Wilkin Hanaway

Planned and filmed this Commercial

Planned, Directed, Set-up and Filmed a day of interviews with a leadership expert in 4 different locations in 1 day to be utilized for content for his leadership coaching program.

Collaborate with my Video Development partner to help nCino with it's video needs including the establishment of a Video Production process protocol, a working backup and archive system, developing a budget for the year ahead as well as a yearly schedule (divided by quarter) of what videos we'll create and the overarching messaging for the year. I create training videos, product release videos, customer testimonials, internal culture videos, and PR/update videos. For any given video I script, storyboard, light, shoot, edit, 3d model and develop motion graphics, color correct, sound mix, develop campaigns, release/upload the videos, and track metrics.

Built a computer that could handle a RAW 4k workflow. Managed over 5TB of data edited a proxy version of the film and then re-synced with the 4k footage. Color corrected in Davinci after exporting the RAW DNG sequences to ProRes 422 .mov files. Used the Adobe suite and Davinci resolve Studio.

Worked with a crew of 15 people that had little to now film expereince. I organized them and taught them targeted collaboration in regards to the film production process and helped raise over $4k in 3 weeks on kickstarter and completed filming in 2.5 days.

Collaborated with a barebones crew to light and shoot 5 interviews in a 2 hour timeslot and gather as much b-roll as possible.

I wrote and revised the script, compiled the shooting/marked script, shotlist, equipment list, shot-to-shot schedule, loaded and unloaded film (for ARRI SR3), and edited the film.

Worked with Director of Photography to stylistically sculpt light on location (i.e. bunker, spiral staircase, etc.)

Setup camera, setup dolly, checked gate, changed lenses and filters, loaded and unloaded film magazines, measured focus distance, marked actors, pulled focus.

Setup camera, setup slider, checked gate, changed lenses, loaded and unloaded film magazines, measured focus distance, pulled focus.

After meeting some flatland BMX bikers in Prague, my partner Aaron Barnett and I decided to make a short documentary about them and their motivation/inspiration. https://vimeo.com/123374219

Captured and assembled frames for a short animation, then recorded soundscape to accompany it.

I developed the films look. We used two cameras to make things run more efficiently. I acted as the AD as well, developing the shot to shot schedule for the 9 days on set. We had to be quick so I designed a lighting scheme that would require minimal movement,

I set-up the camera per the Director of photography's desired look, and I ensured the focus was right in every shot. I also helped ensure the axis of action wasn't broken and that lighting was congruent. I even operated the camera at some points (like the films final shot).

Not only did I develop the look and lighting scheme for this film, but I was a co-writer as well. I operated every shot and since the lighting scheme was rather even and bland due to the setting, I wanted to make sure the shots were crisp and detailed.

I followed the groom around before and during the wedding, gathering as much footage as I could.

I was helping out every way I could. I would set-up lights, run cables and errands. I was even the boom op at times and I set-up the green screen when needed

I was the AD on this experimental short, making sure to have everything the director needed in order to give him maximum creativity.

I was a Camera Operator for this short documentary on a new company called 'Freakers'. I also did the sound design.

I was involved in gathering submissions and judging them, developing a theme for the festival and marketing the event. I also worked as a steadi-cam operator during the event itself.

I adapted a short script to make it my own, cast the characters, developed a storyboard and lighting scheme (I was also a DP). Then I was co-editor once finished.

I was the cinematographer in this unique 1 long take music video.

I was the Director, Director of Photography, Camera Operator (rigged a homemade 'Snoori-cam' set-up), and was the co-editor as well (worked with Final cut X, Adobe Premiere CS6 and After Effects).

I did make-up and costume design for this 24 hr film festival project.

I took photos and edited them into album artwork and applied graphic design and marketing techniques for Fitz Classics debut album, The Tome.

I was the DP and the Camera Operator for this short music video.

I was not only the Director of Photography, but I was the Director, the Camera Operator, and the Editor as well.