Wynn McMillin

Responsible for all stages of the post-production process to complete multiple premium Sizzle Reels for broadcast and network television consideration. Everything from ingesting, to story producing, to editing and polishing the locked cut. Duties included cutting down interview string outs, finding and acquiring relevant b-roll footage, transcoding, conforming, ingesting etc., and maintaining an organized file structure. Once the prepping was complete, the editing could begin. From the assembly cut to the locked cut -- we'd find the story and found footage to support the interview. While being responsible for scoring, sound design and mixing was just as important as the picture cut to find the tone of the piece to tell the most entertaining and compelling story as possible.

EDITOR SEASONS 2, 3, AND 4.

Because of budget limitations, I co-edited this Documentary as charity. My most fundamental role was the process of helping the director tell her story to covey such a powerful message that raises animal rights awareness. Editing OTF's, B-roll, and the overall sound design were my main responsibilities.

Head of Post Production and Project Manager for 8 episodes.

Planed, directed placement, and coordinated filming. Worked with Director regarding his interpretation of scene and desired looks and effects. Computed ratios for determining required lighting. I also had the duty as a Camera Operator, and was honored to be asked to direct a scene.

Responsible for set up, maintenance, and operation of Camera 3 during production. Additional duties include staging of the set, cinematography, and striking the set on a weekly basis.

Oversaw all aspects of production. Developed the story. Wrote, directed, acted, edited, sound mix ADR/Foley engineer, and score.

Filmed on Location in Las Vegas. Street interviews, sponsors, red carpet event, and filmed backstage interviews with musicians after they'd won in their award, or performed on stage. Organized equipment, moves, and set up of live event.

Planed, directed placement, and coordinated filming. Worked with Director regarding his interpretation of scene and desired looks and effects. Computed ratios for determining required lighting, film, shutter angles, filter factors, cam distance, depth of field and focus to produce Director's desired looks.

-Interpreting the script and making it into a film. Planning locations, shots, pacing/beats, acting styles and identifying character archetypes, and anything else which affects the feel, tone, theme, and/or what I'm trying to say in the film as the story teller.