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Seeking production crew for a professional interview video series at a studio in New York City. Shooting is expected to take place for 1-3 days from June 25th-June 27th (TBD). The shoots days are expected to go for 10 hours.

We are in need of a camera operator with experience in long-form documentary-style shooting. It is important that you are familiar with the Sony camera workflow. Please include a link to samples of your work on projects involving interviews and B-roll, particularly in a cinema verite documentary style. While the dates are still to be determined, production is set to begin on July 1st. The ability to work locally in the Los Angeles area is a must. $300.00 - 1/2 day (6 hour day)
$600.00 - day rate (12 hour day)

This project tells the back story of our main protagonist for the feature film. This flashback scene we're filming will be the catalyst behind the actions seen in the feature. This piece is very important and crucial that a cinematographer can understand dramatic angles, camera lenses, movement, etc.

We would like to have this project shot over the course of a weekend (two days) with a cinematographer preferably with access to a film crew who use RED cameras or equivalent.

I need a videographer to help us with mock interviews. You will set up as if you are doing an interview for the news using a camera, light and mic and roll on a mock interview.

We will then need you to play it back, pausing when needed, so we can critique the interview. It is preferred that you bring a 24 inch monitor in case we have compatibility issues with the client's conference room equipment and need to pivot.

After the session I need you to export the file as MP4 and share it using a google drive or another similar tool so I can watch it and also forward it along to the client. You would need to be set up and ready to go at 10:00- no need for you to sit through the training. I present for about an hour and a half, then we do the mock interviews.

We are looking for a multi-faceted director of photography for a ULB drama feature film shooting across 20 days in Los Angeles.

We are looking for someone experienced with an Alexa Mini, shooting on anamorphic lenses, and comfortable with dynamic lighting (nothing too dark since it's a family story), and meaningful handheld skills.

Position may also include equity + a producing credit in the film.

Camera Operator needed for undefined dates in Los Angeles. $500 daily + $200 kit fee included. Looking to film B-Roll in the area.

We will be filming a feature-length documentary about a group who reclaim and train wild ponies in Nevada, Utah and Southern California. The doc will end following a long ride of several hundred miles. Will involve travel, some rough living and a lot of shooting on the go.

The ideal DP should be comfortable working in a wide variety environments, situations and lighting conditions, all on the go, often with minimal power or grip. We'll also expect you to shoot beautifully-lit studio sit-down interviews, gorgeous panoramas and interesting verite. You will also be in charge of a B and C cam, so the ability to direct coverage of B-roll is a must. We're hoping for a final product that combines the look of Haskell Wexler with a touch of Errol Morris.

Project shoots for three weeks at the end of September, with a week of prep in late August. Based out of L.A. All travel and lodging is paid. Camera package is still TBD, but likely Alexa mini or C300 mkIII. Open to considering a package from you for an additional rental if you have one.

Ability to ride a horse is a strong plus.

Genre: Comedy (LGBT-themed)

We're looking for someone with experience in comedy and scenes with dance choreography.

Logline: Three close friends are appointed to protect their small, open community from a charismatic and ambitious grifter.

Seeking DP for ultra low budget feature film shooting September-October 2024. Looking for someone with a great eye for lighting. A plus if you also operate camera. 17 days at $500/day.

Please include links to relevant reels when applying.

We are seeking a talented and resourceful Director of Photography for an upcoming low-budget independent feature film project. The ideal candidate will possess a deep understanding of visual storytelling, with the ability to deliver compelling imagery within budgetary constraints. You should have proven experience in a variety of shooting conditions, have previously shot one or more feature films, a creative eye for framing and lighting, and a collaborative spirit to work closely with the director and production team.

This role demands a passionate individual who can inspire and manage a small crew, ensuring artistic coherence and technical quality from pre-production through to the final cut. If you are ready to bring your unique vision to a dynamic indie film production, we would love to hear from you.

Also, you will be working with a VFX Supervisor for certain shots as this is a science fiction project.

When:
Production in July or August

Where:
Los Angeles

Genre:
Sci-fi, Thriller

We have an opportunity for a production team of two, including a Lead Videographer and a Second Shooter, to join us in producing content for a medical aesthetic client. This project will take place at an Express Urgent Care, so be prepared to work within clinical walls. You'll need to be skilled at shooting in tighter, bland spaces, and know how to elevate the look with composition and the suggested gear listed below.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.

As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

GEAR NEEDED:
Cam A: Preferably a Sony digital camera
Cam B: Another camera that can also produce high-quality photos
24-50mm f/1.4 lens: Preferably a prime lens for interviews
24-70mm lens: For capturing b-roll footage
16-35mm lens: For office coverage (preferred but not required)
2 Tripods
Teleprompter
Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
Computer/Laptop: For uploading content to a hard drive and shipping out to our office in Austin, Texas
Audio: Preferably a LAV (lavalier) system
Continuous lighting: For 1-subject interviews and treatments (if necessary)
Slate


If both creators are coming on individually:
- Lead Videographer Rate: $550/8 + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home address to the shoot location

If you are coming on as a Company:
- Day Rate: $1000/8 (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 for food per day
- Equipment Rate: $500 per day

- Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.

As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

GEAR NEEDED:
Cam A: Preferably a Sony digital camera
Cam B: Another camera that can also produce high-quality photos
24-50mm f/1.4 lens: Preferably a prime lens for interviews
24-70mm lens: For capturing b-roll footage
16-35mm lens: For office coverage (preferred but not required)
2 Tripods
Teleprompter
Laptop: Preferably an Apple MacBook, but not required for broadcasting live footage
Computer/Laptop: For uploading content to a hard drive and shipping out to our office in Austin, Texas
Audio: Preferably a LAV (lavalier) system
Continuous lighting: For 1-subject interviews and treatments (if necessary)
Slate


If both creators are coming on individually:
- Lead Videographer Rate: $550/8 + $500/kit + up to $50 for food
- 2nd Shooter Rate: $450/8 + up to $50 for food
- Additional Compensation: $100 travel day fee + gas reimbursement for contractors driving over 2 hours (one way) from their home address to the shoot location

If you are coming on as a Company:
- Day Rate: $1000/8 (for both creators)
- Overtime: $187.50 per hour
- Meal Reimbursement: Up to $100 for food per day
- Equipment Rate: $500 per day

- Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.

We are looking for a local Director of Photography to help film a conference on June 24th.
The day will be about 4-5 hours of work.

Filming of the conference will be held on Monday June 24th from 10am - 12pm.
There will be some allotted set up time before the conference for crew and there will be a one hour portion dedicated to filming interviews after the conference.

We are looking for a DP candidate who can provide a 2 cameras and source a 2nd DP or Cam Op; The client would like a 2 camera set up for the conference filming.

$500 day rate [ 4-5 hours of work ]
- Additional DP Kit Rental

In need of an experienced A/C for a multicam corporate education shoot with a leading healthcare company.

Responsibilities include:

- Media management
- Camera Maintenance & Build Out (we're shooting on two Sony FX6 cameras and one Sony FX3)
- Assistance with lighting/grip setups.

Must be able to work as a local in the Austin area.

Thanks in advance.

Looking for a union 1st assistant camera in Denver for a production filming 7/22 - 7/24. Must have experience with long lens focus pulling during live event coverage.
700/10

Looking for a union camera operator locally in Denver for a production filming 7/22 - 7/24. Experience with covering live events with a long lens camera a must.

750/10

Seeking drone pilot, bonus if you also fly FPV - send us a reel!

Filming corporate content in Lititz, PA
Assistant Camera for a crew of 5x supporting DP with FX6 to capture interview + b-roll
1x indoor location, 10-hour day

I am opening a gym in San Diego in Morena on July 1st. My business is a rehab/physical therapy approached mixed with a gym and personal training.

I have a semi-large online presence, particularly on YouTube and Instagram.

I am looking to hire someone for a long-term partnership who works in-house with us 3 days per week and can edit on their own time, or even at the gym if they want.

It would be around 4ish hours of filming every week to start, with about 6-8 hours of editing videos, reels, etc as well.

We can work out whether an hourly or salaried pay structure is more ideal.