Apply to this DIT (Digital Imaging Technician) Job

Seeking production crew for a professional interview video series at a studio in New York City. Shooting is expected to take place for 1-3 days from June 25th-June 27th (TBD). The shoots days are expected to go for 10 hours.

Looking for DIT/media manager for a recruitment government project. Must have a DIT kit, offloading software, etc. We need someone to transfer footage onto hard drives, plus quality control of footage / ensure no footage is corrupt, etc.

Dates: 2 days in August 2024 (rough, no dates yet)
Location: Washington, DC

$550 - 700/day depends on experience

Please submit resume / website + kit info.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

Looking for an experienced LOCAL Camera Operators that have worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Non-locals will NOT BE considered, unless they are able to work locally. If you are able to work as a local, please put in notes or your application will automatically be passed.

Looking for an experienced LOCAL Media Manager that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Must be versed with shotput pro and extremely organized. Must be able to communicate with post production team. Non-locals will not be considered, unless they are able to work locally.

Looking for an experienced LOCAL Camera Assistants that has worked on numerous reality docu-series projects. Must have at least 2 recommendations and credits. Non-locals will not be considered, unless they are able to work locally.

Seeking DP with documentary film / broadcast television experience for 3 - 4 shoot days wk of 6/17 in Princeton, NJ for science documentary. Own 4K gear package a plus.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Job Title: Wired (1)/ Wireless (1) Camera Operator(s)
Panasonic ag-cx10

Location: US Squash Specter Center, Philadelphia, Pa 15237
Date: June 21st

Job Duration: 3:00 PM - 11:00 PM

Compensation: $350/day

Job Description:
We are seeking a skilled Wireless Camera Operator to capture live footage of an international Squash match at Louisville Boat Club. As the Wireless Camera Operator, you will be responsible for operating wireless cameras to ensure high-quality footage of the match. Your primary duties will include setting up and positioning wireless cameras, adjusting camera angles, zoom levels, and focus, and ensuring smooth and uninterrupted footage throughout the event. Additionally, you will collaborate closely with the production team to execute the director's vision and capture key moments of the match. The ideal candidate will have previous experience operating cameras, familiarity with wireless camera systems, and excellent attention to detail. This is an exciting opportunity to be part of a high-profile sporting event and showcase your camera operating skills.

We have an opportunity for a production team of two, including a Lead Videographer and a Second Shooter, to join us in producing content for a medical aesthetic client. This project will take place at an Express Urgent Care, so be prepared to work within clinical walls. You'll need to be skilled at shooting in tighter, bland spaces, and know how to elevate the look with composition and the suggested gear listed below.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.

As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

GEAR NEEDED:
Cam A: Preferably a Sony digital camera
Cam B: Another camera that can also produce high-quality photos
24-50mm f/1.4 lens: Preferably a prime lens for interviews
24-70mm lens: For capturing b-roll footage
16-35mm lens: For office coverage (preferred but not required)
2 Tripods
Teleprompter
Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
Computer/Laptop: For uploading content to a hard drive and shipping out to our office in Austin, Texas
Audio: Preferably a LAV (lavalier) system
Continuous lighting: For 1-subject interviews and treatments (if necessary)
Slate


If both creators are coming on individually:
- Lead Videographer Rate: $550/8 + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home address to the shoot location

If you are coming on as a Company:
- Day Rate: $1000/8 (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 for food per day
- Equipment Rate: $500 per day

- Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.

As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

GEAR NEEDED:
Cam A: Preferably a Sony digital camera
Cam B: Another camera that can also produce high-quality photos
24-50mm f/1.4 lens: Preferably a prime lens for interviews
24-70mm lens: For capturing b-roll footage
16-35mm lens: For office coverage (preferred but not required)
2 Tripods
Teleprompter
Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
Computer/Laptop: For uploading content to a hard drive and shipping out to our office in Austin, Texas
Audio: Preferably a LAV (lavalier) system
Continuous lighting: For 1-subject interviews and treatments (if necessary)
Slate


If both creators are coming on individually:
- Lead Videographer Rate: $550/8 + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home address to the shoot location

If you are coming on as a Company:
- Day Rate: $1000/8 (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 for food per day
- Equipment Rate: $500 per day

- Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

We are looking for a local Director of Photography to help film a conference on June 24th.
The day will be about 4-5 hours of work.

Filming of the conference will be held on Monday June 24th from 10am - 12pm.
There will be some allotted set up time before the conference for crew and there will be a one hour portion dedicated to filming interviews after the conference.

We are looking for a DP candidate who can provide a 2 cameras and source a 2nd DP or Cam Op; The client would like a 2 camera set up for the conference filming.

$500 day rate [ 4-5 hours of work ]
- Additional DP Kit Rental

In need of an experienced A/C for a multicam corporate education shoot with a leading healthcare company.

Responsibilities include:

- Media management
- Camera Maintenance & Build Out (we're shooting on two Sony FX6 cameras and one Sony FX3)
- Assistance with lighting/grip setups.

Must be able to work as a local in the Austin area.

Thanks in advance.

Looking for a union 1st assistant camera in Denver for a production filming 7/22 - 7/24. Must have experience with long lens focus pulling during live event coverage.
700/10

Looking for a union camera operator locally in Denver for a production filming 7/22 - 7/24. Experience with covering live events with a long lens camera a must.

750/10

Seeking drone pilot, bonus if you also fly FPV - send us a reel!

Filming corporate content in Lititz, PA
Assistant Camera for a crew of 5x supporting DP with FX6 to capture interview + b-roll
1x indoor location, 10-hour day

I am opening a gym in San Diego in Morena on July 1st. My business is a rehab/physical therapy approached mixed with a gym and personal training.

I have a semi-large online presence, particularly on YouTube and Instagram.

I am looking to hire someone for a long-term partnership who works in-house with us 3 days per week and can edit on their own time, or even at the gym if they want.

It would be around 4ish hours of filming every week to start, with about 6-8 hours of editing videos, reels, etc as well.

We can work out whether an hourly or salaried pay structure is more ideal.

DP needed for interview portion of one-day mini doc shoot. Subject/company requires NDA, sensitive material.

The contractor will provide W9 and invoice. Will be paid by bill.com

Hi there!

Looking for a One Man Band DP (+PA) for an industrial company highlight video we're producing. Owner operator of FX9 or similar package would be ideal. This will be a client facing position with a shoot plan provided to execute. Please shoot over your reels and any relevant work samples would be great!

One man Band - labor camera and audio + Basic lighting. please Estimate.

No set shoot date yet but timeframe is within the next 2 weeks we're told.