William Kamp

Filmed the opening sequence for HOE:MEXICO using Inspire, FS7, A6500. Long days and hairy situations. Drugs, murder, refugees.

I was the Director of Photography and Sr. Producer for the show open, national promo, and weekly shoulder content with Host Kristin Cavallari. I directed talent and lighting/grip teams, worked on scripts and ideas for the coverage, and oversaw the edits before release on national tv, on facebook watch, or instagram.

Director of Photography for multiple episodes of GYM TIME w/ Zac Efron. Must be able to manage and communicate to A-List talent while getting interesting shots in a high-octane environment.

Department head over Camera and Audio. Oversaw pre-viz on all construction filming and planned before/Afters. Oversaw 4 person camera team, directed and piloted drone, overtook blocking of talent by end of run.

International Travel. Worked closely with talented design how to film rare animals, lit night scenes to feel organic.

Designed lighting and in car filming for car add with sports players.

Headed up and oversaw 4 Producer/shooter teams across the country. Designed the style of the show, lightweight yet fully production ready rigs, and oversaw style and kit changes dependent on story. Produced in the field as well, guiding story beats and defining act breaks.

Lighting, Steadicam direction, camera and lens choice.

One man band, following tactical units at night in pitch black - all in IR. Shooting, producing, and running audio while following up to 5 on screen agents apprehending drug mules, scouts, coyotes and family units. Hike 10 miles in a day or all from truck, rhino, ATV, or helicopter.

One of 13 Camera Operators. Did 7/10 Journeys and all shifts from day to night. Known for creative shots and go get em attitude.

A movie done in one shot. I designed and executed the technical and creative of the entire camera and lighting department. From gear to wireless signal to lighting choices and framing. The camera never cuts or pulls away.

Designed the camera packages, was co-lead of long 18+ hour hikes with fellow cameraman and produced when by myself. Rented all gear to production.

Choose angles and light all interviews and b-roll. Set-up slow motion shots and define overall style with the director.

designed lighting set up for a 3 camera simultaneous interview. Also directed camera positions for interview and adjusted lighting after each intv for hero shots

Camera Operator, Producer, Tech manager and Audio Sup. But if everything on a small 5 person strike crew

I was the DP and a producer. Responsibilities included: Setting up Interviews camera and lighting Directing the look to the other 2 camera operators Flying the GoPro phantom Drone Shooting the slow motion camera Lighting

I was the DP/Director and shot the Hero Shots for all North American teams on a greenscreen so visual effects could be applied later.

I was the DP and lit sit down interviews as well as beauty shots of food product for a corporate commercial.

I was the DP of a greenscreen stuido shoot, shooting plates for VFX work.

Assistant camera to A crew of the reality crews.

Studio Cooking Competition.

Spec Pilot

Worked with F3, Red Epic, and Phantom Flex.

I also was one of the camera operators

I was also a producer

One night concert event. I also designed the set-up and archival process

Documentary. I was also 2nd Unit Camera Operator

B-Cam Operator

B-Cam Operator