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Tyler Williams is a LA and East Coast based Cinematographer and Gaffer. He specializes in narrative filmmaking and storytelling. When Tyler takes on a project, he loves to be involved from pre-production all the way through post. 8 Years in the industry.
9/23 – Current
Director of Photography (DP) (Red Komodo)
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American Criminals
Film (Feature-length) — Aaron War Productions Details
9/23 – Current
Director of Photography for this feature length film.
Coordinated with the Director to gather their vision and bring it to life.
2/24 – 2/24
Netflix — Film (Feature-length) — Netflix
2/24 – 2/24
1/24 – 1/24
Director of Photography (DP)
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New Teeth Now
New Teeth Now — Advertising — New Teeth Now
1/24 – 1/24
12/23 – 12/23
Flag & Anthem — Advertising — Image Brew Details
12/23 – 12/23
Gaffer
8/23 – 8/23
Director of Photography (DP) (Red Komodo)
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New Teeth Now
New Teeth Now — Advertising — New Teeth Now Details
8/23 – 8/23
Director of Photography
8/23 – 8/23
Director of Photography (DP) (Red Komodo)
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Bad Beard
Jonathan's Landing — Advertising — Jonathan's Landing Details
8/23 – 8/23
Director of Photography
5/23 – 5/23
Delbert Hosemann — Advertising — The Hereford Agency
5/23 – 5/23
2/23 – 5/23
Film (Feature-length) Details
2/23 – 5/23
Gaffer
3/23 – 4/23
Music Video Details
3/23 – 4/23
Director of Photography
3/23 – 3/23
Director of Photography (DP) (Red Komodo)
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New Teeth Now
Advertising — New Teeth Now Details
3/23 – 3/23
Director of Photography
2/23 – 2/23
Camera Operator (Red Komodo)
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La Pelota
ABC — TV — Altered LA Details
2/23 – 2/23
Camera Operator
1/23 – 1/23
Director of Photography (DP) (Red Komodo)
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New Teeth Now
commercial — Advertising — New Teeth Now Details
1/23 – 1/23
Director of Photography
7/22 – 7/22
ViacomCBS — TV — Viacom CBS Details
7/22 – 7/22
Provided full Lighting Package for on location shoots. Set up and shaped lighting according to the show's needs.
3/22 – 3/22
PBS — TV — Show of Force Details
3/22 – 3/22
Worked between Production Company and Rental Company to provide best gear rentals. Drove box truck to location and back. Worked alongside the DP to provide lighting that matches the rest of the show.
3/22 – 3/22
peacock — TV — ITN Productions Details
3/22 – 3/22
Provided G&E Rentals and Cinema Camera Package for multiple interviews covering the show. Working with DP to provide lighting that matched the rest of the show.
9/21 – 9/21
Director of Photography (DP)
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WWE Evil
Film (Feature-length) — Bunim/Murray Productions Details
9/21 – 9/21
Set up shots and set up lighting. Working with RED Cameras and Arri Ultra Prime Lenses.
9/21 – 9/21
Film (Feature-length) — Bunim/Murray Productions Details
9/21 – 9/21
Drove 3 Ton Grip Truck and set up lighting for shoot.
9/21 – 9/21
Music Video — Pomp and Clout Details
9/21 – 9/21
Provided and set up diffusion/bounces as needed. Worked with DP to create the look for the music video.
8/21 – 8/21
Gaffer (Department Head)
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Mega Boa
Film (Feature-length) — Asylum Entertainment Details
8/21 – 8/21
Organized lighting crew and lit areas accordingly.
7/21 – 7/21
Film (Feature-length)
7/21 – 7/21
7/21 – 7/21
Lowe's — Advertising — LOWES HOME IMPROVEMENT
7/21 – 7/21
6/21 – 6/21
Prime Video — TV
6/21 – 6/21
6/21 – 6/21
Simple Social — Advertising — Simple Social
6/21 – 6/21
2/21 – 4/21
Distribution to Film Festivals — Film (Short) Details
2/21 – 4/21
Gather tonal films and take notes - storyboard - tech scout - meet with teams about gear - plan setups with teams - production - involved with coloring in post
2/21 – 2/21
Film Festivals — Film (Short)
2/21 – 2/21
2/21 – 2/21
Film Festivals — Film (Short)
2/21 – 2/21
1/21 – 1/21
Film Festivals — Film (Short)
1/21 – 1/21
11/20 – 11/20
Geico — Advertising — Attn:
11/20 – 11/20
11/20 – 11/20
Film Festivals — Film (Short)
11/20 – 11/20
10/20 – 10/20
Film Festivals — Film (Short)
10/20 – 10/20
10/19 – 10/20
Film (Short) Details
10/19 – 10/20
Pre-Production - Shot list, lighting overheads, lens plan, tech scout, location scout
Production - Operated camera, oversaw G+E departments, worked with Director to maintain vision
Post-Production - Oversaw edited visuals, Color Grade
10/19 – 10/19
Film Festivals — Film (Short)
10/19 – 10/19
9/19 – 9/19
Cinematographer
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RAW TV
RAW TV — Live/Special Event — Raw TV Details
9/19 – 9/19
Created Intro for nationally televised TV show "RAW TV"
6/19 – 6/19
Still Photographer
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Go Rhino
Go Rhino — Advertising — Go Rhino
6/19 – 6/19
11/18 – 11/18
First Assistant Camera
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Just One
Film Festivals — Film (Short)
11/18 – 11/18
12/17 – 10/18
Content Specialist
Staff Position — Evolution Brands Details
12/17 – 10/18
• Worked with production team to set up lighting and cameras
• Edited commercial videos according to brand message
• Trained in StoryBrand™ Framework
• Oversaw professional social media of several client accounts
• Coordinate content across all platforms and distribution channels
• Monitor social media, reviews, and websites for customer service opportunities and initiate conversations on behalf of the client
• Analyze and report social media, SEO, and web analytics
• Develop Brand Personality for social media and online presence channels
2/12 – 2/15
Website and Livestream — Live/Special Event — Next Level Productions Details
2/12 – 2/15
• Created artistic shots of band members for audience viewing
• Followed Talent throughout service providing either a Wide or Medium Shot
• Troubleshoot camera for problems
• Worked with camera director and camera team to produce seamless and timely camera transitions
11/10 – 11/11
Still Photographer
Staff Position — Tyler Williams DP Details
11/10 – 11/11
• Work with clientele to create desired outcome of photos, whether it be editing style or different poses
• Edit photos to create accurate skin tones, along with creating detail in the sky with a pleasurable composition
• Scout locations to suggest for clientele
• Performed retouching to accurately "bring back" old and destroyed photos
• Photographed high-quality images for both print and Internet distribution
• Planned, organized and scheduled work
Tyler is a professional through and through! Not only is he incredibly passionate and knowledgeable in the craft of lighting and camera work but he never leaves a project without going above and beyond. He has the work ethic, the gear, and such a fri
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endly attitude and approach in everything he does that it’s hard to have a set without him. I’m more than grateful to know him and privileged work with him!
- Tristan was Sound Mixer and Tyler was Director of Photography (DP) on ESPN Spot