Apply to this Sound Engineer Job

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

Hi, we are looking for a sound engineer who can FOH for our event studio for less than 150 people. x32, QSC arrays, with Sennheiser mics.

Looking for a Sound Mixer for a small shoot in New York.
Need to have their own kit with 5 lavs.

Thank you!

$600/day
All in rate (labor+kit fee)

Looking for a Sound Mixer for a small shoot in Chicago.
Need to have their own kit with 5 lavs.

Thank you!

$600/day
All in rate (labor + kit fee)

A2 sound assistant needed to wrangle mics, etc.

We need an A2 for an event for several days.

Five days total, May 19-23

Must be local to location (or willing to work as a local).

Seeking a Sound Mixer to assist with capturing interviews and b-roll for our client in Smithville, MO. This is for a local branch of a nation-wide restaurant chain.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: External Recorder, LAV Mic, and Boom Mic with Mic Stand

Call time is TBD

Rate is $350 for five hrs on set

Looking for a union audio mixer for a docu-follow series filming in Baltimore for the dates of 5/27 - 5/29. Experience with fast-paced verite style production strongly preferred. Gear already sourced, no additional needed. 650/10.

Client needs a half day on the 21st, full day on the 22nd. Crew rate budget is $600/day, with half day being $300 ($900 total crew rate).

(Let me know your gear rate for the gear below). Needs some specific gear:

mixer;
boom;
4x wireless lavs;
4x wireless dynamic mics, no plugs.

This will be an event space, and some standing interviews will need wireless handheld mics going into your mixer. Message me with questions.

One half day ($300)
One full day ($600)

See below for gear description, and let me know your gear rates.

Looking for an experienced Sound Mixer for a public television food series we are filming in the Toledo area on May 22nd and 23rd. Depending on your proximity to our locations, mileage will be provided. (All locations are within an approximately 1 hour drive of Toledo.)

We'll be capturing interviews, b-roll and walk and talks using 2x C70s & 1 R5C. Kit must included tentacles to sync up the time code (1 per camera), personal mixing/recording gear, a boom mic/pole and 3 lavs. The rest of the crew will be traveling in, so bonus points if you are able to help us secure a c-stand and some sand bags.

Rate is $800/12 Hours, with OT after 12 @ 2x. $400 kit rental. Please apply if interested, and I will follow up with additional details. (Please note: This shoot will include filming on a boat (we'll be fishing with a licensed charter captain), so must be comfortable on water.) Thank you!

We are looking for a solid Sound Mixer to join our team on May 15th for season 3 of a true crime series for Oxygen.

Filming will consist of an inside, sit-down interview. Audio files will be uploaded immediately after the interview wraps for transcription, as well as offloaded to the physical drive. We will be shooting on two Sony FS7s or comparable Sony cameras - Exact cameras TBC. A Post Bible will be provided upon hire.

When applying, let us know if you can provide audio equipment.

Rate: $600/12 + $300 kit rental
Date: May 15th
Location: Santa Monica, CA

If you are interested and available, please send me your resume!

Seeking audio recordist with documentary film / broadcast television experience for 3 - 4 shoot days wk of 6/17 in Princeton, NJ for science documentary. Mostly one person on camera - follow-doc verité style shoot.

Non union reality show seeking local sound mixer for a one day shoot in the Providence area. Gear- looking for full kit with 3 lavs included, timecode, slate, and hops for camera. Filming one-two talent at their home docu-reality style with 2x FS7's.

Experience with reality, non union shows required.
Rate- $500/12
Gear- $450/12

*please do not apply if you are not local and willing to work with this rate- thank you!

*We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Must be local to location (or willing to work as a local).

Seeking a Sound Mixer to assist with capturing interviews and b-roll for our client in Smithville, MO. This is for a local branch of a nation-wide restaurant chain.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: External Recorder, LAV Mic, and Boom Mic with Mic Stand

Call time is TBD

Rate is $350 for five hrs on set

Looking for an audio mixer with extensive verite documentary experience. Important to note that we are often filming gaming competitions, so are looking for someone who is experienced working in these fast paced environments and mic’ing multiple subjects with ease. Definitely need someone who is calm under pressure.

Ideal candidate will have their own equipment, 788T with minimum of 5 open tracks and a boom.

Please send over your credit list and please highlight your verite experience when applying.

Rate is $650/12 + $450/kit

Searching for an Audio Mixer with their own gear to work on a small crew filming a documentary outside of Houston..
 
Essential responsibilities will include but not limited to:
* Film verite’ and a variety of sit down and on the fly interviews
Basic Requirements:
* 5+ years of filming experience required
* Willingness to work overtime and be flexible with hours
* Must be able to pick up and carry at least 50lbs
* Must be 18 years or older
* Must be okay working 12 hour day
* Must have a valid driver's license, reliable vehicle, car insurance, and a satisfactory driving record (we cover local mileage reimbursement, but do not cover travel or accommodations). 
Additional Requirements:
* Required On-Site: This position is required to be performed full-time from a designated worksite outside of Houston.
Pay Range: $42-51/hour. Will also pay a gear rental fee of $300/day. 
The amount offered and paid depends on factors including, but not limited to, engagement length, production location, budgetary considerations, and the individual’s skills and experience.
 
It is our policy is to provide equal employment opportunities to all applicants and employees without regard to race, color, religion, creed, gender, gender identity or expression, age, national origin or ancestry, citizenship, disability, sexual orientation, marital status, pregnancy, veteran status, membership in the uniformed services, genetic information, or any other basis protected by applicable law.

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Sacramento, CA for 2 Days.

FRIDAY 05/17/24
SATURDAY 05/18/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $800/Day (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget. The days will be shorter 6-8hrs TBD.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.