Apply to this Data Wrangler Job

Data wrangler needed to work with UK crew filming in Atlanta GA. Role would entail a later shift 1pm - 12am. Collecting rushes from set midway through shoot day and wrangling using DIT set up at crew hotel. Then wrangling afternoon rushes so all cards are cleared for next day. Must have experience with Shotput pro and logging rushes. Excellent attention to detail.

AC needed with reality experience, please send credits and references. Sony FX9

/12

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside in Harlem and the Bronx. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of June 5 may be changed...

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

All scenes will be shot inside. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 2 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of May 15 may be changed...

We are looking for an experienced local reality/docu-series AC/DIT/Drone Operator for our Docu-Series show for A&E. We will be filming May 8th - May 12. This includes Gear Prep (Half Day) on the 7th of May and Gear Wrap (half Day) May 13th.

We will be filming on 2x FS7s, AS7, & GoPros. We also ask for DIT experience.

Shooting will be interviews, scene work and car shooting.

Must have drone (additional kit rental of $150).

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Single day teleprompter read against greenscreen with 3 cameras. Locked off at our studio in TriBeCa.
Canon series with tripod preferred.
7am-5pm including rap out with an hour lunch.
Teleprompter to be provided by teleprompter operator.

Rate is dependent on provided equipment.
Single day teleprompter read against greenscreen with 3 cameras. Locked off.
Canon series with tripod preferred.
7am-5pm including rap out with an hour lunch.
Teleprompter to be provided by teleprompter operator.

Seeking a local AC to help out with a 2-3 day interview shoot in Salt Lake City.

$400 - $450 a day

Hello!

Looking for someone to shoot on a Sony FX6 at a race at Laguna Seca. On 5/10.


A lot of B-Roll type footage at a racetrack. It's a very run and gun style. We are a documentary series shooting the Mazda Cup Race.

It will be an early call time, and I know you may not live close by so we can provide a hotel room for you the night before if necessary.

800/12

I need a videographer to capture an event for 3 hours on May 10th starting at 10:30PM in Mar Vista. 10:30PM-1:30AM.

We need a 60-90second edit of the event cut to music as well.

We have $600 total.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

In search of Camera operator to shoot reality style vignette segments for Kayak/boat/paddlebaord tours.
Looking to produce proof on concept for adventure tour company youtube series.
Looking to put together the right team to produce/shoot and edit.
If shooter can edit that is a plus.
Given the action sports theme, based in the coastal back drop of Amelia Island, there is great potential for amazing photo/videography.

Looking for camera operators/production assistants for the Bonnie Blue Horse Show.

Days are broken into 1-2 sessions with breaks in between. Training on the content is provided. Cameras are simple to use -- this is a flypack-based webcast.

Will be expected to strike and have some flexibility.

We pay $125/session and have 7 sessions to offer.

Looking for a drone op to capture footage of building location in Spokane, WA - either June 1 or June 2 depending on weather!

Please send references along with response!

Crew Position: Cam Op
Date: 5/3
Rate is negotiable

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed:
-Cam A (preferably RED, Black Magic, or Sony digital cameras)
-Cam B (that is also able to produce photos)
-2 Tripods
-Teleprompter
-Laptop (Apple Macbook preferred but not required for broadcasting live footage)
-Computer/Laptop for uploading content to hard-drive and shipping out to our office in Austin, Texas
-Audio (preferably a LAV system)
-Continuous light coverage for 1-subject interviews and treatments (if necessary)
-Slate

Day Rate: $1000/8 (for both creators)
Overtime: $187.50 per hour
Meal Reimbursement: Up to $100 for food per day
Equipment Rate: $500 per day

Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

Hello!

We are SlidesLive, a young company focusing on conference recording and we are looking for new videographers in Washington, D.C. who are skilled with a camera and ideally have their own equipment.

We offer long-term cooperation to videographers who learn our workflow.

Looking forward to hearing from you!

Hello!

We are SlidesLive, a young company focusing on conference recording and we are looking for new videographers in San Francisco, California who are skilled with a camera and ideally have their own equipment.

We offer long-term cooperation to videographers who learn our workflow. We do all the pre-production and post-production of our recording events.

Looking forward to hearing from you!

We are looking for a DP with gear (Sony FS7/FX9 or similar with audio) for one day in San Clemente, CA. We are looking to film an interview for a few hours with one talent for a clip show for Discovery. This interview will be very minimal, but may require simple lighting. Drives will be provided, but will have to offload footage and ship back after the interview. Producer will direct remotely. Interview time will be about 2-3 hours.

Candidate should also be able to run simple audio to camera.

1000 labor + 600 gear

Our client would like to produce a very low budget video to put on their website that shows a clear step-by-step demonstration of how to change a tire. The on-camera talent would be a manager of the tire shop and the location would be a tire shop in the Indianapolis area