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Gaffer & Director of Photography
3/22 – 3/22
Digital — Digital — FUJIFILM Details
3/22 – 3/22
Lighting for interviews for the launch of new product for Fujifilm
3/22 – 3/22
Burner App — Advertising Details
3/22 – 3/22
Lighting for commercial looks on this ad for the Burner app
2/22 – 3/22
YouTube — Digital — Neon Productions Details
2/22 – 3/22
Lighting for outdoor exterior commercial looks
2/22 – 2/22
YouTube — Digital — Brat Details
2/22 – 2/22
Lighting highly dramatic looks for a digital narrative series.
11/21 – 11/21
YouTube — Digital — BuzzFeed Details
11/21 – 11/21
Lighting for digital quiz show for long-running Youtube show
10/21 – 10/21
YouTube — Digital — Disney Consumer Products/Little Dot Studios Details
10/21 – 10/21
Lighting for commercial looks on digital show for Disney
10/21 – 10/21
Sizzle Reel — Film (Short) Details
10/21 – 10/21
Lighting for sizzle reel for narrative short film
9/21 – 9/21
Warner Media — Film (Short) — Miramira Pictures Details
9/21 – 9/21
Lighting a short film with magical realism elements as well as multiple dance numbers.
7/21 – 7/21
YouTube — Digital — Little Dot Studios Details
7/21 – 7/21
Lighting for commercial looks for Disney
6/21 – 7/21
Film (Feature-length) — Unpaved Rodes Details
6/21 – 7/21
I led the lighting department on this feature film where we did complex exteriors - both day and night - and had to shape with frames as well as doing detailed interior set ups
6/19 – 10/19
YouTube — Digital
6/19 – 10/19
3/19 – 5/19
Snapchat — Digital Details
3/19 – 5/19
- Light - Shoot - Wrap
4/18 – 5/18
YouTube — Digital
4/18 – 5/18
4/18 – 4/18
Sizzle Reel — TV — Dark Brothers Entertainment Details
4/18 – 4/18
Design, set up, and tweak lighting for pilot sizzle shoot.
1/18 – 1/18
Music Video
1/18 – 1/18
10/17 – 10/17
NBC — TV — NBC Universal Details
10/17 – 10/17
This was a run and gun shoot covering the trial of the alleged murderer of Jessica Chambers, who was burned to death in her car in 2014, directed by Joe Berlinger. We shot interviews with family, friends, lawyers, city officials, and townspeople who had an opinion on the trial.
7/17 – 7/17
Film (Feature-length) — COP LLC
7/17 – 7/17
6/17 – 6/17
Film (Short) Details
6/17 – 6/17
- build lights - design lighting set ups - adjust lights to DP's specs
6/17 – 6/17
TV — Zero Films Productions
6/17 – 6/17
5/17 – 5/17
Director of Photography (DP)
–
Rip and Burn
Film (Short) — Verdant Entertainment Details
5/17 – 5/17
Light, Frame, Shoot
5/17 – 5/17
Film (Short) — Taylor Productions
5/17 – 5/17
2/17 – 3/17
TV — Zero Films Productions
2/17 – 3/17
9/16 – 11/16
Film (Short) — Blazewalker Pictures
9/16 – 11/16
10/16 – 10/16
Gaffer (C300 Mark II)
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Caledonia
Film (Short) — Zero Films Productions
10/16 – 10/16
9/16 – 9/16
Film (Short) — Gulfcoast Filmworks
9/16 – 9/16
7/16 – 8/16
Film (Feature-length) — Saving Oscar Productions
7/16 – 8/16
5/16 – 6/16
Camera Operator (RED Scarlet)
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Kudzu Zombies
Film (Feature-length) — FilmQuake Details
5/16 – 6/16
- Lighting - Shooting - Focus Pulling
4/16 – 4/16
Film (Short) — Searing Cinema Productions, LLC
4/16 – 4/16
1/16 – 1/16
Film (Short) — Blazewalker Pictures
1/16 – 1/16
12/15 – 12/15
First Assistant Camera
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God's Prayer
Film (Feature-length) — God's Prayer LLC Details
12/15 – 12/15
- Pull Focus - Shoot B-roll - Build and manage rigs, including gimbal, dolly, and wireless set ups
8/15 – 8/15
Film (Feature-length) — The Acre Beyond the Rye, LLC Details
8/15 – 8/15
-Pull Focus -Build Camera -Manage Package
7/15 – 7/15
Sizzle Reel — TV — Carbon Brothers Studio Details
7/15 – 7/15
- Block out and light scenes - set up shots and operate gimbal - knock it out of the park cinematically
6/15 – 6/15
First Assistant Camera
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Mad Genius
We'll Never Be Apart Book — Advertising — Mad Genius Details
6/15 – 6/15
- Pull Focus - Build Camera - Manage Package
9/14 – 4/15
Corporate — Compass Media Details
9/14 – 4/15
Operated Camera, Dolly, and Jib for this web series sponsored by NatGeo.
3/15 – 3/15
Music Video — Hapax Creative Details
3/15 – 3/15
Build Camera-Set Up Video Village-Load Camera-Offload Footage
3/15 – 3/15
Advertising — Eyevox Entertainment
3/15 – 3/15
11/14 – 12/14
Film (Feature-length) — Cinema Revival Details
11/14 – 12/14
- Pull Focus
- Prep Gear
- Shoot B-Roll
9/14 – 9/14
Camera Operator (DSLR)
–
Killing King
TV Details
9/14 – 9/14
Light and record interviews
9/14 – 9/14
Director of Photography (DP) (C300)
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Hate In America
Investigation Discovery — TV — NBC Universal Details
9/14 – 9/14
I was a DP on this documentary for Investigation Discovery.
8/14 – 8/14
Assistant Camera (AC) (F3, FS700, 5D, 7D, GoPro)
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The Getaway (Season 2)
Esquire — TV — Zero Point Zero Production, Inc Details
8/14 – 8/14
- Assist camera operator during filming
- Manage equipment during company moves and set up/tear down
- Shoot B-Roll
- Operate Go Pros
6/14 – 7/14
Animal Planet — TV — Hot Snakes Media Details
6/14 – 7/14
- Offload all media shot and audio captured
- Organize media and create camera logs for post
- Duplicate footage/audio , Package, and Ship
6/14 – 6/14
CBS — TV — Studio Lambert Details
6/14 – 6/14
- Assist cam op with changing batteries and discs
- Set up/tear down of lighting set ups
- Manage equipment
6/14 – 6/14
First Assistant Camera
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A Gift Horse
Film (Feature-length) — A Gift Horse LLC Details
6/14 – 6/14
- Built Camera and managed equipment
- Pulled focus
- Shot b-roll and plates
4/14 – 4/14
CNN — TV — Zero Point Zero Production, Inc Details
4/14 – 4/14
Assisted the operator with lens changes, equipment management, and also worked with sound setting up lavs and miking talent.
2/14 – 2/14
SyFy — TV — Never Nominated Productions Details
2/14 – 2/14
Assisted camera with tapes and batteries during shooting, and also provided lighting and tech support.
1/14 – 1/14
CNN — TV — Zero Point Zero Production, Inc Details
1/14 – 1/14
- Build cameras and manage all equipment
- Assist operators and DPs during shoots
- Label tapes and all media
- Rig Gopros and set up 5D rigs
10/13 – 1/14
Lifetime — TV — Pilgrim Studios Details
10/13 – 1/14
- Manage all shot footage and audio
- Ship dailies to Post Production
- Help assist cameras on production-heavy days
10/13 – 10/13
Travel — TV — Indigo Films Details
10/13 – 10/13
Shoot footage in extreme locales, including taking a camera down a zipline (backwards)
4/13 – 8/13
Food Network — TV — Mandt Bros. Productions Details
4/13 – 8/13
- Track story points and arcs throughout production in coordination with story producer
- Assist production crew in all aspects of digital process
- Data wrangle and manage all footage captured during production
- Assist all cameras
- Match color profiles between cameras
- Manage and troubleshoot equipment
4/13 – 4/13
WE tv — TV — September Films Details
4/13 – 4/13
- Logging tapes and tracking OTFs during production
- Providing equipment support throughout production process
- Assisting in set-up/tear-down of all lighting and cameras
4/13 – 4/13
Food Network — TV — One Potato Two Potato/Rumpole Details
4/13 – 4/13
Assisted camera operator in all areas of shooting, including loading and logging tape, camera positioning, monitoring image, setting up lighting, and troubleshooting camera issues.
Class of '08
Mississippi State University
B.A. Broadcasting