Apply to this DIT (Digital Imaging Technician) Job

I need a client-friendly experienced DIT who has a great attitude and works well with others. This is part of an activation where you will need to interface with clients and participants as well as the production crew, so I need someone with great people skills as well as technical skills. Thank you!

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Electrify Expo, Long Beach is in need of a camera operator for their e-skateboard series Asphalt Kings. This camera operator will work directly with the field producer shooting interviews and b-roll as well as filming practice, qualifying and the race heats from a scissors lift.

week long shoot, still locking final days but 5-7 days, week of May 27th

Sony Venice + anamorphics

ISO of a Videographer. Please see details below.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our Director to understand their vision and requirements.
- Assist with scripted interviews using two-camera setups.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a Company Director
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed: None unless specified by the Director (such as a tripod)

Day Rate: $450/8
Overtime: $84.38 per hour.
Meal Reimbursement: Up to $50 for food per day


Additional Compensation: Contractor will receive an additional $100 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

Director of Photography for a micro budget web series shooting for 2 days in late May in Los Angeles.

We are seeking a skilled FPV Drone operator to capture a video tour of a newly built industrial showroom. Shoot will be minimum half day guaranteed. Must be comfortable flying drone in interior of buildings.

Rates per hour. Travel costs billed separately. It will be a will be half day 4hr shoot minimum guarantee. Fee negotiable.

Seeking DP for ultra low budget feature film shooting September-October 2024. Looking for someone with a great eye for lighting. A plus if you also operate camera. 17 days at $500/day.

Please include links to relevant reels when applying.

I'm a music video director looking for a Los Angeles-based DP to film a fun road trip-themed music video shoot in Santa Monica and Malibu on 5/16. It's pretty run and gun with a skeleton crew, so would like to bring someone who owns and operates a komodo/bmpcc6kpro/fx3/fx6 + ronin rs3 pro setup or similar. A rig that we can smoothly switch from gimbal to handheld to tripod as needed. ND filter would be crucial as well. Budget for DP is between 500-600 for the day. Please link your previous work/website/gear list in your submission!

I can provide the following gear if needed: bounce and neg material, sachtler flowtech legs, heavy duty shoulder rig, teradek/directors monitor, and a DZOfilm Vespid prime set in PL and EF mount. But let me know what gear you own and we can figure it out from there.

Rate is based on (1) shoot day

We are a libertarian documentary production shop that deals with provocative material. Our work has been covered by Megyn Kelly, the Free Press, Fox News and the New York Post (as well as the New York Times, USA Today, the Economist and more)

We are looking to hire a talented DP for a three day shoot in Los Angeles for a documentary about the current LA DA George Gascon. There will be roughly 2 days of interview shoots and one day of broll of specific locations throughout the city. We'd love to have drone and ronin shots. Our day rate includes all equipment.

If you're interested, please pass along a brief cover letter and no more the three relevant samples of your work. Thank you

Rob

Looking for a drone operator available mid/end of May.

Must have an FPV drone and will be shooting up close landscapes / buildings.

MUST have kit, insurance and proper licensing.

We are seeking a talented and resourceful Director of Photography for an upcoming low-budget independent feature film project. The ideal candidate will possess a deep understanding of visual storytelling, with the ability to deliver compelling imagery within budgetary constraints. You should have proven experience in a variety of shooting conditions, have previously shot one or more feature films, a creative eye for framing and lighting, and a collaborative spirit to work closely with the director and production team.

This role demands a passionate individual who can inspire and manage a small crew, ensuring artistic coherence and technical quality from pre-production through to the final cut. If you are ready to bring your unique vision to a dynamic indie film production, we would love to hear from you.

Also, you will be working with a VFX Supervisor for certain shots as this is a science fiction project.

When:
Production in July or August

Where:
Los Angeles

Genre:
Sci-fi, Thriller

Looking for an experienced LOCAL Media Manager that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Must be versed with shotput pro and extremely organized. Must be able to communicate with post production team. Non-locals will not be considered, unless they are able to work locally.

Looking for an experienced LOCAL Media Manager that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Must be versed with shotput pro and extremely organized. Must be able to communicate with post production team. Non-locals will not be considered, unless they are able to work locally.