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Will be helping setting and cameras and running cables. On game days, you will be behind a handheld camera, coiling cable.

The dates are June 4th, 5th, 6th, 7th, 8th, 9th, 16th, 17th, 22nd, and 23rd. Preferably would like the same person working all the dates due to limited credentials.

ABC Rates

Pays $30/hour. 10 hour each day.

Looking for (1) solid utility with experience setting up cameras, running cable and working a corporate conference/gala-like environment.

We are looking for a Utility/Stagehands to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Looking for a grip to assist the DP and cam ops with this event shoot. This is a fashion event coverage shoot.

$250 for 10 hours guaranteed. This is not expected to go into overtime, but rate will be increased by $30/h for any overtime.

Looking for a grip to assist the DP with a commercial shoot. The client is a bike riding organization.

$30/h for 5 hours guaranteed. This is not expected to go into overtime, but rate will be increased by $20/h for any overtime.

Award winning director shooting independent film project in June. Looking for talented and innovative gaffer to help make a beautiful picture. Please send rates, list of gear, and availability.

Independent film. Looking for lead creative collaborator to work with cinematographer and director to create moody 70s style conspiracy thriller.

We seek an experienced and talented Gaffer to join our team for an upcoming video shoot. The Gaffer will be responsible for managing the lighting setup, ensuring that all lighting equipment is properly installed and operated to achieve the desired visual aesthetic.

Jupiter Entertainment seeks an experienced Grip as a local in Sacramento, CA to join us on a true crime series from 6/15-6/18. Gear will be provided (a full list will be sent upon hire/request).

We will be shooting in Redding, CA for the first couple of days. 6/15 will be a half-rate travel day to Redding and we will be shooting there from 6/16-6/17. Then we will be in Sacramento shooting on 6/17-6/18.

This shoot will consist of single on-camera talent for sit-down interviews (taking place indoors) as well as b-roll. True crime experience is strongly preferred.

If you are interested and available, please include your rate for a 10-hour day excluding any rentals, as well as your reel/credit list along with your application.

$400/10

Thank you!

We will be filming a one day, docu-style commercial for the medicine Fintepla in Waterford, MI. We need a gaffer who can create natural, bright images for a pharma shoot. We also need the gaffer to provide their own equipment, which we would pay a kit rental fee for. The shoot will be on June 15th for a full day.

The range depends both on experience/rates and also cost of kit rentals.

Gaffer needed for a sit-down interview. One subject, two cameras.
One day of pre-light and one shoot day.
Rate is 700/12

Looking for a local Gaffer to pick up equipment from our vendor and assist with lighting a small, one day, interview.

Must be local to location (or willing to work as a local).

Seeking a Gaffer to assist with capturing b-roll for our client in Richmond, VA. This is for a local branch of an international watch maker.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Let us know what lighting/grip gear you can provide, if any. Our DP may be able to cover this, so not necessarily a deal breaker if you don't own anything!

Call time is 5:30AM.

We pay $350/10h and $30/h after that. We do not expect the shoot to go into overtime.

Must be local to location (or willing to work as a local).

Seeking a Gaffer to assist with capturing b-roll for our client in Nashville, TN. This is for a local branch of an international watch maker.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Let us know what lighting/grip gear you can provide, if any. Our DP may be able to cover this, so not necessarily a deal breaker if you don't own anything!

Call time is 5:30AM.

We pay $350/10h and $30/h after that. We do not expect the shoot to go into overtime.

Looking for a grip to assist the DP with a 10 hour b-roll shoot in Nashville TN.
No gear is required, call time 5:30AM.

$250/10h guaranteed. We do not expect the shoot to go into overtime.

Needed Grip day player for feature film. Preferred Electric experience as well. This position is an "as needed" position and will not be needed every day of production.

Duration: 5 days per week, Monday through Friday, until June 21, with potential for extension. Hours: 10am-3pm.

Narrative Ads is seeking an experienced and skilled Gaffer to join our production team on a temporary, freelance basis. The Gaffer will be responsible for the lighting design and execution for two studio spaces, ensuring all visual elements are illuminated according to the producer’s vision. This position is scheduled for 5 days a week, Monday through Friday, until June 21, with the possibility of an extension based on project needs. The ideal candidate will have a strong background in film and television lighting, with a keen eye for detail and the ability to work efficiently under tight deadlines.

Key Responsibilities:
-Collaborate with Narrative Ads production team to determine the lighting requirements for each scene.
-Design and implement lighting setups that enhance the visual storytelling for a wide range of mobile-focused products
-Oversee the setup, adjustment, and maintenance of lighting equipment, including lights, dimmers, and rigging.
-Ensure all lighting equipment is used safely and in compliance with industry standards and regulations.
-Troubleshoot any lighting issues that arise during production and provide quick, effective solutions.
-Maintain clear and open communication with all departments to ensure seamless integration of lighting with other production elements.

Qualifications:

Proven experience as a Gaffer in film, television, or commercial productions.
Strong technical knowledge of lighting equipment and techniques.
Excellent problem-solving skills and the ability to work under pressure.
Strong attention to detail and a creative eye for lighting design, specifically with mobile productions
Flexibility to work irregular hours, including occasional evenings and weekends if required by the production schedule.
Strong communication and interpersonal skills.

Physical Requirements:

Ability to lift and carry heavy equipment.

How to Apply:
Interested candidates should submit their resume, a cover letter, and a portfolio or reel showcasing their previous experience.

Narrative Ads is an equal opportunity employer. We celebrate diversity and are committed to creating an inclusive environment for all employees.

I’m looking for a gaffer for a commercial shoot 6/5 and 6/6 in the West loop. Our location is a two story (elevator equipped) building with several office spaces and an event space. We’ll be shooting scenes of office workers working with a somewhat dramatic lighting aesthetic.

Looking for someone who can bring their own key grip (same rate), and who also has a 1-2 ton-ish LED-based G&E package (let me know the rate and contents please). It'll just be the two of you on the G&E crew.

I'll set up video calls with the people we shortlist, so let me know if you have availability for that this coming Tuesday or Wednesday the 28th or 29th and when a good time might be.

Thank you!

Grip needed for two day shoot, 6/13-6/14—interview-based branded content project with some b-roll. Shoot will be 8 miles from Miami airport. Contractor will provide a W9 to production before shoot day and be paid by check end of day.

Gaffer needed for two day shoot, 6/13-6/14—interview-based branded content project with some b-roll. Ideally would provide grip truck and standard rental package in addition to labor (additional rental rate for equipment to be discussed.) Shoot will be 8 miles from Miami airport. Contractor will provide a W9 to production before shoot day and be paid by check end of day.