Apply to this Sound Engineer Job

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Experienced and reliable Audio Mixer with gear needed for a tentative shoot in Salt Lake City, UT 6/1 - 6/2

Applicant must be local to the area as Production does not cover any travel costs or accommodations.

Must have 4-6 channel mixer with a boom and lavs.

Experience on home reno shows and HGTV shows are a plus.

EOE. This company is an equal opportunity employer to all, regardless of age, ancestry, association with a member of a protected class, bereavement leave, color, disability, exercising the right to family care and medical leave related to serious health condition of employee or family member, child bonding, or military exigencies, engaging in protected activity, gender identity or expression, genetic information or characteristic, marital status, medical condition, military and veteran status, national origin, pregnancy, childbirth, breastfeeding, or related medical conditions, Pregnancy Disability Leave (PDL), race (includes hairstyle and hair texture), religious creed (includes dress and grooming practices), reproductive health decision making, sex/gender, and sexual orientation.

Working on a non-union sports doc series and looking for a local experienced sound mixer to join us for a 1 day shoot out in the Saratoga Springs area. Open to Albany res who can work locally for the day. Primarily shooting a multi-cam sit-down interview and b-roll.


Shoot Day: 5/23/24
Day rate: is $600/12 + $400 kit fee

Sound Kit should include:
- Mixer
- Lav's and shotgun for interviews
- Timecode Slate
- IFBs and headsets

Please send along a resume or link to your website/previous work when applying, along with your availability.

Crew Position: Audio
Date: 5/28-6/1
Rate is negotiable

Below you can find list of responsibilities for this role on the shoot.

Audio

Collaborate with the production team to understand the show's audio requirements.
Set up and configure audio recording equipment, including microphones, mixers, and recorders.
Perform equipment checks to ensure proper functioning and troubleshoot any issues.
Determine the most effective placement of microphones on cast members, ensuring clear and high-quality audio capture.
Adjust microphone levels to account for variations in voice volume.
Monitor live audio feeds during filming to detect and address any technical issues promptly.
Use headphones to assess the quality of the recorded audio in real-time.
Mix and balance audio levels between different microphones to create a cohesive and natural sound.
Maintain clear communication with the FP and production team regarding audio requirements and potential challenges.
Coordinate with other crew members to ensure a seamless integration of audio with video production.
Record high-quality audio tracks during filming, ensuring that all relevant audio is captured.
Ensure that audio recording practices comply with industry standards and regulations.
Hand off audio files to PM and/or Media Manager to ensure files are dropped on to hard drives safely.

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Freelance SOUND MIXER

for a reality TV shoot --
in and near Bay Shore, NY
May 24th - May 27th

• Shoot date:
5/24 - 5/26 - Verite
5/27 - Interview

• Day Rate: $550.00 / 12 hours
• Audio Kit Rate: $300.00 / day

• Travel / Self Report: You will need your own vehicle to travel / self report to the crew hotel / interview location on the production day.
• Production minivan will be provided to commute from crew hotel to shoot locations and back.
• Production minivan will also be provided for runs.

• Do you have a valid driver license?
• Do you own your vehicle in which you can report to / leave from crew hotel and / or set location on shoot dates?

JOB POSTING: We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a sound mixer for an adventure Food show. Small crew, relaxed atmosphere.

Filming in Gulf Shores June 12th and 13th
Will need kit inc boom and lavs for 2-3 talent on-camera
Est: $850/12 with kit
Filming on two RED cameras or FX6 + additional DSLR

Hello!

We are looking for an experienced sound mixer based in the Kansas City area or nearby with their own kit who is interested in working on a new documentary TV series. We will be doing one sit down interview and some b-roll with the interview subject for the day.

If this is of interest to you, please reach out and I will provide more details.

Hello!

We are looking for an experienced sound mixer based in the Quad Cities area or nearby with their own kit who is interested in working on a new documentary TV series. We will be doing one sit down interview and some b-roll with the interview subject for the day.

If this is of interest to you, please reach out and I will provide more details.

We are producing a short documentary on a local company in San Jose, CA on Aug 15, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

August 15, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are producing a short documentary on a local company in Green Bay, WI on July 17, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

July 17, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are producing a short documentary on a local company in Greenville, SC on June 21, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

June 21, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

Seeking an Audio Mixer to work with our DP and another camera operator on the Alexa Mini for 3 days in Chicago.

Low budget documentary with primarily sit down interviews and a support group. You would need to provide your own gear.

Thurs 5/24, Fri 5/25, Sat 5/26

700/12 Including equipment

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

Looking for a Sound Recordist/Operator for a scripted interview on a half day shoot in the San Diego Metro area.

Date: Thursday, May 23rd, 2024
Area: San Diego, CA
Position: Sound Operator
Call Time: TBD, 5-hour shoot
Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder
Rate: $350/5h

We pay $350/5h and $35/h after that. We do not expect the shoot to go into overtime
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.54 per mile.

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

I'm looking for a sound mixer/op for an independent documentary shoot in Eugene, OR, May 24, 25. We will be shooting mostly verite. Rate is for 12 hours, depending upon experience. Looking for someone local to join our fabulous team for the shoot!

Looking for a doc / run & gun experienced sound mixer with equipment for a 2 day shoot in June.

2-3 cameras
Mic 2-3 people at a time and using a boom
Non-union

Shoot is on the smaller side, crew of about 15 people
Must be professional, respectful and work well with others

Dates are TENTATIVE and could shift back by a week or so
Days will be back to back

Real Estate Reality shoot

Preferred Equipment:
Standard kit + 4x wireless, 2x camera hops, smart slate, 2x camera hops, 4x IFB

/12 + 400/day kit

Please provide recent references.

Thanks for your interest!