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Looking for a union 1st assistant camera in Baltimore for a production filming in the 5/27 - 5/29 period. Must have experience with long lens focus pulling during live event coverage.

675/10

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Houston, TX area. This job is non-union, capturing short-form digital content.

Shoot Day: Mon 6/10
Rate: $650/12
Job Type: Non-Union

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

I am looking for a 1st AC for a small documentary shoot in Albany, NY shooting on May 9. We will be filming 3-4 interviews and likely one person will be on camera for each interview. This will take place in various spots within the same location. This is the very last day of filming for this documentary so we have a streamlined process. It should be a relatively easy going day.

We are filming on the Red Komodo and Red Raptor. If you own one of those cameras, that is a huge plus. Rate negotiable for camera package. There is also a possible prep day on May 8 if needed.

Must be local to Albany, NY or willing to work as a local. We cannot accommodate any travel, hotels, per diem, mileage, etc.

Rate is $450/10 + negotiable camera package if applicable

Thanks!

Looking for a 1st AC for a b roll shoot - nimble crew a la ENG but needing someone to pull focus and assist DP.

Please send references along with response!

We need a 1AC to support our Director of Photography on a 4 day shoot in the Rio Grande Valley.

Preferably you would have multiple 1AC credits, your own focus puller, monitor, and other great.

We are brining the series Black Clown to Rio Grande Valley (from Dallas) and are looking to connect with up and coming talent in the valley.

Looking for a camera assistant local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Duties include assisting DP/B-Cam with g/e, batteries, lenses and media management end of day.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a B-Cam operator local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a union camera operator locally in Baltimore for a production filming in the 5/27 - 5/29 period. Experience with covering live events with a long lens camera a must.

750/10

I am in need of a DP for a corporate talking head shoot for a half day on May 13 and May 15. This shoot will only be filming 1 subject with 2 cameras for a talking head interview plus B-Roll. There will be a sound guy on set for audio. Sony shooters preferred. The DP will need to have his/her own lighting for a basic 3 point lighting setup with a key, hairlight, and bounce. Please include examples or your reel with relevant corporate talking head work.

I am looking for someone only local to the DC area. We have many shoots within the beltway and would like to add more DP's to our roster that can shoot locally and can hire within a short notice if needed.

2 Half days for DP with lights

Seeking a *LOCAL DP with gear*, for an independent feature documentary following local political candidates leading up to the election. Will be approx.10-15 days over the course of several months. Must have prior experience as a DP on a *VERITE* documentary or documentary series. Must also have experience lighting/ shooting proper sit-down interviews. Must have references, MUST BE LOCAL, MUST LIVE WITHIN 40 MIN DRIVE FROM DC. (not willing to work as local). Experience on political projects a plus!

*If possible, please attach your resume, or include link to website, reel, and/or IMDB.

Thank you!

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Hello!

We are SlidesLive, a young company focusing on conference recording and we are looking for new videographers in Washington, D.C. who are skilled with a camera and ideally have their own equipment.

We offer long-term cooperation to videographers who learn our workflow.

Looking forward to hearing from you!

The Camera Operator is responsible for live capture of on-field play. They may be responsible for camera, tripod, elevation set up. They receive instruction from Production Coordinators and Video Controllers on when and how to frame the action. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance camera operator
What: High school lacrosse games
When: May 10 (one game)
Where: Bethesda, MD
Why: $100 per game (Rate is per game, approx 2-3 hours.)

Responsibilities:
- Assist with venue set up
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

We are looking for a CAMERA SHADER to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Ursa Broadcast G2 or Sony Bodies is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Interviews and B-Roll at retail store in Fairfax, VA with the following scope on 5/16:
1x Camera Op
4k/UHD camera
On Camera Shotgun Mic
2x Wireless Lav - TBD

Need someone who has experience in being an on set stills digitech that can organize files and edit on site with minimal retouching. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet.

Need someone who has experience in assisting a stills photographer. We will be shooting very fast paced on site and will need someone that is organized and can work quick on their feet. Must have camera experience with a Canon R5.

$550/10

Looking for an experienced AC for a 2-camera interview shoot on 5/16 + 5/17 with 2x talent. We'll be shooting on FX9s.

Must have experience pulling focus.

$600 10/hr + gear rentals if you have gear we're looking to rent. Must be local to Atlanta.

Looking for a camera assistant who *lives* in Atlanta, GA (or within 30 min drive). *Not "willing/able to work as local", must live there.
Looking for someone to be a right hand to our DP for a documentary sit down interview; setting up cameras and video village, helping to light, monitoring B cam while shooting, etc. Director is Zoom calling in to conduct the interview, so must have experience setting up remote interviews. Must have prior experience as an AC on a documentary, must have a reference.
5/20- Camera check out / prep
5/21- Shoot