Apply to this DIT (Digital Imaging Technician) Job

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Fs7 / AS7 / GOPROS

We are looking for an experienced local reality/docu-series DIT for our Docu-Series show for A&E. We will be filming May 8th - May 12th. You would come in at wrap and dump footage overnight while updating the media log as well.

Lunch is reimbursed via Timecard.

We will be filming on 2x FS7s, AS7, Drones & GoPros.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

3 Days of Shooting + 1 Day of Editing Still = $1,000.00 Total

We are looking for somebody to shoot BTS Stills and Photos for our production around Brentwood.

Full 12 hour days.

Teleprompter Operator needed for 1 Day shoot. We will be filming a client-provided studio, where a Teleprompter machine will be provided.

Rate is for Operator labor only. Teleprompter will be supplied in studio.

FS7's, A7s and GoPros

Need 2nd AC to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting cameras (we will have a Lead AC and Media Manager in tow), but looking for someone ideally not afraid to help a PA with a case either. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

We have a new service offering that we use to shoot various brands in different regions, and are looking to establish a relationship with a shooter for the Bay Area region. This project is a firefighter event on May 11th and are looking for someone to take photos and video with our client for the project. Shoot day can be changed to the day before(May 10th), if necessary, but Saturday is preferred. Applicant will need to supply their own camera for the project. Applicant will also be responsible for uploading their content to Frame.io so you will need to have a good internet connection.

We are looking for someone who can get creative with camera and has experience shooting social media content. Please send a sample of your work, and what camera you are able to provide so we can see if you might be a good fit for this project as well as more to come!

Hello!

Looking for someone to shoot on a Sony FX6 at a race at Laguna Seca. On 5/10.


A lot of B-Roll type footage at a racetrack. It's a very run and gun style. We are a documentary series shooting the Mazda Cup Race.

It will be an early call time, and I know you may not live close by so we can provide a hotel room for you the night before if necessary.

800/12

Hello!

We are SlidesLive, a young company focusing on conference recording and we are looking for new videographers in San Francisco, California who are skilled with a camera and ideally have their own equipment.

We offer long-term cooperation to videographers who learn our workflow. We do all the pre-production and post-production of our recording events.

Looking forward to hearing from you!

Looking for a videographer or two to capture event b-roll at a special movie screening event. Other than b-roll, they will need to capture post-screening testimonials of audience members (with sound).

Looking for a skilled cinematographer to capture event b-roll and short interviews. Estimated filming of 4 total hours (2 hours per day for 2 days) at the Minneapolis Convention Center.

$600 total for 4 hours of filming across 2 days.

Just an evening corporate event for 3-4 hours. B roll. no editing. No interviews. We'd provide a drive to dump footage end of day. Just need some pretty 4k b-roll of a tech event to make a sizzle out of.

Gimbal + Cam provided by op

Hello! We are looking for a DP in the Sioux Falls area to shoot a pickup interview for an Oxygen true crime series this Saturday, May 11th.

We would like someone who can provide the camera/lighting package and can run the audio through the camera for the one interview. We have been shooting on two Sony FS7s.

We will need the ability for producers to call in remotely via Zoom.

We are able to bring on an AC/MM and a PA for support.

If you are interested and meet the above qualifications, please send me a resume and a sample of your work.

$800 + $1000 kit. Two cameras and lights

Looking for an AC for a reality series filming locally in Las Vegas.

Requirement : Must be a resident of Nevada.