Apply to this Sound Recordist Job

Hello! We have a one-day shoot in San Ramon/Bay Area and we're looking for a sound recordist. You're excellent at your craft and come with references you don't mind us checking, you've got the right gear to lav and/or boom and record individual tracks. And you're super fun to work with! We are, too.

The job is a docustyle corporate where we'll be shooting group interviews of 4-5 people and then b-roll. You'll be in at 8 and out by 6, latest. Camera is a Canon C70, yes we have the XLR adapters. But we'll want your pristine-ish native audio files, too.

This is an all-in, 10 hour day rate including kit (boom, mikes, mixer) and delivery of files.

Reality follow-doc filming in Hallendale Beach looking for experienced Sound Recordist.

-$35.71 - $39.28/ hourly

$350/day for kit

Standard audio kit to include:
1x mixer/recorder
1x boom
4x wireless mics
2x cam hops
1x Timecode jam for both cams
1x Smart slate
2x ifb

***Must be capable to record individual iso tracks and mix

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for sound for 4pm-9:30pm May 1st - of our low budget documentary shooting in Waterbury, CT.

From the press release: Golden Years is a documentary chronicling the Golden Years Theatre Company's production of Peter Pan. What makes this stage production special is that this musical is performed entirely by senior citizens.

When actor-turned-producer Brooke Tansley pitched the idea of making a documentary film about Waterbury, CT area senior citizens stepping on stage in a musical – many for the first time – to veteran Hollywood producers Jim Milio and Jeanette B. Milio, it took less than five minutes for them to say yes.

Jim Milio is best known for producing the highest grossing romantic comedy of all time – My Big Fat Greek Wedding – and the Emmy nominated reality series Dog Whisperer that ran on Nat Geo for 160 episodes and 9 seasons. Jeanette B. Milio has worked on the development, production, financing, and distribution of over fifty films and series, working with such stars as Academy Award winner Halle Berry and Jason Statham.

The documentary captures the bravery, fun, vulnerability, and personal relationships that blossom from being bold enough to say yes to adventure in this late season of life.

Peter Pan is a musical about the magic in keeping connected to the child inside of us. The film will include the auditions, rehearsals, and performances alongside interviews, backstage and offstage moments, and the unexpected adventures among these newfound friends and castmates. “This story had the potential to move and inspire audiences all over the world,” says producer Brooke Tansley.

Bob Tansley - producer Brooke Tansley's dad and director of over 50 local productions - is the founder of the Golden Years Theatre Company. Bob has the ability to inspire communities to follow him into unknown adventure, and we are thrilled to be along for this one!

We are looking for a PRODUCTION SOUND RECORDIST / MIXER—ideally someone with 1) extensive experience capturing sound from the sound engineers running LIVE EVENTS and 2) experience simultaneously boom operating and sound mixing on-the-fly interviews in non-production environments.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture audio from the live event team’s microphones by recording a “line out” feed from the sound board controlled by the on-site live event sound engineers. Our producers will help coordinate this prior to the event so the live event team will be aware of your needs. We ask that you join one email thread with the event’s sound engineer to help streamline this communication.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
1 professional sound mixer for dialogue
intended to record dialogue from wireless mic kit and/or boom mic from on-the-fly interviews
1 additional sound mixer to record the “line out” feed from live event sound engineer
1 adapter kit + misc. cable kit to receive “line out” feed from live event sound board
we will coordinate with the live event team but please prepare to bring multiple options to receive a “line out” feed (XLR adapters, ¼ inch cables/adapters, etc)
1 wireless lavalier mic kit
ideally an RF-interference free solution as this location will be filled with interference
we have access to 2x DPA 6061s and 1x Tentacle 32-bit Sync-E Recorder if we need additional gear

Post Production Needs:
We will need “polywav” files with each individual audio track isolated for mixing in post production.

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$750 for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $750/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

Looking for a sound recordist for a one day shoot in Beaverton Oregon. We will be filming Broll and interviews with up to 3 people at once. Please respond with your day rate and gear list. Thanks!

Recruiting sound recording specialists for future productions, we are building rosters of talent to assign to shoots as clients are booked.
Responsibilities include capturing crisp, clean audio (dialogue, ambience, foley, etc) on the day of the shoot.
Must submit a resume of previous works, along with a professional reference, along with your current self owned gear list.

We are in search of a Sound Recordist for event coverage and possible interviews on June 1, 2024 in the Morningside Heights neighborhood in Manhattan.

The event will take place in the morning and there is a possibility that interviews will be scheduled afterwards. Please respond with day rate and equipment fees.

We need a Location Sound Recordist for our 4-day shoot in Rio Grande Valley.

You should have at least two credits, and your own equipment including mics and boom.

We are brining the series Black Clown FROM Dallas TO THE RIO GRANDE VALLEY and are looking to connect with up and coming talent in the valley.

The shoot will be 2-days on, 1 day off, 2-days on for a total of 4 shoot days.

Dates: One or more days between May 14-17

Audio Field Engineer: This role will be responsible for recording 2-4 talent each day for lifestyle spots for a senior living brand.

Gear: We ask that you provide an audio recorder, lav mics, and a boom mic.

Sound Recordist for a microbudget short horror film to shoot in Granby, CT on June 1st.

Venmo Zelle or other preferred method of payment

We are looking for an experienced Sound Mixer who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12
Job Type: Non-Union

Hi, we are looking for a sound engineer who can FOH for our event studio for less than 150 people. x32, QSC arrays, with Sennheiser mics.

We are looking for an experienced, local Audio Mixer for our reality/docu-series for A&E. We will be filming May 8th-May 12th.

We will be filming on 2x FS7s and AS7. Additional cam's would be GoPro for driving scenes.

Vertie and Interview Sit Downs.

If applying, we are asking for experience in reality television.

Items most likely needed (but is subject to change) in the kit:

Mixer
Boom
Up to 5 Lavs
Wireless Hops (2 cam)
Timecode (2 cam)
Slate
2x IFBs

$500/12 + $350 for Kit.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a LOCAL experienced audio mixer in Cleveland, OH. Must work well with our small crew and with others.

$550/12 hour day.

Tentative Schedule:
5/27
5/28
5/29 (possibly)
5/30
5/31

Thanks!

Looking for a professional location sound person for a one day shoot on May 17th in Fort Lauderdale. We will be filming one person against a green screen set up in a hotel meeting room.

Please only apply if you are available on Friday 5/17 and are local to Fort Lauderdale. Please quote your day rate & kit fee total in your application.

Thank you!

Looking for a LOCAL experienced audio mixer in Loudon, TN. Must work well with our small crew and with others.

$550/12 hour day on May 23.

Thanks!

Looking for a LOCAL experienced audio mixer in Little Rock AR. Must work well with our small crew and with others.

$550/12 hour day.

Tentative Schedule:
5/20 & 5/21

Thanks!

Looking for an audio mixer with extensive verite documentary experience. Important to note that we are often filming gaming competitions, so are looking for someone who is experienced working in these fast paced environments and mic’ing multiple subjects with ease. Definitely need someone who is calm under pressure.

Ideal candidate will have their own equipment, 788T or equivalent with minimum of 5 open tracks and a boom.

Please send over your credit list and please highlight your verite experience when applying.

$650/12 Labor + $400/kit

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

ISO an Audio Mixer with gear for an ongoing series. One room locked off shot with three cast members. This could be a gig a few times a month for the right person.

Generic Gear List:
(01) 4 Channel mixer/recorder (ie. SD Scorpio/688/633 etc.)
(03) Talent Wireless Mics (ie. Lectrosonics, Wisycom, etc)
(01) Boom (With Stand)
(02) Camera Hops
(02) Lockit Boxes
(01) Boom Mate
(01) 25ft. XLR Cable

- 3 wireless mics for 3 talent
- 1 Boom with stand (Required)

$550/12 & 350/kit
-12hr guarantee