Apply to this DIT (Digital Imaging Technician) Job

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Fs7 / AS7 / GOPROS

We are looking for an experienced local reality/docu-series DIT for our Docu-Series show for A&E. We will be filming May 8th - May 12th. You would come in at wrap and dump footage overnight while updating the media log as well.

Lunch is reimbursed via Timecard.

We will be filming on 2x FS7s, AS7, Drones & GoPros.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

Looking for a DP for a small shoot in Chicago.
If you have your own cameras + gear, we can talk about additional rental fee.

Thank you!

$500/day (12-hours)

Client needs a half day on the 21st, full day on the 22nd. Crew rate budget is $700/day, with half day being $350 ($1050 total crew rate).

Client will be providing gear:

- Sony FX3 with lenses;
- Ronin RS 3 Pro with focus motor;
- 1x1skypannels hard with rolling stand;
- camera cart;
- wireless directors monitor

Time will be given at the head of the day to set up. Message me with questions.

One half day ($350)
One full day ($700)

Looking for an Director of Photography with extensive verite documentary experience for an upcoming Development shoot in Chicago, IL. We are planning on filming with a Canon C300 or Canon C500 and have a deal with a local vendor already in place.

Please send over your reel, credit list, and please highlight your verite experience when applying.

Hello,

We are looking to shoot 2-3 interviews per day for a documentary in the Prospect Heights/Park Ridge areas. Red or Sony All interviews will be interior, at the subject's homes. We will want to shoot 30 minutes of handheld verite with the subjects after each interview as they go through old photo albums and look at other memorabilia.

We are looking for a DP who owns gear. Ideally, (2) camera packages, lenses, camera support and lighting for interviews.

Must have experience working on premium documentaries or series. Gear rental and rates are negotiable.

Looking for a camera assistant local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Duties include assisting DP/B-Cam with g/e, batteries, lenses and media management end of day.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a B-Cam operator local to Lancaster, PA for a new reality paranormal/road trip show. Shooting at a few locations in and around Lancaster.

Please only apply if you can work as a local in Lancaster. We cannot provide accommodations or mileage for travel.

Looking for a B-Cam operator local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a camera assistant local to Lancaster, PA for a new reality paranormal/road trip show. Shooting at a few locations in and around Lancaster, Pennsylvania.

Duties include assisting DP/B-Cam with g/e, batteries, lenses and media management end of day.

Please only apply if you can work as a local in Lancaster. We cannot provide accommodations or mileage for travel.

Looking for union data wrangler for a docu-follow series production, filming Friday 5/17 in the greater St. Louis MO area. 500/10 rate, plus kit fee for laptop / media ingest support materials.

Looking for a DP for a small shoot in New York.
If you have your own cameras + gear, we can talk about additional rental fee.

Thank you!

$500/day (12-hours)

Looking for a drone operator to shoot footage for a financial company's office.

Date: May 15th, 2024
City: Coral Springs, FL
Position: Drone Op
Call Time: TBD, 5-hour shoot
Gear Required: Must own or have access to a drone similar or comparable to Phantom Pro 4 that shoots in 4K at 60fps
Rate: $300/5h
We pay $300/5h and $25/h after that. We do not expect the shoot to go into overtime.
 
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.67 per mile.