Apply to this Boom Operator Job

This is a New Media Ad for a Large client of ours

They are a Farm that supplies their various companies with the ingredients they need for their products.

We are looking for a Boom operator/sound mixer for a 3-4 day shoot

We will be conducting interviews on a local farm as well as shooting Broll of farm operations

The shoot will take place sometime in May, we should have more specific dates in the week to come

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

We're seeking a production sound mixer for our independent music film. Currently scheduled for 19 days of filming.

Narrative overview: A struggling LA music producer navigates a career-defining showcase and sudden guardianship of his newly discovered half-sister. Music plays an integral role in their journey of healing and connection.

Sound Needs:
-Heavy emphasis on live music recording (vocals and various instruments).
-Skill in capturing the energy and nuance of both intimate and showcase performances.
-Experience and comfort with on-location sound mixing.
-Budget available for a sound partner/boom operator of your choice at the same rate.

Hiring sound mixer for vertical short drama.
$400/Day
10 days between 5/18 and 5/29
Los Angeles

We are looking for a Post Production Sound Designer for our independent music film. The script is fairly contained to mostly indoor locations, but does feature diegetic singing.

A responsibility of this job will also include delivering a fully filled M&E.

The ideal candidate will join our team before filming commences to ensure a seamless and successful workflow.

Crew Position: Audio
Date: 5/5
Rate is negotiable

Below you can find list of responsibilities for this role on the shoot.



Audio

Collaborate with the production team to understand the show's audio requirements.
Set up and configure audio recording equipment, including microphones, mixers, and recorders.
Perform equipment checks to ensure proper functioning and troubleshoot any issues.
Determine the most effective placement of microphones on cast members, ensuring clear and high-quality audio capture.
Adjust microphone levels to account for variations in voice volume.
Monitor live audio feeds during filming to detect and address any technical issues promptly.
Use headphones to assess the quality of the recorded audio in real-time.
Mix and balance audio levels between different microphones to create a cohesive and natural sound.
Maintain clear communication with the FP and production team regarding audio requirements and potential challenges.
Coordinate with other crew members to ensure a seamless integration of audio with video production.
Record high-quality audio tracks during filming, ensuring that all relevant audio is captured.
Ensure that audio recording practices comply with industry standards and regulations.
Hand off audio files to PM and/or Media Manager to ensure files are dropped on to hard drives safely.

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a sound mixer for a true crime series shooting in Rockford, IL. Hotels can be provided from Chicago for overnights on consecutive shoot days.

Main shoot set up is a 2 camera talking head interview, we shoot about 2 sit down interviews a day. Sometimes we will also shoot OTF interviews/walk and talks.

Gear requirements are 2x lav mics (for the occasional 2 head interview) and a boom for the interviews. We will not need comteks.

Shoot is 5/13-5/18, will be 5 days. Dates still slightly in flux.

Rate is $600/12 + $400 for gear.

Thank you!

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Arcata, CA for 2 Days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Bellingham, WA for 2 Days.

MONDAY 05/13/24
TUESDAY 05/14/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget and a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a local hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

Looking for a Field sound recordist with kit, we will be shooting 2 Oklahoma Softball players for a short web video.

Looking for a sound mixer with Sound Devices 833 or similar. 2 wireless mics, boom, tentacle and one comtech.

We are looking for a Sound Recordist for 1 sit down documentary interview, in the Palo Alto area on 6th May. Record in participants own home. Director will participate on Zoom. Filming on Sony Venice. Rate for Sound Kit is $350 on top of labor rate.
12 hour day maximum (will probably be less)

We are looking for an experienced Sound Mixer who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content.

Shoot Days: Mon 5/10
Rate: $650/12
Job Type: Non-Union

We are looking for an experienced Sound Mixer who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Hello! We have a one-day shoot in San Ramon/Bay Area and we're looking for a sound recordist. You're excellent at your craft and come with references you don't mind us checking, you've got the right gear to lav and/or boom and record individual tracks. And you're super fun to work with! We are, too.

The job is a docustyle corporate where we'll be shooting group interviews of 4-5 people and then b-roll. You'll be in at 8 and out by 6, latest. Camera is a Canon C70, yes we have the XLR adapters. But we'll want your pristine-ish native audio files, too.

This is an all-in, 10 hour day rate including kit (boom, mikes, mixer) and delivery of files.

Hi, we are looking for a sound engineer who can FOH for our event studio for less than 150 people. x32, QSC arrays, with Sennheiser mics.

We are looking for an experienced, local Audio Mixer for our reality/docu-series for A&E. We will be filming May 8th-May 12th.

We will be filming on 2x FS7s and AS7. Additional cam's would be GoPro for driving scenes.

Vertie and Interview Sit Downs.

If applying, we are asking for experience in reality television.

Items most likely needed (but is subject to change) in the kit:

Mixer
Boom
Up to 5 Lavs
Wireless Hops (2 cam)
Timecode (2 cam)
Slate
2x IFBs

$500/12 + $350 for Kit.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a LOCAL experienced audio mixer in Cleveland, OH. Must work well with our small crew and with others.

$550/12 hour day.

Tentative Schedule:
5/27
5/28
5/29 (possibly)
5/30
5/31

Thanks!

Looking for a professional location sound person for a one day shoot on May 17th in Fort Lauderdale. We will be filming one person against a green screen set up in a hotel meeting room.

Please only apply if you are available on Friday 5/17 and are local to Fort Lauderdale. Please quote your day rate & kit fee total in your application.

Thank you!