Apply to this Assistant Editor Job

Seeking an PA with experience in AVID and interest in becoming an AE. Who can help with research and development for documentaries and to help bring in footage and organize it in AVID for new development projects. Also other clerical PA tasks.

Looking for a junior / early in their career AE or PA who is proficient in AVID.

Looking for an assistant editor that can help with organization of projects, Synchronizing Multicam Sequences, pulling selects, transcribing/subtitling and maybe even taking a whack at the rough cuts of various corporate videos. This is probably best for someone looking to get their feet wet and to learn the logistics of a project.

Projects will use blackmagic cloud proxy workflow. So there will no need to send hard drives or anything.

May also work on daily rate and project rates also.

- Must be proficient in Avid Media composer
- Media Management: Strong understanding of media ingestion, logging, transcoding, syncing audio and video, and organizing footage in digital asset management systems.
-Rough assembly as needed
- Knowledge of After Effects (most likely will be editing text templates)
- Ingest music
- Install Fonts on editors' machines
- Export backup daily edits
- Backup final masters

Supertease Editor needed for hit show. Applicant must be proficient in cutting teases/ trailers and have a reel ready to go!

Non-Scripted Production Company is looking for an experienced AVID (Post) Associate Producer with a great sense of story and experience working on True Crime Shows.

Candidate must have a strong understanding of character, stakes, action and tension, along with the ability to tell a compelling story.

Candidate should be proficient in Avid and great with story; extremely organized; have the ability to work independently on a tight schedule and also be a team player.

Job responsibilities will include: string outs, research and other duties as needed while working closely with the Producers and EP to create compelling television.

Please do not apply to this post unless you are excellent at putting together string-outs and have worked on at least three seasons of Reality Television.

This is currently a REMOTE position.

Seeking Clearance / Post-Production Coordinator for Discovery Channel unscripted television series. This is a work-from-home position reporting to the Post-Production Supervisor, though candidates should be self-starters, confident in both roles of this hybrid position, and should be prepared to work autonomously.

Qualifications:
-Minimum of 3 years experience as a Post Coordinator and 3 years experience as a Clearance Coordinator (or equivalent) on unscripted television series
-Minimum of 1 project experience on Discovery Channel series
-Strong communication skills
-Professional and kind demeanor
-Familiarity with Public Domain and Fair Use
-Experience with Microsoft Office, Google Docs & Sheets, Slack, Avid, Clearpost (or equiv AQ tracking software)
-Experience with Discovery portal and deliverables requirements


Job Description

CLEARANCE
-Manage requests from story producers and editors to source stock clips from popular stock houses including Pond 5, Getty, etc.
-Track all 3rd party materials being imported into the system
-Track budget for any acquired footage that may be included in cut
-Work with Post-Production Supervisor and Producers to ensure creative needs related to AQ are met and remain within budget by the time of lock
-Watch down each cut (RC1, RC2, FC, LC) in step with EDL and make sure all releases have been obtained
-Research, distribute, and collect releases as necessary for people, locations, materials that the field production team was unable to obtain
-Work with Post Production Supervisor, Line Producer, and Legal to determine any clearance issues that may need to be released, blurred, or removed
-Work with Post-Production Supervisor, Line Producer, and Legal for reliance on Fair Use Doctrine and Public Domain

POST-PRODUCTION
-Schedule and communicate graphics, offline, online, and mix needs to various personnel and vendors
-Assist story producers and editors with technical issues
-Work with Production team to ensure all information from the field is being communicated to the Post-Production team in a timely, concise way
-Manage and track deliverables

Please include a minimum of 2 references with Cover Letter or list 'References available upon request.'

EOE

We are looking to add an in house Colorist that will be available during online / color for various shows.

We are building out a Color bay and will need someone to fill it when we have shows in the pipeline. Currently the first show will be late July early August

Coloring shows for various Networks (Netflix, Discovery, Hallmark) that may require HDR / UHD workflows.

We are looking for a colorist for a 20 minute short documentary. The footage is 4k RAW shot on RED Komodo and Sony Fs7's cut in Resolve. This is a 2-3 day job with possible additional days but this has a hard delivery date so it won't extend more than one extra day. The finishing here will be happening right up against the delivery deadline so we will need quick turnarounds for reviews.

Hybrid - Two Days In Office/3 Days Remote - 3 Month Contract

We are looking for a post-producer who is seasoned in short-form content and commercials for a 3-month, full-time contract from May to July. The candidate preferred has at least 3-5 years of post experience, understands creating and updating post calendars, onboarding editors and AEs, can manage frame.io, amongst other things, and is client-forward when needed.

A knowledge of the following software a plus: Adobe Creative Suite, Frame.io, DaVinci Resolve, Monday.com, Wrapbook, iOS, and various media management platforms.

Looking to hire a creative and intuitive Los Angeles editor with an eye for detail and actor performance for an indie thriller/action film. Aprox 90 min.

Movie has a few Jason Bourne fights in it and needs a clean steady smooth flow like a David Fincher film. Work closely with director. Premiere or Avid but not looking for Final Cut.

2 month turnaround. Someone with a good attitude

Must be able to work with out rate our please do not reply.

ISO unscripted Editors for a new daily syndicated Crime Series. Please only apply if you have prior True Crime Credits

Please send resumes
Thank you!

Job description
Overview:

Condé Nast Entertainment is looking for video editors to cut Ukrainian-language digital content. Candidates must speak fluent Ukrainian and be able to translate and edit videos involving Ukrainian-speaking talent. CNE Video Editors bring compelling, culturally-impactful, entertaining, and diverse creative content to life every day. Candidates should be natural storytellers and creatives first, interested in a role that spans a wide array of projects and styles, and able to collaborate with many creative partners in Production and Programming. This position works closely with Directors, Producers, Post Production Supervisors, other post-production team members, and reports to the Supervising Editor.

Primary Responsibilities:

Edit a variety of complex digital video concepts across Condé Nast’s portfolio of brands, primarily for YouTube in both English and Korean
Collaborate with Directors and Producers to meet the creative and technical goals of each unique project
Able to quickly and independently cut to the essence of a story, and create compelling and entertaining narratives from diverse raw materials
Maintain active lines of communication with Post Production Supervisors, Directors, and Producers throughout the course of a project; be vocal when it comes to a project’s scheduling, creative, and technical needs, and flag concerns or delays promptly
Time management skills and flexibility are key to successfully stay on schedule in CNE’s fast-paced, high-volume post-production environment.
For any assigned project, complete motion graphics, color correction, sound design and mix, deliverables, and cue sheets
Desired Skills and Qualifications:

Fluency in Ukrainian required
Minimum 4 years editing experience, primarily in digital video content; past work in a fast-paced, high-volume studio, media company, or post facility environment preferred
Must be proficient in Adobe Premiere, with advanced capabilities with After Effects strongly preferred
Strong finishing skills; able to handle color correction, sound mix, motion graphics, and possess the capability to deliver high quality design and stylized content
Strong understanding of editing principles and current digital trends, with an ability to tell a cohesive story
Must have impeccable organizational and communication skills
Must be able to self-organize priorities to ensure that deadlines are met, adhering to best practices set forth by senior management
Ability to problem solve and work through issues and produce under the pressure of deadlines
What happens next?

If you are interested in this opportunity, please apply below, and we will review your application as soon as possible. You can update your resume or upload a cover letter at any time by accessing your candidate profile.

A portfolio, viewing room, or links to individual, applicable pieces of past work is required. Videos that have achieved demonstrable success on YouTube are desired. Demo or sizzle reels are discouraged.

Condé Nast is an equal opportunity workplace.
Duties and responsibilities may be adjusted based on years of experience.
Salary is also commensurate with experience.

Job Type: Full-time

Benefits:

Flexible schedule
Schedule:

8 hour shift
Monday to Friday
Experience:

Adobe Premiere: 1 year (Preferred)
Adobe After Effects: 1 year (Preferred)
Work Location: Remote

- Communicates with DP about any specs to make sure we are good for image quality/coloring.

- During filming, communicates with DIT (who I am potentially hoping can also AE for us) for footage transfer drops done through MASV (or something similar) to jump start the editing process (tight timeline, and around 192 videos!!)

- Works with creative director and animation house to ensure the editing team has assets they need (e.g. title cards, lower thirds, any other custom gfx) before production begins

- Creates and manages the workflow of editing team/client delivery dates

- Ensures brand standards supplied by client

$1,500/week
Start May 13th. Tentatively ending July 19th, 10 weeks total