Apply to this DIT (Digital Imaging Technician) Job

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Fs7 / AS7 / GOPROS

We are looking for an experienced local reality/docu-series DIT for our Docu-Series show for A&E. We will be filming May 8th - May 12th. You would come in at wrap and dump footage overnight while updating the media log as well.

Lunch is reimbursed via Timecard.

We will be filming on 2x FS7s, AS7, Drones & GoPros.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

3 Days of Shooting + 1 Day of Editing Still = $1,000.00 Total

We are looking for somebody to shoot BTS Stills and Photos for our production around Brentwood.

Full 12 hour days.

We are covering a collegiate women's rowing competition:

SATURDAY 05/18 in Sacramento, CA (Lake Natoma)

We need a licensed and insured drone cinematographer to capture 3 rowing races that day. We are focusing on 2 particular teams only. It will likely be about a 2-3 hr window of total time on site with about 30-45 min of total flight.

We will need to get approval and clearances in place ASAP with the event organizers as well as the Parks Department. We have established the conversation already but will need to align all parties for approvals.

We have a fixed flat rate budget of $800 to fly & film and deliver the footage. We have typically been using a DJI Mavik Pro 3 for our drone coverage (a similar model will suffice & specs will be provided).

Interested & Qualified candidates please submit links to your reel, a breakout of your equipment, a resume, and any relevant references.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Cinematographer with a Sony camera package (FX6, FX3, FX9, a7siii) in Sacramento, CA for 2x days to help cover a women's rowing match.

FRIDAY 05/17/24 (team arrival and setup)
SATURDAY 05/18/24 (rowing match day)

We need additional camera support to help document our team's arrivals, set up, practice, training, and then the matches and closing interviews on Saturday. This is a very straightforward sports documentary format.

The project is operating on a fixed flat rate budget with a rate of $900/day/hr (including camera package) for this Local Hire Role. The fixed max budget is $2,000 for the 2 working days. The days will be shorter (6-8hrs)

Interested and available candidates please respond with links to your documentary work, a resume, equipment breakout, and any other relevant info. (A background in sports documentaries or similar storytelling is a huge plus! Please be sure to let us know if that is you)

Videographer for corporate event / conference program taking place at the SAFE Credit Union Convention Center from May 13 - 16, 2024.

The videographer will shoot a variety of content for us that can be used as promotional materials for next year's event. This includes shots of speakers on the stage, audience "wow" shots, attendees networking, back of house production shots, and possibly some "man on the street" questions.

Hours
May 13: 5pm - 7pm ($300)
May 14: 8am - 5pm ($1,000)
May 15: 8am - 5pm ($1,000)
May 16: 8am - 5pm ($1,000)

No post-event editing is needed.

We ask that you transfer all raw content to a hard drive at the end of each day for our team to edit.

Total income: $3,300

NLV is hiring Videographers to cover a High School Field Hockey Showcase at the University of Michigan. This event is from 05/24 to 05/26. Applicants must be able to work all 3 days.

All gear will be provided by the company. There will be an Event Manager onsite who will set up equipment and give direction throughout the day. Must sign up for both days. Meals will also be provided during shift hours.

What: Lacrosse tournament
Where: East Lansing, MI
When: May 24-26, 2024
Why: $250/day. Meals included.

Responsibilities:
- Assist with set up upon arrival
- Operate camera with tripod mounted atop podium ladder or scaffolding
- Monitor and maintain power, storage, and bitrate
- Help break down equipment at the end of the day

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

Looking for DP for pickup remote interview + b-roll shoot in Grand Rapids, MI. This is for a second season of a true crime series for Investigation Discovery. Will hire local AC for support- together you will be responsible for audio and lighting and media management.

Must have their own gear - cameras, lighting, and audio
Will be responsible, with the AC, for media transfer and DIT

2 camera interview set up - FS7 or similar

Shoot Dates - TBD
Looking to film, sometime in the next two weeks. If you have conflicts - please let me know when. We may be able to work around your schedule.

-$800/12 + $1000/KIT

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Seeking a *LOCAL DP with gear*, for an independent feature documentary following local political candidates leading up to the election. Will be approx.10-15 days over the course of several months. Must have prior experience as a DP on a *VERITE* documentary or documentary series. Must also have experience lighting/ shooting proper sit-down interviews. Must have references, MUST BE LOCAL, MUST LIVE WITHIN 40 MIN DRIVE FROM DC. (not willing to work as local). Experience on political projects a plus!

*If possible, please attach your resume, or include link to website, reel, and/or IMDB.

Thank you!

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required