Apply to this Production Staff Job

Looking for crew to help run the side and main stages for a convention.

Duties include:

-setup
-manage stage static camera
-managing your stage’s projector
-managing basic room audio
-tear down

Once set up, this will be as easy as pressing record and making sure the crowd can hear it and see it on the projector.

Georgia Public Broadcasting (GPB) Studios and Production Services is hiring a Production Manager to support and perform administrative and production tasks for the entire production department as needed. The production manager will be report to the Vice President of GPB Studios. GPB is a statewide dual licensee comprised of 9 PBS television stations and 20 NPR radio stations that broadcast across the state of Georgia.

Candidate Responsibilities:
• Manage budgets for client and internal productions.
• Responsible for a variety of daily office activities to include: scheduling meetings, booking Studios/Rooms, preparing materials for productions, shipment & and receiving, ordering supplies, keeping notes and distributing accordingly, reviewing freelancer invoices & and time cards, ordering supplies, and other duties as needed.
• Assist with studio setup for GPB client & internal productions, and serve as an onsite contact during studio or field productions.
• Prepares contract documents for all studio and field shoots.
• Coordinates the distribution and management of releases for client talent and locations.
• Works to coordinate crew fulfillment, which includes pre-production, production, and post-production.
• Coordinates and ensures the appropriate bookings of studios/facilities and assists in creating shot lists, itineraries, and call sheets for productions.
• Works with production, post-production, and development teams to procure, organize, and maintain all assets related to production of the shows or projects the team is working on.
• Serves as the point of contact to ensure client delivery of final program/product in the requested format and any DVD duplication.
• May help operate various studio equipment including camera, teleprompter, graphics, and other production functions
• Supervise all production engineering staff and schedule all television production work.
• Supervises and evaluates assigned staff, directs work, processes employee concerns and problems, and counsels and disciplines.
• Acts as liaison between the creative, technical, and logistical aspects of productions; provides technical assistance as needed.
• Arranges for transmission and telephone service for remote television programs.
• Provides the organization with long-term planning regarding facilities and personnel; advises Director of Engineering of production needs.
• Maintains production policies and procedures; identifies and resolves organizational and personnel problems.
• Maintains records of production activity and attends various meetings, professional workshops, seminars, and conferences.
• Interacts with other television stations and oversees studio safety programs and activities.
• Performs other administrative tasks as needed which may include conducting remote surveys, evaluating various equipment for purchase, and renting outside equipment and facilities; substitutes for co-workers in temporary absence of same.
Candidate Qualifications:
● Bachelor's degree in Television Production, Communications, or related field required;
● Five years of progressively responsible supervisory experience in television production and broadcasting;
● 1-2 years of experience working in a television production environment; or a related field required; or any equivalent combination of education, training, and experience which provides the requisite knowledge, skills, and abilities for this job.
● Proficiency in Microsoft Excel and knowledge of computer systems such as Microsoft Office, Word, Excel, Access, or a similar database is required.
● Familiarity with editing in Final Cut or Adobe is a plus.
● Ability to work flexible hours, during events & and productions which includes nights and weekends.
● Must be a diligent, detail-oriented worker who is efficient, a creative problem-solver, and not afraid to ask questions.
● Must maintain a professional demeanor while working with talent and crews during productions.

We Offer: Paid holidays, vacation and sick leave, retirement plans; Pre-tax benefits for health, dental, vision, life, specified illness and accidental insurance; Health and child care spending accounts; Disability insurance; and opportunities for training and professional development.


Deadline to Apply: Open Until Filled
Georgia Public Broadcasting is an Equal Opportunity Employer.

Hi!

Looking for a couple amazing PAs, someone that will go above and beyond. It's a home-story travel shoot, must be able to drive.

Helping a small crew (get lunch orders, load in and out of space) along with regular PA tasks.

Possibly picking up crew from airport and dropping them off after the shoot.

5/12 - 5/16

$17.00/12 hours - 12 hours guaranteed

KO-MAR Productions is looking for a freelance Engineer to work on a number of upcoming projects as well as general maintenance for the control room/studio. Fiber based control room/studio. We are hoping to eventually turn this into a full time position

"The Stage Manager (SM) is the primary liasion between Commentary and the Producer.

Stage Manager (SM) responsibilities include:

-ensuring talent is properly prepped for on-camera
-mics set properly
-properly oriented on camera/spots marked on mat
-ensures talent in position at proper times
-manages/facilitates movement of cameras, talent monitor, cables, etc for pre/post show
"

**MUST BE LOCAL TO THE FORT WORTH, TX AREA**
Tentative Dates: 5/12 - 5/15


We are small crew looking for a Production Assistant local to the Clearwater area. Previous
set experience is preferred.

This position will require driving of company minivans and cargo
vans, along with crew and gear. Eligibility will be based on a driving/background check.

Should be knowledgeable about the area and freeways. Must be comfortable going on
runs and assisting with crew meal. As well as assisting with different departments on an as needed basis. Strong communication skills and a "can do" attitude" are a plus.

Must provide a valid drivers license & reliable transportation.

Assist floor director and steadicam op with live production.

· Collaborate with producers, directors, and other team members to execute technical aspects of productions

· Assist in the planning and execution of video shoots, including camera setup, lighting, and audio recording

· Identifying problems

· Documenting engineering processes, parts, repairs, and causes of failure

· Maintain and troubleshoot broadcast equipment, including cameras, video switchers, audio mixers, and lighting systems

· Set up and operate equipment for live broadcasts and recordings

· Monitor broadcast signals to ensure quality and make adjustments as necessary

· Stay up-to-date with the latest trends and technologies in broadcast engineering

· Monitor broadcast signals to ensure quality and make adjustments as necessary

· Be familiar with SMPTE fiber work flows.

· Be familiar with the ROSS Carbonite switcher.

$500 for a half day, $700 for a full 12 hour day.

Looking for EXPERIENCED STAGEHANDS and TECH ASSISTANTS to help with an indoor ballroom dance event.

Venue: Ritz Carlton Naples Tiburon (Golf), 2600 Tiburon Dr, Naples, FL 34109

Unload/load trailers, install portable dance floor, Pipe & Drape, Tech assist with light towers, sound, LED Video wall; taping cables.

My team will be the leads and we are looking for 3-4 helpers.

Approx 8 hours for setup, 6 hours for strike.

Setup: Wednesday May 15, 7:30 PM call time; 8-10 hour shift.

Strike: Sunday May 19, Noon call time, 6-8 hour shift.

Include a description of relevant experience.

You would help our challenge producer, build a door frame on set before cast shows up. It would be about 2 hours. You have to be able to lift a 4x4x10. You are only setting up 3 door frames.

We are a small crew looking for a Production Assistant local to NY/NJ Area. Previous set experience is a must!

This position will require driving of company minivans and cargo vans, along with crew and gear. Eligibility will be based on a driving/background check.

Should be knowledgeable about the area and freeways. Must be comfortable going on runs and assisting with crew meals. As well as assisting with different departments on an as-needed basis.

Must provide a valid drivers license & reliable transportation.

Looking for a field coordinator for a 7 day shoot in New York / New Jersey Area.

Some responsibilities but not limited to:

- Coordinating crew of 5.
- On-set production coordination and logistics.
- Coordinating locations, equipment, rentals, and other resources locally and on the road.
- Ensuring releases are obtained, organized, and delivered.
- PRs

Please do not apply if you cannot work as a local.

- craft/coffee/lunches
- petty cash responsibilities and receipt management
- general crew assistance (load in and out of location)
- assisting Field Producer with releases, greeking, location photos, network photos, etc
- and more

$150 prep/wrap days (6 hrs max)
$250 shoot days (12 hrs max)
*plus mileage for personal car use

Looking for a production assistant local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

PA:
Looking for a production assistant local to Lancaster, PA for a new reality paranormal/road trip show. Shooting at a few locations in and around Lancaster.

Please only apply if you can work as a local in Lancaster. We cannot provide accommodations or mileage for travel.