Apply to this Second Assistant Camera Job

In search of a 2nd AC, local to or willing to work as a local to Baton Rouge, Louisiana. This 3-4 day shoot will be an interview and b-roll for a feature documentary. This person MUST be familiar with Shot Put Pro, and have extensive experience with media management.

The documentary's subject matter is neurodiversity/neurosensitivity, and we will feature those from within the community. The individuals participating have kindly offered to share their stories, and we seek to celebrate them while telling honest and informative stories.

A little about our team: our team values individuals with diverse backgrounds and perspectives, and we foster a welcoming environment for all. Particularly for this documentary about neurodiversity/neurosensitivity, we encourage those from within the community to apply - we welcome those who can bring a more specific perspective to the team.

We will be conducting video-conference interviews to discuss the specific needs of this production in greater detail.

FS7's, A7s and GoPros

Need 2nd AC to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job will be solely supporting cameras (we will have a Lead AC and Media Manager in tow), but looking for someone ideally not afraid to help a PA with a case either. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Looking for a local to Tampa / St Petersburg to be boots on the ground to help us shoot at a studio location for talking head lawer content (indoor / outdoor / green screen potentially). Would be couple hours / half day every other month or so.

2-3 hour days every other month. looking for hourly or half day rates. Negotiable depending on experience / equipment, for basic talking head / studio interview look.

Would need
- Camera Kit
- lighting kit
- basic audio

Looking for a Drone Op available June 25th for a half-day shoot. We will need to check if LAANC clearance is needed since this is in Ashburn.

Hello,

Looking for a B Camera Operator to film on a docu-reality pilot. Small crew, 2 cameras. DP is operating A Cam. You would be operating the B cam. 1 AC supporting both operators.

Filming 6/23-6/24 (Sunday / Monday), 2 days for now. We will likely be retuning for 3 days in July.

Looking for a DP local to the DMV area with scripted commercial or corporate experience who has their own camera kit and potentially G&E to film an ad for a cycling brand.

Rate: $350 for 5 hours on set + $150 for camera kit + $75 for outdoor G&E ($575 total) The shoot will take place entirely outdoors.

If you're interested and available, please be sure to include a link to your website or portfolio in your application as well as your contact info.

Looking for a Camera Operator to cover a interview + b-roll shoot on July 11th.

Gear Required: Gear Required: Must own or have access to an HD camera (similar or comparable to DSLR, Sony A7Sii, or Canon C100 mii), Tripod, Stabilizer

The client is a well known international retail company. This will be a very high profile interview shoot with their entire c-suite being on-camera. We need a top-tier crew with superior interpersonal skills that can develop great rapport with said C-suite executives.

Seeking candidates who can provide their own gear. Please share any reel/website/work samples you have.

We reimburse every mile traveled after traveling 100 miles round trip at $0.67 per mile.

Rate is $250/5h, and $25/h after that. We do not expect the shoot to go into overtime.

Seeking a DP who can capture interviews + B-roll for our client in Seattle WA on July 11th.

The client is a well known international retail company. This will be a very high profile interview shoot with their entire c-suite being on-camera. We need a top-tier DP/Director with superior interpersonal skills that can not only take charge and lead the crew but also develop great rapport with said C-suite executives.

Seeking candidates who can provide their own gear. Please share any reel/website/work samples you have.

Gear Required: Camera, Tripod, Gimbal (or comparable stabilizer), Lighting (interview), Teleprompter.
Rate: $500/5h and $100/h after that (we do not expect the shoot to go into overtime)

We reimburse every mile traveled after traveling 100 miles round trip at $0.67 per mile.

Seeking a *LOCAL* DP with gear, for an independent feature documentary following local political candidates leading up to the election. Will be approx.10-20 days over the course of several months. Must have prior experience as a DP on a *VERITE* documentary or documentary series. Must also have experience lighting/ shooting proper sit-down interviews. Must have references, MUST BE LOCAL, MUST LIVE NEAR Scottsdale, AZ. (not willing to work as local). Experience on political projects a plus!

*If possible, please attach your resume, or include link to website, reel, and/or IMDB.

Thank you!

Camera Operator needed for a 3 part sports documentary series. $800/ day for up to 8 hours.

Looking for a 1st AC / focus puller for a small commercial shoot on Saturday. Must be familiar with Red Komodo.

Pay is $700/12 and $50 kit fee

Looking for a Drone Op on June 27th to shoot aerial videos of our client's corporate building surroundings. The client is a local communications + internet company.

$300/10h guaranteed. $25/h after that, although we don't expect the shoot to go into overtime.

Looking for a Director of Photography to shoot testimonials and b-roll for a local internet + communications company.

This is a 2-day shoot. We pay $600/10h and $75/h after that.

Total for both days is $1,200. We do not expect the shoot to go into overtime.

Gear Required: Camera, Tripod, Ronin/Gimbal, Three-Point Lighting, External Recorder (if you do not have two-audio channels on camera), LAV Mic, and Boom Mic with Mic Stand

Please include samples of your past work in order to be considered for the role.

Two days of sit down interviews. One subject. Shooting on Sony FX3 and FX6.

Also looking to rent grip equipment directly from the AC.

List includes:
2x tripods with wedge plates
Multiple pieces of duve (black fabric) totaling at least 400 square feet
6x c-stands with grip heads and arms
1x baby c-stand
2x flops
2x bounce cards
10x sandbags
12x pony clamps
1x Avenger boom if possible (or similar)
1x extendable cross-pole if possible (to mount on c-stands and pony clamp duve to)
4x 25’ AC

Looking for DP (FX9 owner operator preferred) for 2 day interview shoot in Stamford, CT. DP will shoot and crew will include another camera operator, AC and audio. This is a development shoot with two interviews done in a private home, with no G&E crew, so camera and lighting should be a manageable setup.

Need camera operators to help cover a corporate event over 4 days in the Bay area/Napa Valley. Some travel is required, and gas and travel can be accounted for, but no housing is covered. The first and last days are more likely half days, but there are multiple workshops happening at the same time throughout the day, so getting adequate coverage is paramount. Feel free to ask questions as well. Please send your portfolio and rate.

The event itself will consist of 3 full days and 1 half day. Travel cost covered $0.67/mile

Looking for a camera assistant local to Cincinnati, OH for a new reality paranormal/road trip show. Shooting at a few locations in and around Cincinnati.

Duties include assisting DP/B-Cam with g/e, batteries, lenses and media management end of day.

Please only apply if you can work as a local in Cincinnati. We cannot provide accommodations or mileage for travel.

450/12 with laptop for media management

My production company is looking for a single-position shooter with a full-frame camera (with SDI output for switcher), tripod, and long throw lens to work with our team and help cover an event at a high-end downtown conference center in Dallas TX for 3 days. Wed July 31 through Friday August 2nd.

It would be all day, likely 9-5:30 for the three days. Camera op would be in a single position following the main speaker - typically one person at a time.

Your camera will need to have HDMI or SDI out (for our live feed), as well as in-camera recording.

Per day bay rate, camera kit fee is included in this price.

Thank you for your interest.

***PLEASE READ THE DESCRIPTION***

This is a two day shoot paying a flat rate of of $500 plus mileage and a food allowance.

We are currently seeking a skilled assistant camera with knowledge in DSLR cameras for a project in Spokane Valley, WA.

The shoot will take place on Wednesday, June 26th (Full Day) Thursday, June 27th (Full Day)

The purpose of the shoot is to capture marketing and testimonial videos for a dental practice, both within the office and some exterior shots.

Assistant Camera Responsibilities:

Responsible for operating the camera and should have a strong understanding of the Sony A7s III.
Video Production will be 8-10 hours long per film day
Contractors are responsible for the provided photography shot list
Will be provided camera settings for photos and do's and dont's for photos
Contractors are responsible for monitoring the camera during filming for audio and focus
Contractors are to assist with the production wrap

Watching and maintaining composition and monitoring audio as well along with color balance for interview cameras, and keeping everything in sharp focus throughout each interview.

Assist moving lights and cameras if based on set changes and lighting preferences.

Have good knowledge of the Sony full frame DSLRs,

Be efficient and organized during video shoots, and pay close attention to the needs of the director.

Have a strong understanding of the typical video production workflow.

You will be working alongside a Progressive Dental Videographer who will be flying in from Florida. Prior to the shoot, we will contact you with detailed information regarding shoot location, filming times and director contact information.

Progressive Dental will reimburse up to $20.00 each film day for lunch plus tip if not provided by the client.
Progressive Dental does not reimburse for alcohol or tips over 20%.
In order to be reimbursed for lunch, an itemized receipt along with tip receipt must be provided.
Progressive Dental reimburses for mileage.
*Mileage is reimbursable outside of 25 miles from the shoot production.
Based on the most up to date rate from the IRS. Please add mileage amount to your invoice and submit a screenshot of the distance via Google Maps or GPS application you use.

NO equipment required
MUST live within an hour of location (mileage will be reimbursed at GSA standard rate)
Medical or dental shooting experience is considered a plus

If you meet the criteria mentioned above and are available for the specified date(s), we would love to consider you for this project.

Please let us know your interest and availability at your earliest convenience.

$325 per day rate plus Mileage and a food allowance.

We have an opportunity for a production team of two, including a Lead Videographer and a Second Shooter, to join us in producing content for a medical aesthetic client. This project will take place at an Express Urgent Care, so be prepared to work within clinical walls. You'll need to be skilled at shooting in tighter, bland spaces, and know how to elevate the look with composition and the suggested gear listed below.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.

As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

GEAR NEEDED:
Cam A: Preferably a Sony digital camera
Cam B: Another camera that can also produce high-quality photos
24-50mm f/1.4 lens: Preferably a prime lens for interviews
24-70mm lens: For capturing b-roll footage
16-35mm lens: For office coverage (preferred but not required)
2 Tripods
Teleprompter
Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
Computer/Laptop: For uploading content to a hard drive and shipping out to our office in Austin, Texas
Audio: Preferably a LAV (lavalier) system
Continuous lighting: For 1-subject interviews and treatments (if necessary)
Slate


If both creators are coming on individually:
- Lead Videographer Rate: $550/8 + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home address to the shoot location

If you are coming on as a Company:
- Day Rate: $1000/8 (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 for food per day
- Equipment Rate: $500 per day

- Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.