Apply to this DIT (Digital Imaging Technician) Job

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Fs7 / AS7 / GOPROS

We are looking for an experienced local reality/docu-series DIT for our Docu-Series show for A&E. We will be filming May 8th - May 12th. You would come in at wrap and dump footage overnight while updating the media log as well.

Lunch is reimbursed via Timecard.

We will be filming on 2x FS7s, AS7, Drones & GoPros.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

Hello!

We are SlidesLive, a young company focusing on conference recording and we are looking for new videographers in Washington, D.C. who are skilled with a camera and ideally have their own equipment.

We offer long-term cooperation to videographers who learn our workflow.

Looking forward to hearing from you!

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in Cockeysville, MD on 5/5/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 8am to 4pm

Let me know if you are interested. Thanks!

The Camera Operator is responsible for live capture of on-field play. They may be responsible for camera, tripod, elevation set up. They receive instruction from Production Coordinators and Video Controllers on when and how to frame the action. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance camera operator
What: High school lacrosse games
When: May 10 (one game)
Where: Bethesda, MD
Why: $100 per game (Rate is per game, approx 2-3 hours.)

Responsibilities:
- Assist with venue set up
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

We are looking for a CAMERA SHADER to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Ursa Broadcast G2 or Sony Bodies is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Interviews and B-Roll at retail store in Fairfax, VA with the following scope on 5/16:
1x Camera Op
4k/UHD camera
On Camera Shotgun Mic
2x Wireless Lav - TBD

Looking for camera operators for the Southern States Horse Show.

The show starts Wednesday morning with 2 sessions a day. The sessions usually last around 3-4 hours and the time in between sessions is yours. Training on the content is provided on site. Cameras are simple to use -- this is a flypack-based webcast.

We pay per session. It's $125/session and each day has 2 sessions.

Looking for camera operators for the Madison Classic Horse Show. Canon G40/Panasonic x2000

Days are broken into 1-2 sessions, usually lasting around 2-4 hours each. Training on the content is provided. Cameras are simple to use -- this is a flypack based webcast. The rate is $125/session and this show has 7 sessions.

Will be expected to strike and have some flexibility.

Looking for a Camera Op that is familiar with filming reality tv to help support our production in Pittsburgh, PA. This will be for a 2 day, possibly 3 day shoot the 12th, 13th & possibly 14th of this coming week

Prerequisites...
Have a valid drivers license
Be familiar with the Sony FX9.
Have experience with shooting ENG style reality television.
Be comfortable lighting an interview and scene work

I will be reaching out in the coming days to conduct telephone interviews of applicants.

Looking forward to hearing back from you!

Happy hunting!

Destination Philadelphia Season 1 will be filming starting June 10th, 2024! We are looking for an eager and motivated Director of Photography to join our crew on travel lifestyle content.

Ronin RS2 advanced knowledge
Blackmagic 6K Pro advanced knowledge
Strong DP experience
Can provide a reel of their work
Strong communication skills
Basic media management experience
Reliable transportation
Scheduled 1 to 3 days a week
4 hours a shoot, 2 shoots a day
Pays $300.00 a day

Blackmagic 6K Pro

Looking for a skilled cinematographer to capture event b-roll and short interviews. Estimated filming of 4 total hours (2 hours per day for 2 days) at the Minneapolis Convention Center.

$600 total for 4 hours of filming across 2 days.

Just an evening corporate event for 3-4 hours. B roll. no editing. No interviews. We'd provide a drive to dump footage end of day. Just need some pretty 4k b-roll of a tech event to make a sizzle out of.

Gimbal + Cam provided by op