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Looking for a Sound Recordist/Operator for a scripted interview on a half day shoot in the San Diego Metro area.

Date: Thursday, May 23rd, 2024
Area: San Diego, CA
Position: Sound Operator
Call Time: TBD, 5-hour shoot
Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder
Rate: $350/5h

We pay $350/5h and $35/h after that. We do not expect the shoot to go into overtime
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.54 per mile.

Dates: One or more days between June 3-7

Audio Field Engineer: This role will be responsible for recording 2-4 talent each day for lifestyle spots for a senior living brand.

Gear: We ask that you provide an audio recorder, lav mics, and a boom mic.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Sacramento, CA for 2 Days.

FRIDAY 05/17/24
SATURDAY 05/18/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $800/Day (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget. The days will be shorter 6-8hrs TBD.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

Need audio recordist for feature documentary. Must have your own gear.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Arcata, CA for 2 Days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are looking for a PRODUCTION SOUND RECORDIST / MIXER—ideally someone with 1) extensive experience capturing sound from the sound engineers running LIVE EVENTS and 2) experience simultaneously boom operating and sound mixing on-the-fly interviews in non-production environments.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture audio from the live event team’s microphones by recording a “line out” feed from the sound board controlled by the on-site live event sound engineers. Our producers will help coordinate this prior to the event so the live event team will be aware of your needs. We ask that you join one email thread with the event’s sound engineer to help streamline this communication.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
1 professional sound mixer for dialogue
intended to record dialogue from wireless mic kit and/or boom mic from on-the-fly interviews
1 additional sound mixer to record the “line out” feed from live event sound engineer
1 adapter kit + misc. cable kit to receive “line out” feed from live event sound board
we will coordinate with the live event team but please prepare to bring multiple options to receive a “line out” feed (XLR adapters, ¼ inch cables/adapters, etc)
1 wireless lavalier mic kit
ideally an RF-interference free solution as this location will be filled with interference
we have access to 2x DPA 6061s and 1x Tentacle 32-bit Sync-E Recorder if we need additional gear

Post Production Needs:
We will need “polywav” files with each individual audio track isolated for mixing in post production.

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$750 for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $750/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

We need a Location Sound Recordist for our 4-day shoot in Rio Grande Valley.

You should have at least two credits, and your own equipment including mics and boom.

We are brining the series Black Clown FROM Dallas TO THE RIO GRANDE VALLEY and are looking to connect with up and coming talent in the valley.

The shoot will be 2-days on, 1 day off, 2-days on for a total of 4 shoot days.

Sound Recordist for a microbudget short horror film to shoot in Granby, CT on June 1st.

Venmo Zelle or other preferred method of payment

Looking for a sound mixer local to Vegas to assist with some on the fly interviews and docu-style sound capture at ACT Expo.

Shoot is for a client with a booth at ACT - we'll be capturing people interacting with the booth, casual on the fly interviews, as well as capturing audio of ride and drives in a vehicle.

Will need lavs + boom as well as the ability to set up a separate recording device in a vehicle to capture audio of the ride and drives that crew will not be physically present for.

Also looking for tentacles to send to out 2 cameras.

Rate is $650/10 + $350 for equipment.

Sound recordist -- documentary style -- following two subjects in vegas. Saturday and Sunday. Should be a 10 hour day max.

National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a highlight sizzle; along with additional marketing content.

Applicant should be capable of working with Camera Op to record sound for live events, presentations, environment broll and interviews. (Will need to secure feed from board for presentations) You should be very familiar with the BlackMagic 6k Pro and RED Komodo. Sound will need to provide mixer, boom pole, mic, 2 hops and a lav kit. We can provide a c-stand for locked down interviews.

Teams will be on a 12hr day but likely wrap in 8-10. There will be plenty of breaks and downtime.

Thanks!

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

Documentary covering athletes and a sporting event in Boston. These are tentative and flexible dates that are dependent on who wins what game and what happens during finals. 12 hour days, 2 cameras, with mixed coverage of event, broll, and interviews.

I'm looking for a sound mixer/op for an independent documentary shoot in Eugene, OR, May 24, 25. We will be shooting mostly verite. Rate is for 12 hours, depending upon experience. Looking for someone local to join our fabulous team for the shoot!

Looking for a doc / run & gun experienced sound mixer with equipment for a 2 day shoot in June.

2-3 cameras
Mic 2-3 people at a time and using a boom
Non-union

Shoot is on the smaller side, crew of about 15 people
Must be professional, respectful and work well with others

Dates are TENTATIVE and could shift back by a week or so
Days will be back to back

Real Estate Reality shoot

Preferred Equipment:
Standard kit + 4x wireless, 2x camera hops, smart slate, 2x camera hops, 4x IFB

/12 + 400/day kit

Please provide recent references.

Thanks for your interest!

Looking for an audio mixer to help with sit down interviews on a well established show in its 4th Season. 1 location, 2 interviews, 1 person at a time.

We need someone who owns their own gear and will pay $250 per shoot day for the gear package.

Gear needed:
2 lavs (we only need 1 but would like a spare just in case)
1 boom
recorder
slate (dumb or smart, doesn’t matter)

Looking for a sound mixer in NYC, experience in live sports/games is a huge plus!

Looking for a sound mixer in Dallas, experience in live sports/games is a huge plus!
+kit fee

Looking for a sound mixer for a true crime series shooting in Long Beach Island area of NJ. Hotels can be provided from for overnights on consecutive shoot days.

Main shoot set up is a 2 camera talking head interview, we shoot about 2 sit down interviews a day. Sometimes we will also shoot OTF interviews/walk and talks.

Gear requirements are 2x lav mics (for the occasional 2 head interview) and a boom for the interviews. We will not need comteks.

Shoot is 5/21-5/25, dates are slightly in flux. One or two days might end up being broll only.

Rate is $600/12 + $400 for gear. You will never need to be on set for full 12 hours, can hopefully accommodate drive from nearby city within the 12!

Thank you!