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Skycam Utility ($25/hr)
Will help with set up of equipment and Skycam camera
During the game, will watch the reels that suspend the skycam camera in the air. Will notify the engineer on site if the reel becomes loose and the engineer will come over and fix it.
Will strike after the game.
Requirements: Not afraid of heights and able to lift up to 40 lbs.

Dates are June 5th and June 8th

Guaranteed min 10hrs pay for set day, Guaranteed min 10 hrs pay for game day

Looking for (1) solid utility with experience setting up cameras, running cable and working a corporate conference/gala-like environment.

We are looking for a Utility/Stagehands to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Duration: 5 days per week, Monday through Friday, until June 21, with potential for extension. Hours: 10am-3pm.

Narrative Ads is seeking an experienced and skilled Gaffer to join our production team on a temporary, freelance basis. The Gaffer will be responsible for the lighting design and execution for two studio spaces, ensuring all visual elements are illuminated according to the producer’s vision. This position is scheduled for 5 days a week, Monday through Friday, until June 21, with the possibility of an extension based on project needs. The ideal candidate will have a strong background in film and television lighting, with a keen eye for detail and the ability to work efficiently under tight deadlines.

Key Responsibilities:
-Collaborate with Narrative Ads production team to determine the lighting requirements for each scene.
-Design and implement lighting setups that enhance the visual storytelling for a wide range of mobile-focused products
-Oversee the setup, adjustment, and maintenance of lighting equipment, including lights, dimmers, and rigging.
-Ensure all lighting equipment is used safely and in compliance with industry standards and regulations.
-Troubleshoot any lighting issues that arise during production and provide quick, effective solutions.
-Maintain clear and open communication with all departments to ensure seamless integration of lighting with other production elements.

Qualifications:

Proven experience as a Gaffer in film, television, or commercial productions.
Strong technical knowledge of lighting equipment and techniques.
Excellent problem-solving skills and the ability to work under pressure.
Strong attention to detail and a creative eye for lighting design, specifically with mobile productions
Flexibility to work irregular hours, including occasional evenings and weekends if required by the production schedule.
Strong communication and interpersonal skills.

Physical Requirements:

Ability to lift and carry heavy equipment.

How to Apply:
Interested candidates should submit their resume, a cover letter, and a portfolio or reel showcasing their previous experience.

Narrative Ads is an equal opportunity employer. We celebrate diversity and are committed to creating an inclusive environment for all employees.

I’m looking for a gaffer for a commercial shoot 6/5 and 6/6 in the West loop. Our location is a two story (elevator equipped) building with several office spaces and an event space. We’ll be shooting scenes of office workers working with a somewhat dramatic lighting aesthetic.

Looking for someone who can bring their own key grip (same rate), and who also has a 1-2 ton-ish LED-based G&E package (let me know the rate and contents please). It'll just be the two of you on the G&E crew.

I'll set up video calls with the people we shortlist, so let me know if you have availability for that this coming Tuesday or Wednesday the 28th or 29th and when a good time might be.

Thank you!

Grip needed for two day shoot, 6/13-6/14—interview-based branded content project with some b-roll. Shoot will be 8 miles from Miami airport. Contractor will provide a W9 to production before shoot day and be paid by check end of day.

Gaffer needed for two day shoot, 6/13-6/14—interview-based branded content project with some b-roll. Ideally would provide grip truck and standard rental package in addition to labor (additional rental rate for equipment to be discussed.) Shoot will be 8 miles from Miami airport. Contractor will provide a W9 to production before shoot day and be paid by check end of day.

Hello!

We are looking for a G+E crew member to join our team. This is a small documentary crew, we will be shooting in Austin the 29th and possibly the 30th as well.

Right now we're looking at a sit down interview in a small event space.

Please let me know if you are available and interested!

Out of state producer/shooter looking for gaffer w/ gear support (who is also willing to be a cam-op for B or C cam). Date TBD, but likely week of 5/27. 1 day in Round Rock.

Shooting a scripted scene in a corporate office. Two subjects talking to each other and discussing something on a large screen. Would ideally like to shoot 3 cams (wide + both OTS) at the same time, but need to keep setup minimal (for budget and space).

Looking to have you provide all G&E, as well as another crew member to assist.

Please include rate (including gear) and reel. Let me know if you need any more details.

Thanks!

ISO of a Gaffer w truck and lights in Chicago for approximately 3 days starting June 10th.

This is for a low budget documentary shoot.

Lights and truck would be extra on top of daily fee

We're looking for a Gaffer/ G&E Swing, experience in doc work is a plus.
Filming a series of sit-down interviews and b-roll in San Mateo, CA the first week in June.
PLEASE NOTE- Exact date to be determined (1-day shoot)
full rate
$750/ 10 + OT after 10
+ kit fees
Also looking for basic interview lighting kit + grip (Kit fees added for gear)
Ideal candidate owns their own gear + can handle pick-up/ delivery.
Please apply for more details!

Hello!

We are looking for a G&E crew member to join our team. We are filming on May 30th at one location, all day. It will be one sit down interview. This is for a documentary film, and will be a skeleton crew.

We'd have access to the location on the evening before shooting, the 29th, where we would be able to set up.

Rate depends on what is needed & what equipment you have

Please reach out if interested, and I will provide more details!

Looking for experienced Gaffer for an outdoor shoot with a smaller crew and ~20 talent. One day commercial shoot with notable athlete sponsored by a local customer service company. Majority grip/rigging, shaping natural light.

Please send your rate and confirm your availability for 5/30 for consideration. Thanks!

Searching for a gaffer to work on a medium-large scale outdoor product shoot for a gardening company. Furthermore our studio is seeking to expand our freelance roster for semi-regular productions over the rest of the year and onwards. This particular project will have a ~12 person crew.

The pay range listed is a reflection of what we have paid to different gaffers over the last few years. Please let me know what rate you are comfortable with and we will meet it if we can!

We’re looking for a full-time skilled and hard-working GRIP with Commercial Driver’s License to join the V1 Productions team. In this role, it will be your job to help us maintain, deploy and transport production equipment along with preparing, assembling and disassembling production gear for TV and film productions. You’ll be driving Class A production trucks containing a variety of production gear to different shoot locations both locally and occasionally across the country. You will gain valuable experience on set and in our shop with our large inventory of grip, lighting, distro, dollies and production support equipment.

In this role, you are first and foremost in charge of the production equipment and the responsibilities that accompany the equipment’s safe arrival at various shoot locations. This includes minor truck maintenance, mapping logistics, and scheduling duties to arrive on location on time. To do well in this position, you will need to be mechanically skilled and physically able. You should be able to lift heavy equipment, work in confined spaces, and be willing to work sometimes irregular hours.

Pay range of $65,000 to $80,000 per year based upon experience and qualifications. GRIP with Commercial Driver’s License - Full Time Position

Requirements:
• High school diploma or equivalent
• A Class A Commercial Driver’s License with combination and airbrake qualification
• Clean Driving Record
• Ability to work well in a team setting
• Full understanding of traffic laws/ DOT regulations
• Forklift experience preferred
• Ability to lift 50 pounds repeatedly throughout day
• Able to pass random drug tests
• No DUI/DWI convictions in the past seven years
• Listening and verbal communication skills
• Dependability
• Previous experience in a similar role is preferred
• At least six months of Class A driving experience

I am seeking a gaffer for 2 half day shoots up to 5hrs max on June 1 at 8am and June 3rd at 6pm. This is for a corporate talking head interview. I am seeking a gaffer to provide 3 point lighting plus green screen preferably 10x10 or larger.

The interview will take place in a hotel conference room so the gaffer would need to have the necessary equipment to turn a conference room into a green screen studio setup for a talking head interview with 2 cams.

Flat rate pay for 2 half days up to 5hrs max each day

Seeking a nonunion Atlanta local Grip/ G&E swing for a two day narrative short film shoot in Demorest, GA. Please include relevant work experience/resume with application.

Looking for smart, friendly, experienced, upbeat, team-oriented, problem-solving, reliable lighting/grip support for 3-4 day shoot in and around the Washington DC area. Need lovely lighting for series of sit-down interviews (standard 2-camera, indoor situations) as well as OTFs, and supplementary lighting for b-roll in various interior office spaces.

Shoots days are Sunday June 9 through Weds June 12, 2024.
Days are usually 10 hours.
Will be at several different locations in/around the DC area.

Based on previous, similar shoots, this is a list of the general equipment we're hoping for:
Lighting
1 – Aputure 1200d
3 – Aputure 600d

Grip
1 – Combo stand with wheels
1 – Junior rolling stand
10 – 40” c-stands
1 - 8x8 Frame
1 – 8x8 Ultra bounce
1 - 8x8 Lite grid
1 - 8x8 ¼ grid
1 - 8x8 silk
1 – 8x8 Magic Cloth
1 - 4x4 Ultra bounce floppy
1 - 4x4 solid Floppy
1 - 4x4 Silk
1 - 4x4 Double
1 - 4x4 Single
1 - 4x4 Opal 216 diffusion frame
1 - 4x4 Opal 250 diffusion frame
1 - 4x4 Opal 410 diffusion frame
1 - 2x3 solid
1 - 2x3 silk
1 - 2x3 double
1 - 2x3 single
2 – Magliners with tray
4 – 25lb sand bags
8 – 15lb shot bags
1 – full apple
1 – Half apple
1 – Quarter apple
1 – Eighth apple
4 – 50ft extension cables (12 Gauge)
4 – 25ft extension cables (12 Gauge)
4 – cube taps
1 - Assorted hardware crate

We can chat in more detail once we select a partner. Prefer an all-in approach to pricing (day rate + equipment access), so if you have a website listing your gear, or a preset van/package set-up, let us know!

Thank you!!

I am looking for a Gaffer in the Cleveland area.

Looking for a Gaffer for a shoot in Houston. Experience with Aputure Infinibars is a plus.