Waranetta Kai English

"Color Sensational Lip Codes" - Maybelline Commercial, "SuperStay Matte Ink City Edition"- Maybelline Commercial, "Ray Liotta" - Chantix Commercial, "Aged Wash Denim" - Old Navy Commercial, "Double Dutch" - Old Navy Commercial, "Americana" - Old Navy Commercial, "Overheard Over Brunch" - Intrarosa Commercial, "Bradshaw World" - Prevnar Commercial, "Juvederm It" - Juvederm Sizzle

Edited web series called, Slice a live food show.

Edited for a pilot show called Save It or Sell It for the History Channel. Edited character reel called. Grant and Elena for Bravo.

Edited sizzles, concept tapes, rip-o-matics and cutdown skype interviews for the Travel Channel.

Edited casting Skype interviews for season 5 of 90 Day Fiancé on TLC.

Editing sizzles to be pitched to networks such as Animal Planet, NatGeo, TLC, SPIKE, TBS, MTV, Lifetime, Freeform, BET and more. As well as associate producing by assisting in writing concepts, pitches, treatments and scripts. Brainstorming with other writing and producing team members and attending shoots to assist with creative tasks to ensure that the production follows to the original creative content. As well as casting new and emerging talent, define roles, identify actors, arrange auditions and negotiations.

Edited an eight episode comedy game show for Maker Studios.

Edited a presentation tape for a hidden camera show called, "Am I In A Relationship."

Building assemblies and editing scenes. From Jesse James and Crazy Horse, to Wyatt Earp and Buffalo Bill, The West illustrates the characters at the center of this violent, blood-soaked period in American history.

Creating concept tapes and sizzle reels for shows of various types as well as media management duties.

-Transcode footage -Sync and multi-group footage -Assist Story Producers with cutdowns -Assist Editors with additional editing work -Create AAFs and low res QT for sound mix -Create picture lock EDL -Upres final, approved picture lock for online -Blur pic locked episodes -Create slate and credits -Place in final audio stems

-Transcode footage -Sync and multi-group footage -Assist Story Producers with cutdowns -Assist Editors with additional editing work -Create AAFs and low res QT for sound mix -Create picture lock EDL -Upres final, approved picture lock for online -Blur pic locked episodes -Create slate and credits -Place in final audio stems

Little White Lie is a documentary that illustrates Lacey Schwartz's (director) story of growing up in a typical upper-middle-class Jewish household in Woodstock, NY, with loving parents and a strong sense of her Jewish identity despite the questions from those around her about how a white girl could have such dark skin.

-project prepping -drive and media management archiving -logging, and digitizing -syncing and grouping footage -consolidating and transcoding -creating and exporting edls, source lists, OMF and AAFs -prep sequences for online, building final end credits, batch capture, AMA, and Upres -script sync -edit scene cutdowns -posting cuts to the network

-drive and media management -encode, ingest, and organize archival footage in different formats -swap out screeners with HD master clips -creating EDL’s, source lists, and AAFs

-project prepping, drive and media management -edls, source lists, OMF and AAFs -applying open titles, bump-outs, lower thirds, snipe safe pass -FTP, patching beta, tape layoff, dvd burning -XDCam, consolidating, transcoding, syncing, grouping footage -logging, digitizing -making changes to a cut, applying snap-ins -Prep offline media for upres -editing scenes

-project prepping, drive and media management -applying open titles, bump-outs, lower thirds and snipe safe pass -doing a sound pass -making changes to a cut -exporting edls, source lists, and AAFs -editing specific scenes requested by the editor -prep offline media for upres

-project prepping, drive and media management -edls, source lists, OMF and AAFs -applying open titles, bump-outs, lower thirds and snipe safe pass -FTP, patching beta, tape layoff, dvd burning -XDCam, consolidating, transcoding, syncing, grouping footage -logging, digitizing -making changes to a cut, applying snap-ins - prep offline media for upres

-project prepping, drive and media management -archiving, logging, and digitizing -XDCam, consolidating, transcoding, syncing, grouping -applying open titles, bump-outs, lower thirds, snipe safe pass -stringouts, making changes to a cut, editing dialogue/coverage, applying snap-ins -exporting edls, source lists, and AAFs -prep offline media for upres -editing scenes for editor

Home is the story of a man, recovering from mental illness, who tries to rebuild his life and reconnect with his estranged son by accomplishing one primary goal: moving out of the group home where he resides and into an apartment of his own. -project prepping, drive and media management -archiving, consolidating, and transcoding -syncing and grouping footage

-working with HD and SD formats -FTP, patching, and routing -compressing, encoding, and dubbing

-assisting in prelay, ADR, voice-over, foley work, sound effects, and pulling music. Taught under the tutorage of Supervising Sound Designer, John Larsen.

-assisting in prelay, ADR, voice-over, foley work, sound effects, and pulling music. Taught under the tutorage of Supervising Sound Designer, John Larsen.