedding on 3rd party websites. I worked with the president of City Tours to create dynamic films to entice customers in a saturated market.

I worked under the Key Grip to safely and properly light shots for Benson Honda, Benson Chevrolet, and Mercedes Benz of San Antonio. This included organizing stands, setting up key, fill, and accent lighting, as well as handling any sudden changes that were required due to changing light outside.

I am the director, executive producer, and creator of Project Forgiveness. Project Forgiveness is a documentary film examining cross-cultural concepts within forgiveness in the face of genocide. We are currently in production, and raising funds to continue filming in Bosnia and Guatemala.

I operate a 2nd camera and design alternative shots for Kimbra's makeup tutorials. I also pitch ideas for future videos.

I operated the boom microphone for 2 different Just Giggle It productions while filming indoors. I also aided the audio director in whatever he needed help with.