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Looking for a union 1st assistant camera in Baltimore for a production filming in the 5/27 - 5/29 period. Must have experience with long lens focus pulling during live event coverage.

675/10

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Houston, TX area. This job is non-union, capturing short-form digital content.

Shoot Day: Mon 6/10
Rate: $650/12
Job Type: Non-Union

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Looking for a 1st AC for a b roll shoot - nimble crew a la ENG but needing someone to pull focus and assist DP.

Please send references along with response!

We need a 1AC to support our Director of Photography on a 4 day shoot in the Rio Grande Valley.

Preferably you would have multiple 1AC credits, your own focus puller, monitor, and other great.

We are brining the series Black Clown to Rio Grande Valley (from Dallas) and are looking to connect with up and coming talent in the valley.

Need someone who has experience in being an on set stills digitech that can organize files and edit on site with minimal retouching. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet.

Need someone who has experience in assisting a stills photographer. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet. Must have camera experience with a Canon R5.

$550/10

Looking for an experienced AC for a 2-camera interview shoot on 5/16 + 5/17 with 2x talent. We'll be shooting on FX9s.

Must have experience pulling focus.

$600 10/hr + gear rentals if you have gear we're looking to rent. Must be local to Atlanta.

Looking for a camera assistant who *lives* in Atlanta, GA (or within 30 min drive). *Not "willing/able to work as local", must live there.
Looking for someone to be a right hand to our DP for a documentary sit down interview; setting up cameras and video village, helping to light, monitoring B cam while shooting, etc. Director is Zoom calling in to conduct the interview, so must have experience setting up remote interviews. Must have prior experience as an AC on a documentary, must have a reference.
5/20- Camera check out / prep
5/21- Shoot

Looking for camera operators for a live concert recording Thursday May 16. Please include links to any previous concert filming or music experience with your submission. Please also indicate if you have familiarity with the Sony family of cameras, specifically the FX3.

Owner/operators, as well as camerapeople without equipment are welcome to submit. Please include your asking rate, and if it includes equipment or not.

Must be local to location (or willing to work as a local).

Seeking a DP to to capture interviews and b-roll for our client in Boston, MA. This is for a local investment agency.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting,

Call time is TBD

Rate is $350 for five hrs on set, $50/h after that. We do not expect the shoot to go into overtime.

Looking for local-to-Toronto DP for short, documentary project. Exact dates are TBD but likely to be three (non-consecutive) days starting May 17. Preferably a DP with documentary experience, their own gear and wide variety of lens selection.

We are building up our vendor list in every region. Looking for local crews.
Will vary based on project needs. Comcast shoots work based on half days 5 hours and full days 10 hours.

Looking for a local AC for a 1-2 day interview shoot near Spokane, WA

Looking for someone who has experience shooting restaurant, hotel, commercial or residential real estate spaces. This specific job would be shooting the entrance and amenity spaces of a few commercial and residential spaces in the West Loop and Fulton Market Areas of Chicago. This job can include the editing of shot footage, but isn't necessary.

This is a per venue rate. Total is dependent if you will be editing the footage as well.

We are looking for Camera Operators who are professional, positive, outgoing and can adapt to a fast paced filming environment and are okay filming uncomfortable subject matter for a new health and wellness show. You will need to have experience filming with FS7's and GoPro's. If you are interested, please shoot me a message including your cover letter and list of credits. $600/12 (minus lunch).
*This is a Non-Union job*

Stills - forward photo/video shoot at H&R Block headquarters next month. Will be a 2 day shoot, but can likely only afford 1 day of video so we'll look to shoot video on Day 2. Will be MOS and B-roll of H&R Block employees/cast

Looking for a camera operator with verite documentary experience as well as experience filming live sporting events. We are shooting on FX6’s.

If you could please send over reels with documentary and/or verite filming.

Hey there, we're looking for a solo filmmaker who can do it all.

For this project you will be recording an interview with our client and capturing b-roll, and also be responsible for setting up lights, running audio, and operating a teleprompter. We really are looking for someone who can do it all.

We are looking for someone who has all of their own equipment for cam, lighting, and audio. If you have a teleprompter, great, and if you need to rent one we will cover that cost as well.

The shoot is 1 location with one subject in Meridian,

Rate is $1000 for a 10 hour day, including gear. Chances are though it will be more like a 6hr day...

We're filming a pilot involving some scripted and lots of improv.

This is a 2-cam shoot. We're looking for a CAM OPERATOR with good comedy instincts. You'll need to bring a SONY FX-6, cards, stix, and lenses. We'll have Dana Dollies, so you'll need a 75mm fluid head.

Day rate and Kit rental = 1200/12h