Apply to this DIT (Digital Imaging Technician) Job

I need a client-friendly experienced DIT who has a great attitude and works well with others. This is part of an activation where you will need to interface with clients and participants as well as the production crew, so I need someone with great people skills as well as technical skills. Thank you!

Need someone who has experience in being an on set stills digitech that can organize files and edit on site with minimal retouching. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet.

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

We're filming a pilot involving some scripted and lots of improv.

This is a 2-cam shoot. We're looking for a CAM OPERATOR with good comedy instincts. You'll need to bring a SONY FX-6, cards, stix, and lenses. We'll have Dana Dollies, so you'll need a 75mm fluid head.

Day rate and Kit rental = 1200/12h

Electrify Expo, Long Beach is in need of a camera operator for their e-skateboard series Asphalt Kings. This camera operator will work directly with the field producer shooting interviews and b-roll as well as filming practice, qualifying and the race heats from a scissors lift.

week long shoot, still locking final days but 5-7 days, week of May 27th

Sony Venice + anamorphics

ISO of a Videographer. Please see details below.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our Director to understand their vision and requirements.
- Assist with scripted interviews using two-camera setups.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a Company Director
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed: None unless specified by the Director (such as a tripod)

Day Rate: $450/8
Overtime: $84.38 per hour.
Meal Reimbursement: Up to $50 for food per day


Additional Compensation: Contractor will receive an additional $100 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

Director of Photography for a micro budget web series shooting for 2 days in late May in Los Angeles.

I need a videographer to capture an event for 3 hours on May 10th starting at 10:30PM in Mar Vista. 10:30PM-1:30AM.

We need a 60-90second edit of the event cut to music as well.

We have $600 total.

We are seeking a skilled FPV Drone operator to capture a video tour of a newly built industrial showroom. Shoot will be minimum half day guaranteed. Must be comfortable flying drone in interior of buildings.

Rates per hour. Travel costs billed separately. It will be a will be half day 4hr shoot minimum guarantee. Fee negotiable.

Seeking DP for ultra low budget feature film shooting September-October 2024. Looking for someone with a great eye for lighting. A plus if you also operate camera. 17 days at $500/day.

Please include links to relevant reels when applying.

I'm a music video director looking for a Los Angeles-based DP to film a fun road trip-themed music video shoot in Santa Monica and Malibu on 5/16. It's pretty run and gun with a skeleton crew, so would like to bring someone who owns and operates a komodo/bmpcc6kpro/fx3/fx6 + ronin rs3 pro setup or similar. A rig that we can smoothly switch from gimbal to handheld to tripod as needed. ND filter would be crucial as well. Budget for DP is between 500-600 for the day. Please link your previous work/website/gear list in your submission!

I can provide the following gear if needed: bounce and neg material, sachtler flowtech legs, heavy duty shoulder rig, teradek/directors monitor, and a DZOfilm Vespid prime set in PL and EF mount. But let me know what gear you own and we can figure it out from there.

Rate is based on (1) shoot day

We are a libertarian documentary production shop that deals with provocative material. Our work has been covered by Megyn Kelly, the Free Press, Fox News and the New York Post (as well as the New York Times, USA Today, the Economist and more)

We are looking to hire a talented DP for a three day shoot in Los Angeles for a documentary about the current LA DA George Gascon. There will be roughly 2 days of interview shoots and one day of broll of specific locations throughout the city. We'd love to have drone and ronin shots. Our day rate includes all equipment.

If you're interested, please pass along a brief cover letter and no more the three relevant samples of your work. Thank you

Rob