Apply to this First Assistant Camera Job

I am looking for a 1st AC for a small documentary shoot in Albany, NY shooting on May 9. We will be filming 3-4 interviews and likely one person will be on camera for each interview. This will take place in various spots within the same location. This is the very last day of filming for this documentary so we have a streamlined process. It should be a relatively easy going day.

We are filming on the Red Komodo and Red Raptor. If you own one of those cameras, that is a huge plus. Rate negotiable for camera package. There is also a possible prep day on May 8 if needed.

Must be local to Albany, NY or willing to work as a local. We cannot accommodate any travel, hotels, per diem, mileage, etc.

Rate is $450/10 + negotiable camera package if applicable

Thanks!

Non union reality show seeking local assistant camera for a one wee shoot in the Jacksonville area. We will have a separate media manager to handle media, this is just a camera utility position.

Experience with reality, non union shows required. Filming one-two talent at their home docu-reality style.

Rate- $350/12
*please do not apply if you are not local and willing to work with this rate- thank you!

*We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Looking for a 1st AC for a b roll shoot - nimble crew a la ENG but needing someone to pull focus and assist DP.

Please send references along with response!

We need a 1AC to support our Director of Photography on a 4 day shoot in the Rio Grande Valley.

Preferably you would have multiple 1AC credits, your own focus puller, monitor, and other great.

We are brining the series Black Clown to Rio Grande Valley (from Dallas) and are looking to connect with up and coming talent in the valley.

Must be local to location (or willing to work as a local).

Seeking a DP to to capture interviews and b-roll for our client in Spanish Fort, AL. This is for a local environmental agency.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting, External Recorder (if you do not have two-audio channels on camera), LAV Mic, and Boom Mic with Mic Stand (discuss with producer on the pre-pro call if sound equipment is needed)

Call time will be 7:45 am

Rate is $350 for five hrs on set

Seeking a DP who can capture interviews and B-roll for our client in Spanish Fort, AL. This is for a local environmental agency.

Seeking candidates who can provide their own gear. Please share any reel/website/work samples you have.

Gear Required: Camera, Tripod, Gimbal (or comparable stabilizer), Lighting (interview).
Call time: 7:45 AM
Rate: $350/10hrs

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in Gulf Breeze, FL on 5/15/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 8am to 12pm with an 7am call time.

Let me know if you are interested. Thanks!

Seeking a local AC to help out with a 2-3 day interview shoot in Salt Lake City.

$400 - $450 a day

Hello!

Looking for someone to shoot on a Sony FX6 at a race at Laguna Seca. On 5/10.


A lot of B-Roll type footage at a racetrack. It's a very run and gun style. We are a documentary series shooting the Mazda Cup Race.

It will be an early call time, and I know you may not live close by so we can provide a hotel room for you the night before if necessary.

800/12

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

In search of Camera operator to shoot reality style vignette segments for Kayak/boat/paddlebaord tours.
Looking to produce proof on concept for adventure tour company youtube series.
Looking to put together the right team to produce/shoot and edit.
If shooter can edit that is a plus.
Given the action sports theme, based in the coastal back drop of Amelia Island, there is great potential for amazing photo/videography.

Looking for camera operators/production assistants for the Bonnie Blue Horse Show.

Days are broken into 1-2 sessions with breaks in between. Training on the content is provided. Cameras are simple to use -- this is a flypack-based webcast.

Will be expected to strike and have some flexibility.

We pay $125/session and have 7 sessions to offer.

Looking for a drone op to capture footage of building location in Spokane, WA - either June 1 or June 2 depending on weather!

Please send references along with response!

Crew Position: Cam Op
Date: 5/3
Rate is negotiable

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed:
-Cam A (preferably RED, Black Magic, or Sony digital cameras)
-Cam B (that is also able to produce photos)
-2 Tripods
-Teleprompter
-Laptop (Apple Macbook preferred but not required for broadcasting live footage)
-Computer/Laptop for uploading content to hard-drive and shipping out to our office in Austin, Texas
-Audio (preferably a LAV system)
-Continuous light coverage for 1-subject interviews and treatments (if necessary)
-Slate

Day Rate: $1000/8 (for both creators)
Overtime: $187.50 per hour
Meal Reimbursement: Up to $100 for food per day
Equipment Rate: $500 per day

Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

Hello!

We are SlidesLive, a young company focusing on conference recording and we are looking for new videographers in Washington, D.C. who are skilled with a camera and ideally have their own equipment.

We offer long-term cooperation to videographers who learn our workflow.

Looking forward to hearing from you!

Hello!

We are SlidesLive, a young company focusing on conference recording and we are looking for new videographers in San Francisco, California who are skilled with a camera and ideally have their own equipment.

We offer long-term cooperation to videographers who learn our workflow. We do all the pre-production and post-production of our recording events.

Looking forward to hearing from you!

We are looking for a DP with gear (Sony FS7/FX9 or similar with audio) for one day in San Clemente, CA. We are looking to film an interview for a few hours with one talent for a clip show for Discovery. This interview will be very minimal, but may require simple lighting. Drives will be provided, but will have to offload footage and ship back after the interview. Producer will direct remotely. Interview time will be about 2-3 hours.

Candidate should also be able to run simple audio to camera.

1000 labor + 600 gear

Our client would like to produce a very low budget video to put on their website that shows a clear step-by-step demonstration of how to change a tire. The on-camera talent would be a manager of the tire shop and the location would be a tire shop in the Indianapolis area