Apply to this First Assistant Camera Job

Looking for a union 1st assistant camera in Baltimore for a production filming in the 5/27 - 5/29 period. Must have experience with long lens focus pulling during live event coverage.

675/10

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Houston, TX area. This job is non-union, capturing short-form digital content.

Shoot Day: Mon 6/10
Rate: $650/12
Job Type: Non-Union

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Looking for a 1st AC for a b roll shoot - nimble crew a la ENG but needing someone to pull focus and assist DP.

Please send references along with response!

We need a 1AC to support our Director of Photography on a 4 day shoot in the Rio Grande Valley.

Preferably you would have multiple 1AC credits, your own focus puller, monitor, and other great.

We are brining the series Black Clown to Rio Grande Valley (from Dallas) and are looking to connect with up and coming talent in the valley.

Looking for an assistant camera with knowledge and experience with FX6 cameras for a verite sports docu follow series. Will also need to be able to media manage footage from the day and back up media to hard drives.

In addition to rate above a kit rental per day will be provided for laptop with shot put pro or resolve to download footage to drives.

I need a client-friendly experienced DIT who has a great attitude and works well with others. This is part of an activation where you will need to interface with clients and participants as well as the production crew, so I need someone with great people skills as well as technical skills. Thank you!

Looking for a 2nd cam operator with a gimbal to do some b cam event coverage this Tuesday evening in NYC at a black tie event. Should have experience with this type of production and examples of work to show. Cam op also needs to be able to dress appropriately for the occasion. Please let us know what your camera package entails.

I am looking for a second camera operator to help me film a graduation ceremony. The ideal candidate here would be a camera operator who has experience filming weddings or corporate events. I am using Sony Alpha series cameras myself and I need someone who also has a Sony camera so we can sync profiles and color settings etc.

Ideally, I would like someone who has experience with a range of camera settings and shooting in Slog etc.

I am looking for someone who is enthusiastic, willing to work with whatever happens, who is professional and respectful and can be a future team player in my video production business.

I know the rate is low but I am not being paid a lot either! The client is a small private school that is in its early years and does not have a large budget. I would like to help them by producing this video for them.

The event is from 1pm - 3pm on May 31st at a country club. I would need you to be there from 12Pm to 3:30 pm most likely.

I am also looking to hire people in the future for larger, higher-paying work. I am looking to build my network of professionals to work with.

Again, I apologize about the rate, but this would be a great job for someone who has experience and is looking to build on it, like myself. Also, it is only for a few of hours, not a whole day. This is a flat rate for the job. No travel included, although, that could be negotiated if it is a deal-breaker for you!

I look forward to hearing from you,

Regards,

Felix

Looking for a camera operator with verite documentary experience as well as experience filming live sporting events. We are shooting on FX6’s.

If you could please send over reels with documentary and/or verite filming.

Looking for a DP for a small shoot in New York.
If you have your own cameras + gear, we can talk about additional rental fee.

Thank you!

$500/day (12-hours)

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside of a Hotel Building in Manhattan. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday and Sunday. Schedule will be confirmed upon hiring. Start of May 22nd may be changed...

Just an evening corporate event for 3-4 hours. B roll. no editing. No interviews. We'd provide a drive to dump footage end of day. Just need some pretty 4k b-roll of a tech event to make a sizzle out of.

Gimbal + Cam provided by op

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside in Harlem and the Bronx. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of June 5 may be changed...

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside in Harlem and Washington Heights. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of May 29 may be changed...

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

All scenes will be shot inside. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 2 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of May 15 may be changed...

One day in person shoot to help launch a skincare brand

We will need video and photography for the following

1) Photography for before and after shots
2) Video of product demonstrations and real time results tracking
3) UGC segments/Interview segments with talent
4) Interview segments with the product creator and founder's story

We are currently looking for a director of photography to join our crew to help capture an event on June 1, 2024. We will be capturing several different types of shots throughout the event, including interviews and b-roll.

Please include your rate with and without equipment fees.

As our Video editor + videographer, your role is to create engaging stories in collaboration with our marketing team. You'll employ various techniques such as in-person recording, video conference capture, and user submitted videos to share the stories of our teachers, students, and donors. Beyond content creation and editing, you'll be instrumental in shaping our video strategy, ensuring seamless planning, organization, and content optimization across all channels, with a strong emphasis on social media.

Responsibilities
Own and execute our approach to video storytelling in long and short form content
Direct and manage video projects from start to finish, including but not limited to teacher and donor interviews, employer sponsored events,, and student based content
Complete post-production tasks which include reviewing footage, making editorial decisions, audio and music additions, and final editing
Manage setting up/taking down lights, cameras and sound equipment for live video and photo shoots as needed
Collaborate with our podcast producer to record and edit episodes for release
Strategize and standardize our long term approach to engaging different audiences in alignment with our equity focus
Develop approaches for social media and tailor the content for the specific needs of each channel, working in close collaboration with our content and social media teams
Create resources and guidelines to ensure consistency and scalability in our work
Collaborate and brainstorm with diverse teams, including marketing managers, content leads, and product designers to elevate and harmonize the way we share our mission and impact
Understand our audience needs and keep the work teacher and donor-centered

This position may be a fit if you are:

Committed to our mission to support public school teachers and students and energized by sharing that passion with others. You're passionate about equity and excited to learn more and engage stakeholders with our equity focus.
A content creator with a background in videography and editing with Adobe Creative Cloud.
Skilled in planning and executing multimedia campaigns, ensuring smooth post-production processes and end products high in both quality and impact
Able to manage project timelines, priorities, and design requirements.
An expert in editing high-quality image and video content, enhancing it with narration, sound effects, music, and graphics
Well-versed in social media best practices to captivate and engage new and diverse audiences, including an ability to anticipate trends and quickly adapt to platform changes
Someone with an elevated sense of aesthetics and a designer’s eye towards producing content that is dynamic and representative of our audience,
A passionate and detail-oriented collaborator who embraces feedback, provides constructive insights, and aims to problem solve creatively

Bonus points, but not required if you have experience working in any of the following areas:
Motion Graphics and Animation
Photography
The Educational space (K-12, EdTech, other nonprofits etc.