Apply to this Assistant Camera (AC) Job

Looking for an AC for a reality shoot in Norfolk, VA, 6/30 and 7/1.
We shoot on Fs7s.

No focus pulling, just simple camera maintenance and swapping batteries on our fs7s. Also requires some basic media management - dumping footage onto drives and updating the media tracker.

Ideal if you can provide your own DIT/ laptop kit....we pay a kit rental fee $50/ day. We provide the card readers, and can provide a laptop/ DIT kit if needed.

+ $50/ day for the laptop

We can provide a hotel if needed.

Looking for an experienced AC for a short film shooting in the Philadelphia area august 2-6.
$800 Flat rate for 4 days. Net 30 after wrap.

Looking for an AC for a government project. This will be a 2camera shoot (FX6s).

Dates: 2 days in August 2024 (TBD consecutive dates)
Location: Washington, DC and Cumberland, MD

Please submit resume / website, linked in, and/or any other pertinent details about yourself.

We are looking for a 1st and 2nd AC to assist DP. Responsibilities would include maintaining and building camera while ensuring camera safety at all times, facilitating slate and writing take notes. Cine lenses will be used and 1st AC will need to pull focus.

$500-600 a day for 2-3 days.

Hi All, I will be shooting an LGBTQ+ documentary in Denver, CA. We are looking for an AC who can step in as B-cam during the shoot date when needed.

Filming corporate content in Lititz, PA
Assistant Camera for a crew of 5x supporting DP with FX6 to capture interview + b-roll
1x indoor location, 10-hour day

***PLEASE READ THE DESCRIPTION***

This is a two day shoot paying a flat rate of of $500 plus mileage and a food allowance.

We are currently seeking a skilled assistant camera with knowledge in DSLR cameras for a project in Monroe, NY.

The shoot will take place on Thursday, June 27th (Full Day) Friday, June 28th (Full Day)

The purpose of the shoot is to capture marketing and testimonial videos for a dental practice, both within the office and some exterior shots.

Assistant Camera Responsibilities:

Responsible for operating the camera and should have a strong understanding of the Sony A7s III.
Video Production will be 8-10 hours long per film day
Contractors are responsible for the provided photography shot list
Will be provided camera settings for photos and do's and dont's for photos
Contractors are responsible for monitoring the camera during filming for audio and focus
Contractors are to assist with the production wrap

Watching and maintaining composition and monitoring audio as well along with color balance for interview cameras, and keeping everything in sharp focus throughout each interview.

Assist moving lights and cameras if based on set changes and lighting preferences.

Have good knowledge of the Sony full frame DSLRs,

Be efficient and organized during video shoots, and pay close attention to the needs of the director.

Have a strong understanding of the typical video production workflow.

You will be working alongside a Progressive Dental Videographer who will be flying in from Florida. Prior to the shoot, we will contact you with detailed information regarding shoot location, filming times and director contact information.

Progressive Dental will reimburse up to $20.00 each film day for lunch plus tip if not provided by the client.
Progressive Dental does not reimburse for alcohol or tips over 20%.
In order to be reimbursed for lunch, an itemized receipt along with tip receipt must be provided.
Progressive Dental reimburses for mileage.
*Mileage is reimbursable outside of 25 miles from the shoot production.
Based on the most up to date rate from the IRS. Please add mileage amount to your invoice and submit a screenshot of the distance via Google Maps or GPS application you use.

NO equipment required
MUST live within an hour of location (mileage will be reimbursed at GSA standard rate)
Medical or dental shooting experience is considered a plus

If you meet the criteria mentioned above and are available for the specified date(s), we would love to consider you for this project.

Please let us know your interest and availability at your earliest convenience.

$325 per day rate plus Mileage and a food allowance.

Seeking a local AC for a 1 day true crime interview near Murfreesboro, TN. $400/12

Seeking hybrid AC/ DIT for shoot. This would be 2 day, run and go shoot; filming verite, hero shots and green screen interviews.

Required experience and extensive knowledge of building...
FS7, A7s Cameras, Ronan, ShotPut Pro, green screen remote comping ++, Premier ++

-$21.4285 - $25.00/ Hourly

Please include references in cover letter.

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Hi All, I will be shooting an LGBTQ+ documentary in Alexandria, VA. We are looking for an AC who can step in as B-cam during the shoot date when needed.

The Skin Deep's the {And} experience comes to the Durham/Raleigh area.
If you aren't familiar, this is a small intimate conversation between a couple (romantic, siblings, parent-kids, friends) based on customized questions.

We are a very small, all-hands-on-deck team to give the subjects a safe space to talk about their relationships.
I'm looking for somebody that can help the DP with the gear while monitoring one of the cameras (all three cameras are locked), and downloads the footage onto the drives.

Need a first AC, experience in nature, low lighting and dark places is a plus. 2 day shot with one day in nature on the trails and the other day inside the caves

Looking for an experienced LOCAL Camera Assistants that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Non-locals will not be considered, unless they are able to work locally.

Looking for an experienced LOCAL Camera Assistants that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Non-locals will not be considered, unless they are able to work locally.

Looking for someone with media managing/DIT experience and open to being part of a small team wearing multiple hats. Ideal candidate also has some AP or PC experience. Working in high security situations as part of a two person team, so some experience with run and gun docs-filming is also a bonus. Must be local to Atlanta or willing to work as a local.

We are looking for B-camera Ops without gear for show shooting over the next few months. Sony FX9 FX6 etc. Straight forward needs, but experience a must. True Crime, or episodic experience helpful but not required. The dates below are speculative but we have 5 or more days in July.

We are a 25 Year old Production and Crewing company and take the work very seriously and look for those who do the same to build trust with! Thanks!

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Looking for a DP with a camera to film a short sit down interview. Must have camera and small light kit. Must know beauty lighting as well. Our subject is a female model.

It's a plus, but not necessary, if you also have a lav mic.

Please submit your gear list with your submission.

Looking for a Cinematographer or Camera Operator to work on a very short film submission to SaberComp 2024. Having your own gear would be nice, but not necessary. We'll be bringing jib / dolly/ lights and power ourselves. A familiarity with Sony FX3 type rigs is a huge plus.

This is a lightsaber / action type film so reels/portfolios with shots like that in them will be a huge win for us. And any collaboration on lenses and the shotlist before we get to location would be amazing.

We'll also have extra rooms in the lodging the rest of the crew is staying in, so you don't need to be super local.