Apply to this Sound Engineer Job

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

SHOW DESCRIPTION - 

In Depth with Graham Bensinger averages 3 million television viewers/episode and 2.5 million digital views/episode airing weekly across the U.S. on the local NBC, CBS, ABC and FOX stations. It re-airs on NBC Regional Sports Networks and FOX Sports Nets, YouTube, ESPN in Australia/Latin America/Caribbean, BT Sport in Ireland/UK and TSN in Canada. Recent episodes range from a few days in Serbia with tennis star Novak Djokovic, to a trip to Texas for Cowboys quarterback Dak Prescott, to visiting Hong Kong with Arnold Schwarzenegger, to traveling to Monaco with Prince Albert, to the week in the Bahamas with Sir Richard Branson.



POSITION SUMMARY

- We film on Canon 5D Mark IVs.
- We record at 48000 khz, 24 bit, shoot at 29.97 drop-fps and do not require timecode jamming.
- Audio must be recorded to separate tracks - we have to be able to split audio. Mixdowns and backup tracks are welcome but no mixdown as primary track.
- Hops are not necessary but welcome if no additional cost.
- Minimum of (1) IFB required for the producer to monitor audio.
- At least two subjects, no more than four, requiring wireless lavalier microphones throughout the interview and following activities.
- Booming additional subjects and activities will be required.
-Mic redundancies required for sit-down interviews when there are 2 subjects (aka 2 lavs and 2 booms).
- We will provide an SD, CF card or both for each day we film and then collect upon wrapping.




REQUIREMENTS / QUALIFICATIONS 

- Ability to troubleshoot technical difficulties
- Ability to work under stressful and extreme conditions, as well as quickly adapt to last-minute schedule changes
- Be teachable and willing to learn new workflows
- Ability to work under strict deadlines

Hello!

We are looking for an experienced sound mixer based in the Kansas City area or nearby with their own kit who is interested in working on a new documentary TV series. We will be doing one sit down interview and some b-roll with the interview subject for the day.

If this is of interest to you, please reach out and I will provide more details.

Hello!

We are looking for an experienced sound mixer based in the Quad Cities area or nearby with their own kit who is interested in working on a new documentary TV series. We will be doing one sit down interview and some b-roll with the interview subject for the day.

If this is of interest to you, please reach out and I will provide more details.

We are producing a short documentary on a local company in San Jose, CA on Aug 15, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

August 15, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are producing a short documentary on a local company in Green Bay, WI on July 17, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

July 17, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

We are producing a short documentary on a local company in Greenville, SC on June 21, 2024. We need an audio recordist with their own kit for the day (10 hrs). I've provided some details below. If you're interested, please let me know as soon as possible.

June 21, 2024
10 hour day (7am-5pm)
Hosted walk and talk Interviews with guest + Man on the street interviews.
Sit Down interviews
The full Crew is (1) Field Producer, (2) Cam Ops, (1) Sound Recordist

Equipment Needs
(Please Provide what type of equipment you own)
(2) Lavalier Microphones (Mic needs to be hidden)
(1) Boom Pole/Mic
(1) Audio Mixer

Rate
Labor Rate: $650
Equipment Rate: $300

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

Looking for a Sound Recordist/Operator for a scripted interview on a half day shoot in the San Diego Metro area.

Date: Thursday, May 23rd, 2024
Area: San Diego, CA
Position: Sound Operator
Call Time: TBD, 5-hour shoot
Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder
Rate: $350/5h

We pay $350/5h and $35/h after that. We do not expect the shoot to go into overtime
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.54 per mile.

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

I'm looking for a sound mixer/op for an independent documentary shoot in Eugene, OR, May 24, 25. We will be shooting mostly verite. Rate is for 12 hours, depending upon experience. Looking for someone local to join our fabulous team for the shoot!

Looking for a doc / run & gun experienced sound mixer with equipment for a 2 day shoot in June.

2-3 cameras
Mic 2-3 people at a time and using a boom
Non-union

Shoot is on the smaller side, crew of about 15 people
Must be professional, respectful and work well with others

Dates are TENTATIVE and could shift back by a week or so
Days will be back to back

Real Estate Reality shoot

Preferred Equipment:
Standard kit + 4x wireless, 2x camera hops, smart slate, 2x camera hops, 4x IFB

/12 + 400/day kit

Please provide recent references.

Thanks for your interest!

Looking for an audio mixer to help with sit down interviews on a well established show in its 4th Season. 1 location, 2 interviews, 1 person at a time.

We need someone who owns their own gear and will pay $250 per shoot day for the gear package.

Gear needed:
2 lavs (we only need 1 but would like a spare just in case)
1 boom
recorder
slate (dumb or smart, doesn’t matter)

Looking for a sound mixer in NYC, experience in live sports/games is a huge plus!

Looking for a sound mixer in Dallas, experience in live sports/games is a huge plus!
+kit fee

Looking for a sound mixer for a true crime series shooting in Long Beach Island area of NJ. Hotels can be provided from for overnights on consecutive shoot days.

Main shoot set up is a 2 camera talking head interview, we shoot about 2 sit down interviews a day. Sometimes we will also shoot OTF interviews/walk and talks.

Gear requirements are 2x lav mics (for the occasional 2 head interview) and a boom for the interviews. We will not need comteks.

Shoot is 5/21-5/25, dates are slightly in flux. One or two days might end up being broll only.

Rate is $600/12 + $400 for gear. You will never need to be on set for full 12 hours, can hopefully accommodate drive from nearby city within the 12!

Thank you!

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Sound Mixer for a field shoot happening in the Indy area on Friday 05/17.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.
Gear needed: mixer/recorder, boom, 2 lavs, and timecode/audio to 2 cameras

750/12 + 350 kit fee = $1100/per day

Hello,

I am looking for an audio mixer for a one-day shoot in Lafeyette, LA.

There is a maximum amount of talent of three with one camera and one producer.

Rate: 650/12
Kit Rental: 400/ Day

Hops/ Slate/ Jam/Sync Audio/ 3 Lavs/ 1 IFB

Thank You,

Dates: One or more days between June 3-7

Audio Field Engineer: This role will be responsible for recording 2-4 talent each day for lifestyle spots for a senior living brand.

Gear: We ask that you provide an audio recorder, lav mics, and a boom mic.