Apply to this Cinematographer Job

Cinematographer with gear (One-Person-Band)
ONE DAY BETWEEN JUNE 27th
max 8 hours
Flat Rate: $800

Looking for a One-Person-Band with gear for doc style interviews and b-roll shoot on the Cranbrook Campus.

About the project:
Elkhorn supports the Non-Profit Organization "Women Rock Science" in creating videos that feature women in STEM fields and education and or young women gaining educational opportunities in STEAM fields.

You will be supported by a Mixer / Recordist to capture audio.

Summary of Equipment required:
- (2) Cameras for interview / (1) Camera for B-Roll
- Interview lighting kit + misc grip you may need.

To be considered for the job:
- Provide link(s) to portfolio or relevant work.
- Provide gear list.
- Cell & Email address to be contacted about the project.

Thank you!
EME

We need a Creative solo SHOOTER/EDITOR for 5-days shooting and editing a music video for a Performing Arts Program. You need to be highly qualified at both.

You'll work under the direction of a veteran LA-based commercial/feature director creating the best (and fastest) music video you've ever made at Summer Stars, a 501-c3 performing arts bootcamp for disadvantaged for 12-17 year-olds, now in its 25th year. Think of it like a 48-hour Film Contest, only it's 5 days, you can sleep at night. See our "about" reel at www.summerstars.org.

This is an ideal gig for a new freelancer, film major or grad student in the NY or New England area. Or anyone who loves creativity, kids and making their own films-- and wants to do a little giving back. AND You'll get a decent day rate, plus travel; plus room and board on a stunning rural campus.

You must be a skilled, fast, and very creative shooter with an awesome eye, AND a quick and accomplished editor. You'll need your own DSLR-or-better rig, lenses, cards, batteries, and laptop. A few lights/reflectors a plus. You'll be finishing this video on site in HD, so you'll need a solid laptop and top software package (say, Premiere + After-Effects or equivalent).

TO APPLY: Send a resume, a note saying why you'd be great for this, an equipment list of what you have, and links to your favorite short projects as a shooter/editor.

Looking for a Cinematographer or Camera Operator to work on a very short film submission to SaberComp 2024. Having your own gear would be nice, but not necessary. We'll be bringing jib / dolly/ lights and power ourselves. A familiarity with Sony FX3 type rigs is a huge plus.

This is a lightsaber / action type film so reels/portfolios with shots like that in them will be a huge win for us. And any collaboration on lenses and the shotlist before we get to location would be amazing.

We'll also have extra rooms in the lodging the rest of the crew is staying in, so you don't need to be super local.

We are seeking skilled Directors of Photography (DPs) with proven experience in shooting talent-centric content on green screen. Our goal is to achieve a high-key commercial look, characterized by a high-end, glossy, and vibrant aesthetic reminiscent of Bravo style productions.

Key Qualifications:

Expertise in green screen production
Strong portfolio showcasing high-end, poppy, and glossy commercial looks
Ability to execute and maintain a specific visual style

Project Details:

This opportunity could extend to multiple projects or become a recurring engagement.
The visual style and execution are paramount; exceptional examples of previous work in this style are essential.

Application Requirements:

Please provide links to your green screen work that demonstrates the required look and style.
If you have a keen eye for detail and can deliver the high-end visual quality we're looking for, we'd love to see your work!

This project tells the back story of our main protagonist for the feature film. This flashback scene we're filming will be the catalyst behind the actions seen in the feature. This piece is very important and crucial that a cinematographer can understand dramatic angles, camera lenses, movement, etc.

We would like to have this project shot over the course of a weekend (two days) with a cinematographer preferably with access to a film crew who use RED cameras or equivalent.

Looking for an experienced LOCAL Media Manager that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Must be versed with shotput pro and extremely organized. Must be able to communicate with post production team. Non-locals will not be considered, unless they are able to work locally.

Looking for an experienced LOCAL Camera Assistants that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Non-locals will not be considered, unless they are able to work locally.

Hi All, I will be shooting an LGBTQ+ documentary. We are looking for an AC who can B-cam during the shoot date when needed.

Looking for a 2nd camera operator to support a 5 person crew for a b-roll & interview shoot in San Antonio on July 28th. Must have a HD camera + Tripod.

Please include reel + website for consideration

$300 for 5 hours guaranteed. This shoot is not expected to go past 5 hours. Rate will be increased by $25/h if the shoot goes over 5 hours.

Media Manager needed to offload media for (3) comedy specials. $200/daily kit fee.

Need a good AC who can work in Jackson TOMORROW (June 27).

Please have multiple reality credits and be familiarity with FS7 Cameras and MacBook.

Looking for a DIT Data wrangler to assist with a 2 camera shoot both interviews and on location. Must understand reality tv workflow.

Location: Memphis, TN

Candidates must have a valid driver's license and cell phone

Dates July 15 - 21

Please have multiple reality credits and be familiarity with Osmo, Go Pro and FS7 Cameras.

Looking for ACs that can support the Camera Crew and be a highly organized team player with a positive attitude. Responsibilities include (but not limited to) assisting the camera department in the field, keeping track of all camera equipment and accessories, setting up gear, changing batteries, cards and assisting loading in and out of locations.

Location: Memphis, TN

Candidates must have a valid driver's license and cell phone

Dates July 15 - 21

Camera Operator needed for a commercial for a conservative political organization shooting in the Sheboygan area. The shoot will consist of several setups in various locations and talent. Production is traveling core camera team.
Rate is $750/10hr.

Camera Operator needed for a commercial for a conservative political organization shooting in the Missoula area. The shoot will consist of several setups in various locations and talent. Production is traveling core camera team.
Rate is $750/10hr.

:PLEASE READ THE DESCRIPTION:

This is a 1 day shoot that pays a flat rate of $325 plus food allowance and mileage

We’re looking for a skilled assistant camera operator with DSLR expertise to join us for an engaging project in Hughson, CA. This two-day shoot offers a flat rate of $325, plus mileage reimbursement and a food allowance.

Shoot Dates:

Saturday, July 13th (Full Day) 8:00 AM - 5:00 PM

Project Details:
We’ll be capturing marketing and testimonial videos for a dental practice, both inside the office and with some exterior shots.

Assistant Camera Responsibilities:

Operate the camera with a strong understanding of the Sony A7s III.
Handle 8-10 hours of video production each film day.
Follow the provided photography shot list.
Use provided camera settings and adhere to photo guidelines.
Monitor the camera during filming for audio and focus.
Assist with production wrap-up tasks.
You’ll ensure proper composition, audio quality, and color balance for interview cameras, maintaining sharp focus throughout each interview. You’ll also help move lights and cameras based on set changes and lighting preferences.

Requirements:

Proficient with Sony full-frame DSLRs.
Efficient, organized, and attentive to the director’s needs.
Strong understanding of video production workflow.
Ability to work well with our Progressive Dental Videographer flying in from Florida.
Medical or dental shooting experience is a plus.
Compensation:

$325 per day plus mileage and a food allowance, this is a 1 day shoot.
Up to $20 reimbursement each film day for lunch (excluding alcohol and tips over 20%).
Mileage reimbursable outside of 25 miles from the shoot location at the IRS rate.
Important Notes:

No equipment required.
Must live within an hour of the location (mileage reimbursed at GSA standard rate).
Itemized receipts required for lunch reimbursement.
If you meet these criteria and are available on the specified dates, we’d love to consider you for this project. Please let us know your interest and availability at your earliest convenience.

Cinematic coverage of a live poker event in Spain. You will learn from a past operator and carry on the event until the final table. You will be using a MoviPro flying the Alexa Mini, with a ready rig.

Travel days are half day rate. Daily rates are based on 10 hrs a day. Overtime is limited by our client, but is time and a half after 10 hours.

:PLEASE READ THE DESCRIPTION:

This is a 2 day shoot that pays a flat rate of $500 plus food allowance and mileage

We’re looking for a skilled assistant camera operator with DSLR expertise to join us for an engaging project in Oregon City, OR. This two-day shoot offers a flat rate of $500, plus mileage reimbursement and a food allowance.

Shoot Dates:

Saturday, July 13th (Full Day) 8:00 AM - 5:00 PM
Thursday, June 27th (Full Day) 8:00 AM - 5:00 PM
Project Details:
We’ll be capturing marketing and testimonial videos for a dental practice, both inside the office and with some exterior shots.

Assistant Camera Responsibilities:

Operate the camera with a strong understanding of the Sony A7s III.
Handle 8-10 hours of video production each film day.
Follow the provided photography shot list.
Use provided camera settings and adhere to photo guidelines.
Monitor the camera during filming for audio and focus.
Assist with production wrap-up tasks.
You’ll ensure proper composition, audio quality, and color balance for interview cameras, maintaining sharp focus throughout each interview. You’ll also help move lights and cameras based on set changes and lighting preferences.

Requirements:

Proficient with Sony full-frame DSLRs.
Efficient, organized, and attentive to the director’s needs.
Strong understanding of video production workflow.
Ability to work well with our Progressive Dental Videographer flying in from Florida.
Medical or dental shooting experience is a plus.
Compensation:

$250 per day plus mileage and a food allowance.
Up to $20 reimbursement each film day for lunch (excluding alcohol and tips over 20%).
Mileage reimbursable outside of 25 miles from the shoot location at the IRS rate.
Important Notes:

No equipment required.
Must live within an hour of the location (mileage reimbursed at GSA standard rate).
Itemized receipts required for lunch reimbursement.
If you meet these criteria and are available on the specified dates, we’d love to consider you for this project. Please let us know your interest and availability at your earliest convenience.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location. Please send samples of your work that include interview styled clips and b-roll captured capabilities.

As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed:
Cam A: Preferably a Sony digital camera
Cam B: Another camera that can also produce high-quality photos
24-50mm f/1.4 lens: Preferably a prime lens for interviews
24-70mm lens: For capturing b-roll footage
16-35mm lens: For office coverage (preferred but not required)
2 Tripods
Teleprompter
Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
Computer/Laptop: For uploading content to a hard drive and shipping out to our office in Austin, Texas
Audio: Preferably a LAV (lavalier) system
Continuous lighting: For 1-subject interviews and treatments (if necessary)
Slate

If both creators are coming on individually:
- Lead Videographer Rate: $550/8 + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home address to the shoot location

If you are coming on as a Company:
- Day Rate: $1000/8 (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 for food per day
- Equipment Rate: $500 per day

- Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.