Apply to this Sound Designer Job

We're seeking a talented sound designer to work on a short experimental documentary with interactive elements. The project focuses on social justice themes and aims to engage audiences through innovative storytelling techniques.

Responsibilities:

• Designing and mixing sound for the documentary and interactive elements
• Collaborating closely with the creative team to achieve the desired artistic vision
• Incorporating sound effects, music, and dialogue to enhance the storytelling experience
• Ensuring high-quality audio production throughout the project

Requirements:

•Proven experience in sound design for film, documentary, experimental or interactive media
• Strong portfolio showcasing previous work, especially projects utilizing sounds as textures (example: wind) as
part of sound design - we are looking to have a meditative feel around our interviews. Please only apply if you
have worked in this capacity and point out work that is specific to our project.
• Proficiency in audio editing and mixing software (e.g., Pro Tools, Adobe Audition)
• Excellent communication and collaboration skills

How to Apply:

Please send links to samples of your previous work, particularly those relevant to sound design for experimental documentaries and interactive media, along with a brief introduction outlining your experience and interest in the project.

We are looking for a Post Production Sound Designer for our independent music film. The script is fairly contained to mostly indoor locations, but does feature diegetic singing.

A responsibility of this job will also include delivering a fully filled M&E.

The ideal candidate will join our team before filming commences to ensure a seamless and successful workflow.

Sound design, dialogue cleanup, mixing for documentary feature. The Big Scoot follows 180 scooters riding the 10th Scooter Cannonball from the Pacific Ocean to the Atlantic in 8 days on back roads.

Must be able to handle sound design, dialogue cleanup, editing AND mixing - but sound design experience mandatory. This requires a SUBTLE touch - enviro, nature, scooters... only a few crashes. Please tailor your examples accordingly. Must be able to deliver 5.1 and stereo mix.

Our budget is flexible. Rate dependent on experience and bid

Looking for a sound mixer with gear to help out on a documentary.

Hello! Seeking a sound mixer with equipment for a low-budget short, shooting exteriors one day 4/30-5/1. Thank you!

$500/12, inclusive of sound gear (boom, two lavs, etc.)

We are in search of a Sound Recordist for event coverage and possible interviews on June 1, 2024 in the Morningside Heights neighborhood in Manhattan.

The event will take place in the morning and there is a possibility that interviews will be scheduled afterwards. Please respond with day rate and equipment fees.

Small crew
Profile shoot
Sit down interviews
Run and gun
Camera used: SonyFX9

+350.00 kit fee

We're looking for a sound mixer for an upcoming non-union shoot in Middleburg, VA on June 5 and 6. We will be recording a number of interviews for a corporate client.

You must be able to work as a local and provide your own transportation to and from set.

Please include relevant experience and equipment list/rates. Thanks!

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Hi there.

We are looking for a Sound Mixer for an upcoming 4-day non-union shoot in the Lancaster area.

To apply, you must:

-Be able to work as a local
-Be able to transport yourself to and from set
-Have experience in your applicable role and be well versed in set etiquette
-Have the equipment required for the position - or be able to source it; which might include:

Boom mic, 2 radio mics, some comteks, TBD
_____________________________________________________________________________________________


In responses, please specify your experience, availability to work the specified dates and the equipment you have with any rates for that equipment.

Crew rates and shoot details will be discussed upon contact.

Many thanks and we look forward to talking with you soon.

We are looking for a PRODUCTION SOUND RECORDIST / MIXER—ideally someone with 1) extensive experience capturing sound from the sound engineers running LIVE EVENTS and 2) experience simultaneously boom operating and sound mixing on-the-fly interviews in non-production environments.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture audio from the live event team’s microphones by recording a “line out” feed from the sound board controlled by the on-site live event sound engineers. Our producers will help coordinate this prior to the event so the live event team will be aware of your needs. We ask that you join one email thread with the event’s sound engineer to help streamline this communication.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
1 professional sound mixer for dialogue
intended to record dialogue from wireless mic kit and/or boom mic from on-the-fly interviews
1 additional sound mixer to record the “line out” feed from live event sound engineer
1 adapter kit + misc. cable kit to receive “line out” feed from live event sound board
we will coordinate with the live event team but please prepare to bring multiple options to receive a “line out” feed (XLR adapters, ¼ inch cables/adapters, etc)
1 wireless lavalier mic kit
ideally an RF-interference free solution as this location will be filled with interference
we have access to 2x DPA 6061s and 1x Tentacle 32-bit Sync-E Recorder if we need additional gear

Post Production Needs:
We will need “polywav” files with each individual audio track isolated for mixing in post production.

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$750 for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $750/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Sound Mixer for a field shoot happening in the Philly area on Saturday 04/27.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.
Gear needed: mixer/recorder, boom, 2 lavs, and timecode/audio to camera

800/12 + 350 kit fee = $1150/per day

In search of a Sound Mixer for a two-day shoot in Jacksonville, FL scheduled for June. The specific dates are yet to be determined, but we are currently in the process of assembling the crew. The initial day will involve verite filming and potentially capturing some B-Roll footage, while the second day will primarily focus on conducting interviews. A Supervising Producer will be present to oversee the verite filming process, provide assistance, and prepare questions for the interviews. A designated room will be available for you to store your equipment and access any necessary supplies.

Experience working with a small crew (7) is a plus;

Supervising Producer & Production Manager will be in the field in addition to;

Cam Ops (x2)
AC
Audio
PA

Talent is a well known Social Media Influencer and Rapper. Positive attitued and engery is also a plus. Ultimate goal is being able to work together as a team to produce the best results for this new project.

The exact dates are still pending but are expected to fall within the timeframe of 6/13/2024. Kindly ensure your availability aligns with the indicated timeframe.

Hello!

Looking for a Sound Mixer to help us film some outdoor shots next week on May 2nd.

Reality TV / Documentary style

Still confirming Location, but likely Santa Clarita

Filming:
- Outdoor exteriors of our location in an empty field
- Capturing scenes
- Showing science experiments for education
- 3-4 talent with lavs + boom

Happy to discuss on a call about gear, rate, and what we will be filming.

Searching for an Audio Mixer with their own gear to work on a small crew filming a documentary in Lawton OK
 
Essential responsibilities will include but not limited to:
* Film verite’ and a variety of sit down and on the fly interviews
Basic Requirements:
* 5+ years of filming experience required
* Willingness to work overtime and be flexible with hours
* Must be able to pick up and carry at least 50lbs
* Must be 18 years or older
* Must be okay working 12 hour day
* Must have a valid driver's license, reliable vehicle, car insurance, and a satisfactory driving record (we cover local mileage reimbursement, but do not cover travel or accommodations). 
Additional Requirements:
* Required On-Site: This position is required to be performed full-time from a designated worksite in or around Lawton OK
Pay Range: $42-51/hour. Will also pay a gear rental fee of $330/day. 
The amount offered and paid depends on factors including, but not limited to, engagement length, production location, budgetary considerations, and the individual’s skills and experience.
 
It is our policy is to provide equal employment opportunities to all applicants and employees without regard to race, color, religion, creed, gender, gender identity or expression, age, national origin or ancestry, citizenship, disability, sexual orientation, marital status, pregnancy, veteran status, membership in the uniformed services, genetic information, or any other basis protected by applicable law.

Seeking a Sound Operator who can capture sound from interviews and B-roll for our client in the Des Moines, IA area. This is for a large retail brand.

***THIS WILL BE AN OVERNIGHT SHOOT***

Seeking candidates who can provide their own gear. Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder.

Call time will be 9:15pm

Experienced and reliable Audio Mixer with gear needed for a tentative shoot in Rexburg, ID 5/22 - 5/23

Applicant must be local to the area as Production does not cover any travel costs or accommodations.

Must have 4-6 channel mixer with a boom and lavs.

Experience on home reno shows and HGTV shows are a plus.

EOE. This company is an equal opportunity employer to all, regardless of age, ancestry, association with a member of a protected class, bereavement leave, color, disability, exercising the right to family care and medical leave related to serious health condition of employee or family member, child bonding, or military exigencies, engaging in protected activity, gender identity or expression, genetic information or characteristic, marital status, medical condition, military and veteran status, national origin, pregnancy, childbirth, breastfeeding, or related medical conditions, Pregnancy Disability Leave (PDL), race (includes hairstyle and hair texture), religious creed (includes dress and grooming practices), reproductive health decision making, sex/gender, and sexual orientation.

Looking for a sound mixer local to Vegas to assist with some on the fly interviews and docu-style sound capture at ACT Expo.

Shoot is for a client with a booth at ACT - we'll be capturing people interacting with the booth, casual on the fly interviews, as well as capturing audio of ride and drives in a vehicle.

Will need lavs + boom as well as the ability to set up a separate recording device in a vehicle to capture audio of the ride and drives that crew will not be physically present for.

Also looking for tentacles to send to out 2 cameras.

Rate is $650/10 + $350 for equipment.

We're looking for a sound mixer for an upcoming non-union shoot in Baltimore on May 8. This is corporate shoot where we will be filming a number of people reading off a teleprompter. Only one person will be on camera at a time. You must be able to work as a local and provide your own transportation to and from set. Please include relevant experience and equipment list/rates. Thanks!

Seeking a Sound Operator who can capture sound from interviews and B-roll for our client in Hartford City IN.

Seeking candidates who can provide their own gear.

Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder.

We reimburse every mile traveled after traveling 100 miles round trip at $0.67 per mile.

Rate is guaranteed $350 for five hrs on set.

If the shoot goes over for any reason, rate is +$35 for every additional hr.