Apply to this Sound Mixer Job

We're seeking a production sound mixer for our independent music film. Currently scheduled for 19 days of filming.

Narrative overview: A struggling LA music producer navigates a career-defining showcase and sudden guardianship of his newly discovered half-sister. Music plays an integral role in their journey of healing and connection.

Sound Needs:
-Heavy emphasis on live music recording (vocals and various instruments).
-Skill in capturing the energy and nuance of both intimate and showcase performances.
-Experience and comfort with on-location sound mixing.
-Budget available for a sound partner/boom operator of your choice at the same rate.

THE POSITION
Our roster has an opening with your name on it

Audio Technician performs a variety of tasks related to live, pre-recorded, studio and field production, all in support of multiple 24x7 TV broadcast channels and OTT platforms.  Primary duties include, but are not limited to, responsibility for all facets of audio production projects and daily operation of audio mixing, switching and special effects equipment.

THE GAME PLAN
Everyone on our team has a part to play

- Operate all audio mixing, switching, equalizing and special effects equipment for TV production primarily in a live studio environment
- Address daily show requirements from an audio and technical standpoint as communicated by the Director, Producer and production staff
- Coordinate daily feeds, including IFB and PL coordination lines, with the remote tech manager (as required) or - Transmission Operation Center staff
- Test mics, IFB's and PL system with remote A2
- Confirm all audio sources are good and fax inbound remote feeds and mix-minus' prior to show.
- Program production intercom for use in remote locations
- Monitor audio feeds, make appropriate adjustments and mix talent microphones, various audio sources, music playback and sound effects to create a program mix for air
- Create additional mixes for clean feed, iso records and monitoring stations, as required
- Proficient problem solving and troubleshooting techniques and effective communication to best convey the issues necessary for resolution
- Operate routing equipment which may require patching of video, audio and ancillary signals
- Setup and operate different types of adjunct audio and telephone equipment, including analog/digital cartridge machines, audio servers, speech enhancers and intercoms
- Provide proper technical interface between in-plant devices and outside audio and communication sources
- Performs ingest procedure for transfer of media material into the audio air server.
- Quality checks and adjusts video/audio signal levels for optimum quality
- Able to complete tasks and projects with strict deadlines.
- Develop, write and implement Standard Operating Procedures (SOP) for the department.
- Complete formal paperwork for Audio department and other departments including, but not limited to creating, maintaining, and disseminating daily audio schedules, emails, and charts of all audio feeds and remote based information
- Takes direction from control room team for content assignment
- Performs duties on remote broadcasts, as assigned

THE STATS
What we're looking for in our next teammate

- Working knowledge of systems/equipment used in functions identified above, including analog/digital/high definition video/audio signals and monitoring equipment
- Minimum of 1 year of experience in broadcast operations at a local TV station, cable/satellite channel or other industry-related environment
- Working level of operational skills and abilities when using all broadcast equipment and technology within assigned operating areas, including but not limited to microphone and IFB signal flows, wireless PL systems, mix minus and Intercom devices
- Ability to travel to remote broadcast sites, as assigned
- Ability to lift up to 50 lbs. un-assisted of technical and or set gear
- Ability to work well in a broadcast team environment, including talent, producers and directors, under strict time deadlines
- Ability to work a flexible schedule consisting of weekends and holidays
- At least 1 year of Audio Technician experience working in a live television studio or remote environment preferred

PLAYER BENEFITS
We treat our team right

From our many opportunities for professional development to our generous insurance and paid leave policies, we’re committed to making sure our employees get as much out of FanDuel as we ask them to give. Competitive compensation is just the beginning. As part of our team, you can expect:

An exciting and fun environment committed to driving real growth
Opportunities to build really cool products that fans love
Mentorship and professional development resources to help you refine your game
Be well, save well and live well - with FanDuel Total Rewards your benefits are one highlight reel after another 

FanDuel is an equal opportunities employer and we believe, as one of our principal states, “We Are One Team!”  We are committed to equal employment opportunity regardless of race, color, ethnicity, ancestry, religion, creed, sex, national origin, sexual orientation, age, citizenship status, marital status, disability, gender identity, gender expression, Veteran status, or another other characteristic protected by state, local or federal law. We believe FanDuel is strongest and best able to compete if all employees feel valued, respected, and included.  We want our team to include diverse individuals because diversity of thought, diversity of perspectives, and diversity of experiences leads to better performance.  Having a diverse and inclusive workforce is a core value that we believe makes FanDuel stronger and more competitive as One Team!

The applicable hourly range for this position is dependent on a variety of factors including relevant experience, location, business needs and market demand. This role may offer the following benefits: medical, vision, and dental insurance; life insurance; disability insurance; a 401(k) matching program; among other employee benefits. This role may also be eligible for short-term or long-term incentive compensation, including, but not limited to, cash bonuses and stock program participation. This role includes paid personal time off and 14 paid company holidays. FanDuel offers paid sick time in accordance with all applicable state and federal laws.

In search of a sound mixer/boom op for a short film with very little dialogue.

Logline: Amidst the timeless Sahara desert, two 7-year-old identical twins navigate a perilous journey in search of a new home. Bound by strict rules that demand immense emotional restraint, their survival is jeopardized when one twin shatters the emotional restraint guidelines, unraveling the very fabric of their quest and unleashing a lethal threat from within.

Additional details: The production is a small budget one, but we will cover gas to and from the location, full meals, and local accommodations for the entirety of the shoot.

Looking for an experienced field sound mixer for a corporate shoot in Columbus, OH on Monday, June 3rd. Must have own gear (mixer, 2 lavalier mics, boom mic). We'll be moving around, so setup must be portable. Must be highly experienced with corporate shoots and comfortable working in a corporate environment. Professional attire required (no blue jeans, button-down shirt). Please provide description of experience, gear list, and rate.

Looking for an experienced field sound mixer for a corporate shoot in Columbus, OH on Tuesday, June 4th. Must have own gear (mixer, 2 lavalier mics, boom mic). We'll be moving around, so setup must be portable. Must be highly experienced with corporate shoots and comfortable working in a corporate environment. Professional attire required (no blue jeans, button-down shirt). Please provide description of experience, gear list, and rate.

Hiring sound mixer for popular video podcast with celebrity host and guest

Easy gig. We bring all gear.

You just bring your mixer to record, and kindly some standard wires as backup.

*Mixer should be able to input/record 6 XLRs and run an output to on-set headphone splitter*
-- headphone splitter input is 1/4 (you can run output from your mixer anyway you’d like)

submit invoice
get paid promptly
easy gig, few hours

TIME: TBD

Jupiter Entertainment seeks an experienced Sound Mixer as a local in Redding, CA to join us on a true crime series on 6/16. Gear will be provided (a full list will be sent upon hire/request).

This shoot will consist of single on-camera talent for sit-down interview (taking place indoors). True crime experience is strongly preferred.

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application. Thank you!

$600/10

Need a solid Audio Mixer local to St. Louis. Must have documentary or docu-follow experience filming on the street and interior. We need someone who is comfortable with schedule movements and multiple locations in a day. Must be comfortable going through payroll unless you have an S-Corp.

Shoot Dates: 6/10 - 6/14
Total: 5
Rate: Labor/12 + Gear (negotiable)

Hello!

We are looking for a sound mixer for sit down interviews on 6/14 or a docuseries. We will be filming single interviews only with 2 people a day.

Must be local - production will not pay for travel/gas/mileage to and from location.

Hello!

We are looking for a sound mixer for a few sit down interviews on 6/10, 6/11 and 6/12 for a docuseries. We will be filming single interviews only with 2 people a day.

Must be local - production will not pay for travel/gas/mileage to and from location.

Looking for a sound mixer with their own gear. To help out on a documentary.

Looking for a sound mixer with their own gear. To help out on a documentary.

Sound mixer needed for a sit-down interview. One subject, two cameras.

600/12 + 400 kit rental

Looking for sound mixer to record audio for studio/sit down interviews.

2x ARRI LF's

1x RED GEMINI

Audio needs to be synced.

Looking for an audio mixer for a run and gun style series shooting in and around Albany, NY. Mixer will need to own their own gear and need at a minimal the following:

6 channel or above mixer
camera hops
4x lavs
boom
3x IFB

Audio Gear will be paid via kit fee

Looking for experienced crew for three to five-day shoot, 95% in Ventura. Must have at least five years experience recording audio for broadcast. Looking for those who can safely return home after a 12 hour day and be back for an early call time if necessary. Accommodations and mileage are not provided. Please have own gear package.

Looking for a flexible, friendly, professional Sound Op. Must be LOCAL to San Diego. If you are not local you will not be considered. This is for a sports docuseries. 2 shoot days including verite and an interview.

Gear kit should include mixer, boom, 4 lavs, 2 IFBs, timecode and 2 hops

Please provide 2 references.

Seeking a local mixer with gear, for a sports follow docu series. Must have prior experience as a sound mixer on a verite documentary or documentary series.

If possible, please attach your resume, or include link to website and/or IMDB.

Looking for an experienced Sound Mixer for a public television food series we are filming in Kansas on June 18th & 19th. We'll be filming with various food cultivators and chefs around the state (with driving between segments), so must have reliable vehicle.

On June 18th, we'll be filming in Lawrence and Cheney and ending our day in Wichita.
On June 19th, we'll be filming in Goessel, Newton and Peabody, and ending our day in Wichita.

Assuming applicant is based in Wichita, mileage will be provided, as well as a $400 travel stipend and lodging for the evening of June 17th. (Our first location, Lawrence, is about a 2 hr, 30 min drive from Wichita.)

We'll be capturing interviews, b-roll and walk and talks using 2x C70s & 1 R5C. Kit must included tentacles to sync up the time code (3 total, 1 per camera), personal mixing/recording gear, a boom mic/pole and 3 lavs. The rest of the crew will be traveling in, so bonus points if you are able to help us secure a couple of c-stands and some sand bags for the camera team.

Rate is $800/12 Hours, with OT after 12 @ 2x. $400 kit rental/day. Please apply if interested, and I will follow up with additional details. Thank you!