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: This is a remote job.
Post production sound mix and design for a Youtube video approximately 5 minutes long. Must be good with comedic timing. Access to a music library will be provided to see royalty free music. Must be able to remove background noise so that the two speakers can be heard clearly 2.0 mix sound mix wanted. 3 day turns round time for first draft.

$250 flat rate payable via check or direct deposit after receipt of invoice and w9

A sound mixer for a micro budget web show shooting entirely indoors.

Working on a short video for a band near the Hollywood area. Need a Boom op and mixer. Must have sound gear. We need at least 5 lavs + boom.

boom op/mixer

We're seeking a production sound mixer for our independent music film. Currently scheduled for 19 days of filming.

Narrative overview: A struggling LA music producer navigates a career-defining showcase and sudden guardianship of his newly discovered half-sister. Music plays an integral role in their journey of healing and connection.

Sound Needs:
-Heavy emphasis on live music recording (vocals and various instruments).
-Skill in capturing the energy and nuance of both intimate and showcase performances.
-Experience and comfort with on-location sound mixing.
-Budget available for a sound partner/boom operator of your choice at the same rate.

Hiring sound mixer for vertical short drama.
$400/Day
10 days between 5/18 and 5/29
Los Angeles

We are looking for a Post Production Sound Designer for our independent music film. The script is fairly contained to mostly indoor locations, but does feature diegetic singing.

A responsibility of this job will also include delivering a fully filled M&E.

The ideal candidate will join our team before filming commences to ensure a seamless and successful workflow.

Need audio recordist for feature documentary. Must have your own gear.

In search of a sound mixer for a docu-style Branded Content Shoot in Albuquerque, New Mexico. Need to have own sound mixer, boom, slate, 2x wireless lavs, and be able to sync timecode to camera. $900 rate is inclusive of kit fee.

/12 hours, plus a kit fee to be discussed

We are filming a group conversation tomorrow afternoon as part of an upcoming education documentary and looking for a sound recordist to help capture audio from various participants. Ideal set up may be a floating boom with select individuals also laved up. Shoot will be in downtown Louisville and last no more than 2 1/2 hours from arrival to wrap. Applicants must own their own equipment. Rate includes pay and equipment fee.

Tuesday May 7 - Downtown Louisville

3:00 Arrival and Setup
4:00 Shoot/Conversation Begins
5:00 Shoot/Conversation Ends
5:30 Wrap

Half Day Rate for tomorrow afternoon.
Arrival 3:00pm / Wrap 5:30pm.

Filming city officials meet. 4 person panel and streaming live.

+ $200 for Audio Gear

We are looking for a sound person to join our small, friendly crew for a few weeks over the Summer in Alaska, documentary experience is essential.

ISO an Audio Mixer with gear for an ongoing series. One room shoot with two to three cast members. This could be a gig a few times a month for the right person.

Generic Gear List:
(01) 4 Channel mixer/recorder (ie. SD Scorpio/688/633 etc.)
(03) Talent Wireless Mics (ie. Lectrosonics, Wisycom, etc)
(01) Boom (With Stand)
(02) Camera Hops
(02) Lockit Boxes
(01) Boom Mate
(01) 25ft. XLR Cable

- 2/3 wireless mics for 2 talent
- 1 Boom with stand

$550/12 & 350/kit

I need an A2 for a horror adaptation shooting on Thursday, 5/9. The film is about Jim Jones and Jonestown. We are shooting a lot of dialogue heavy scenes and we need an A2 to help our audio engineer hold a second boom mic. The shoot starts at 4pm and will go into the night/early morning.

Rate is $400 flat. No gear needed. The shoot is in Southlake, TX. Must provide your own transportation/lodging. No mileage or travel fees.

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Looking for a sound mixer for a true crime series shooting in Rockford, IL. Hotels can be provided from Chicago for overnights on consecutive shoot days.

Main shoot set up is a 2 camera talking head interview, we shoot about 2 sit down interviews a day. Sometimes we will also shoot OTF interviews/walk and talks.

Gear requirements are 2x lav mics (for the occasional 2 head interview) and a boom for the interviews. We will not need comteks.

Shoot is 5/13-5/18, will be 5 days. Dates still slightly in flux.

Rate is $600/12 + $400 for gear.

Thank you!

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Arcata, CA for 2 Days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Bellingham, WA for 2 Days.

MONDAY 05/13/24
TUESDAY 05/14/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget and a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a local hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are looking for a Sound Recordist for 1 sit down documentary interview, in the Palo Alto area on 6th May. Record in participants own home. Director will participate on Zoom. Filming on Sony Venice. Rate for Sound Kit is $350 on top of labor rate.
12 hour day maximum (will probably be less)

We are looking for an experienced Sound Mixer who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content.

Shoot Days: Mon 5/10
Rate: $650/12
Job Type: Non-Union