Digital Effects Artist Production Jobs

Job Summary:

The youngest of all of the ILM *** , the Mumbai studio leverages the expertise and technological know-how developed over 40 years at *** combined with the top artists and technicians in the region. Knowledge and culture flow freely *** ween the company's five *** and the global team shares tools and workflow allowing for seamless partnership on all shared projects.

As we grow ILM Mumbai, we are seeking a Senior Pipeline Technical Director to join as one of the first members of the team and be a part of building the studio and its technology infrastructure.

The Senior Pipeline TD will be tasked with developing and maintaining software tools, providing front-line assistance to artists, and general troubleshooting of the CG pipeline in a fast-paced, feature film visual effects production environment. The primary focus is ensuring artist efficiency.

What You'll Do

• Develop pipeline and asset management tools to meet im *** te, show-directed production demands, ensuring facility-wide consistency as directed by show and technical supervisors. Help maintain a wide array of existing workflows and scripts.
  
• Provide front-line production support across a wide range of disciplines, troubleshoot assets and shots, and help artists with general problem-solving. Monitor email requests, package up problems and redirect to appropriate engineering team.
  
• Test and validate tools and techniques in production. Work closely with engineering teams in testing and releasing new and modified software systems.
  
• Act as an on-call resource for show production staff.
  
• Work effectively with artists, production supervisors, and technical staff across ILM *** in San Francisco, Vancouver, Singapore, and London.
  
• When not crewed to shows, serve on software teams working on projects that improve the efficiency of asset setup, caching, and shot-data handoff *** ween artists across the entire pipeline.
  
• Drive pipeline priorities in conjunction with show supervisors.
  
• Work on tools of greatest complexity and sophistication, requiring the broadest knowledge of the larger pipeline and facility needs.
  
• Assist other Pipeline TDs in providing front-line assistance for the most complex of end-user problems; guide engineering teams in debugging technical issues and eliminating root causes of problems.
  
• Develop comprehensive knowledge of software and systems; drive the development and evolution of standards and conventions used in production.
  
• Update documentation for the pipeline and tools to reflect any changes that are made.
  
  

What We're Looking For

• Demonstrated experience developing and maintaining tools for use in a computer graphics environment.
  
• At least 8 years production experience in visual effects for film, commercials or television.
  
• Required Skills/Competencies
  
• Proficiency in Linux
  
• Advanced Python scripting required
  
• Proficient in one or more of Maya, Nuke, Houdini, Mari, Katana, RenderMan or similar
  
• Ability to communicate cross-discipline and provide innovative solutions to pipeline issues
  
• Detail oriented and strong self-sufficient trouble shooter
  
• Comprehensive knowledge of the entire visual effects process, from shooting to modeling and texturing, animation, rendering and compositing
  
• Bachelor's degree or equivalent in Computer Science or a related technical field
  
• Preferred Skills/Competencies
  
  • Experience with production database systems
    
  • Experience with C, C++
    
  • Experience with Windows development and applications such as 3ds max a plus
    

JoinILM

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var jobInfo = { category: 'Technology', location: 'Mumbai, Maharashtra, India', req: '10035164', }

About *** :

Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production, and attraction industries. ILM has created visual effects for over 325 feature films and has played a key role in seven of the top 10 worldwide box-office hits of all time and has contributed to 25 of the top 50. ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, the company continues to break new ground in visual effects, VR, AR, and Immersive Cinema.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** networks, parks and resorts, studio entertainment, consumer products and interactive *** . From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with UTV Software Communications Private Ltd , which is part of a business we call *** .

Job Summary:

The Lighting Supervisor is responsible for leading a team of Lighting TD's and Leads to create, direct and reflect lighting and shadows that meet the creative direction and vision of the project. This role has shared accountability for the management and deliverables of the Lighting department utilizing research, development, and implementation of new techniques when necessary.



Primary Responsibilities:

• Quality and artistic supervision of lighting with input from VFX Supervisor
• Designs, implements and critiques generic lighting and compositing to help facilitate the creative "look" of the project
• Determines the need and extent of mattes, paintings, effects and shaders for digitally composited shots.
• Driven to regularly interact with the Producer and Director to understand the desired look as it relates to lighting for the production.
• Deliver final shots to production and ensure final technical check is complete.
• Tracking lighting continuity within sequences.
• Participates as a Supervising team member in determining various design solutions; efficiency improvements and provides artistic feedback on a shot and sequence level to other team members of the production.
• Coaches and guides the team of Lighting TD's to execute quality performance for the project.
• Partners with Artist Management to guide artists' overall professional development, providing performance feedback, mentoring, assist with resolving performance issues and maintaining positive morale amongst the crew.
• Attend all relevant meetings to promote effective communication throughout the production team.
• Actively participates in the recruiting and staffing of the lighting team - assesses the work of prospective candidates for the hiring process.

Required Skills / Technical Competencies:

• Extensive management experience of large teams (10+ individuals)
• Ability to plan and execute complex 3D lighting scenes including working with layers and passes, doing complex comps and optimizing scenes and renders
• Must be self sufficient
• Strong interpersonal and communication skills (written, verbal and interpersonal)
• Highly proficient skills in technical problem solving
• Demonstrable experience of mentoring and developing artists
• Results-driven
• Plans well and manages priorities
• Stays agile and flexible
• Thinks analytically and innovatively
• Always curious and seeks new learning opportunities
• Strong working knowledge of Linux, Python and shell scripting required.
• Look development and/or shader writing preferred
• Relevant knowledge of color theory, composition, lighting, aesthetics and how these apply to lighting and rendering in 3D
• Strong working knowledge of various software platforms including Katana, Maya, Nuke, or any other high end CG or compositing software.
• Knowledge of Clarice desirable but not essential

Preferred Skills / Competencies:

• Some photography experience a plus (knowledge of composition, photography terms like depth of field, FOV, aperture, exposure, dynamic range)

Education / Experience:

• 6+ years' experience as a Lighting Supervisor or role with equivalent level of responsibility in VFX film or on CG animated projects
• Bachelor's degree in Computer Science or Computer Graphics or equivalent work experience
• Experience working across different *** /locations and time zones

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var jobInfo = { category: 'Animation-and-Visual-Effects', location: 'Sydney, New South Wales, Australia', req: '10000800', }

About *** :

Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production, and attraction industries. ILM has created visual effects for over 325 feature films and has played a key role in seven of the top 10 worldwide box-office hits of all time and has contributed to 25 of the top 50. ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, the company continues to break new ground in visual effects, VR, AR, and Immersive Cinema.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** networks, parks and resorts, studio entertainment, consumer products and interactive *** . From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with ILM (Australia) Pty. Ltd. , which is part of a business we call *** .

Job Summary:

The Lead Effects Technical Director is primarily responsible for leading a team of Effects Artists. This role works as a hands-on collaborator with the FX, VFX and CG Supervisor to ensure that all delivered shots maintain ILM's rigorous standards and support the creative vision of the show.

What You'll Do

• Designs and creates complicated FX animation, procedural simulation, dynamic simulation, particle and fluid systems, and rigid body simulations.
• Light and render FX elements and produce composites to showcase ideas
• Develops and implements new techniques quickly and debugs complicated problems
• Sets the standard by continually improving the efficiency, speed, and the quality of the team's output
• Provide constructive and consistent creative and technical oversight and feedback on a shot and sequence level to the team
• Partners with other discipline leadership in determining various cross department solutions, improvements and collaboration.
• Coaches and guides the team of FX artists to execute quality performance for the project.
• Works with Production to bid, schedule, and cast shotwork.
• Responsible for guiding the overall effects and simulations are on a delivered schedule and budget.
• Partners with Talent Management to provide artists with performance feedback, guidance, mentoring, resolving performance issues and maintaining positive morale amongst the crew.
• Attends all relevant meetings to promote effective communication throughout the production team.

What We're Looking For

• Bachelor's degree in Computer Science or Computer Graphics or equivalent work experience.
• Expert in Houdini software, and knowledge and experience in Python or Vex
• 10+ year's production experience, also with experience in a leadership role in film visual effects
• Proficiency with Linux, Unix,
• Produced effects smoke, fire, explosions, water, clouds, steam, particle
• Demonstrable experience of mentoring and developing artists
• Strong communication skills to present to supervisors and mentor the artist team
• Can develop small scale, show specific tools for non-FX TDs and other FX TDs

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var jobInfo = { category: 'Animation-and-Visual-Effects', location: 'Sydney, New South Wales, Australia', req: '10000799', }

About *** :

Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production, and attraction industries. ILM has created visual effects for over 325 feature films and has played a key role in seven of the top 10 worldwide box-office hits of all time and has contributed to 25 of the top 50. ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, the company continues to break new ground in visual effects, VR, AR, and Immersive Cinema.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** networks, parks and resorts, studio entertainment, consumer products and interactive *** . From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with ILM (Australia) Pty. Ltd. , which is part of a business we call *** .

Job Summary:

ILM opened its Sydney studio in the July 2019. The youngest of all of the ILM *** , the Sydney studio leverages the expertise and technological know-how developed over 40 years at *** combined with the top artists and technicians in the region. Knowledge and culture flow freely *** ween the company's five *** and the global team shares tools and workflow allowing for seamless collaboration on all shared projects.
As we grow ILM Sydney, we are seeking a Production Coordinator to join the team and be a part of this exciting opportunity.

The Production Coordinator's primary emphasis is on scheduling, communication and coordination for a specific group (discipline) of artists (or multiple groups) on any given project. This position reports to Project ("Show") Producer and Production Manager, while also working with other Coordinators on the project in keeping the show operating in an organized and efficient manner. Coordinators are also responsible for working with and delegating to the project Production Assistants. Each Coordinator usually works closely with their specific group of artists' Supervisor or Lead in crewing, scheduling, and managing that group's body of work. Coordinators are significant points of information on the show and need to be able to balance multiple needs, projects, and tasks at one time.

Primary Responsibilities

• Work closely with your discipline supervisors and/or leads in crewing, casting and scheduling your discipline's body of work, keeping in mind the overall show schedule, client reviews, bids, and other discipline needs.
• Establish a process for communicating discipline targets, assignments, and priorities to your artist crew, as well as the overall show crew. This should be daily and/or weekly.
• Schedule, track, and manage assigned work within the ILM Internal Tracking Tool as well working with Production Managers to display the information in a physical form (magnet boards / conference rooms) in order to be visible to the team.
• Ensure work is on schedule for each department and is meeting internal and external (client) deadlines. Check in with artists on a regular basis regarding workload, targets, needs, etc
• Set up turnovers with discipline crew. Communicate turnover information to all artists assigned to asset(s) or shot(s).
• Track client needs, reviews and deliveries to make sure your discipline hits their targets.
• Serve as key communication liaison *** ween all parties relevant to your work. Provide updates, priorities, reschedules, and status of all shots at any given moment.
• Anticipate and communicate issues to leadership team(s) to reach solutions in a timely manner.
• Supervise, delegate to, and train assigned Production Assistant(s).
• Act as primary point person for organizing dailies/shot reviews throughout the day on behalf of your discipline Supe/Lead. Take notes regarding feedback and decisions made and enter any required information into the Internal Tracking System/communicate to all so as to provide updates to all others impacted.
• Prioritization and escalation of technical support issues.
• Perform special projects as needed.
• Communicates with all parties on the project, from Supervisors to Production leadership and peers, to artists.

Education / Experience

• Three years work experience in production to include strong working knowledge of post production techniques and terminology.

Required Skills / Competencies

• Proficiency in Macs/PCs including Microsoft Word and Excel. Knowledge of UNIX and familiarity with Google Suite is preferred.
• Must possess very strong organizational and communication skills and be able to handle a variety of tasks in an efficient manner while meeting deadlines.
• Attention to detail, follow through and strong communication skills.

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var jobInfo = { category: 'Animation-and-Visual-Effects', location: 'Sydney, New South Wales, Australia', req: '10000506', }

About *** :

Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production, and attraction industries. ILM has created visual effects for over 325 feature films and has played a key role in seven of the top 10 worldwide box-office hits of all time and has contributed to 25 of the top 50. ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, the company continues to break new ground in visual effects, VR, AR, and Immersive Cinema.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** networks, parks and resorts, studio entertainment, consumer products and interactive *** . From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with ILM (Australia) Pty. Ltd. , which is part of a business we call *** .

Job Summary:

ILM opened its Sydney studio in 2019. The youngest of all of the ILM *** , the Sydney studio leverages the expertise and technological know-how developed over 40 years at *** combined with the top artists and technicians in the region. Knowledge and culture flow freely *** ween the company's five *** and the global team shares tools and workflow allowing for seamless collaboration on all shared projects.
We are seeking a CG Supervisor to join the team.

Working under the direction of the Producer and the VFX Supervisor, the CG Supervisor ensures all delivered shots maintain the group's rigorous technical standards and assist with the creative vision of the Director by directing the artists' work, technical skills, organization and communication.



Primary Responsibilities:

• Crewed to a show (or multiple smaller shows when needed) and owns all decisions related to that show's technical development and implementation requirements including workflow, tool and pipeline decisions.
• Serves as final decision-maker on all technical issues that span multiple artist disciplines (for example, makes the call on the most appropriate workflow *** ween different disciplines when consensus cannot be reached).
• Owns show approach plan and partners with key supervisors across all ILM global locations for specifics on show planning, delivery, etc.
• Responsible for ensuring technical implementation will work across all ILM locations, taking into account issues like licenses, machine specs, file sharing and other issues that may differ *** ween locations.
• Responsible for show-specific forecasting of license, machine, render and storage needs throughout the show schedule.
• Partners with appropriate studio reps across ILM global locations to provide show projections for larger, studio-wide assessments and reports.
• Directly oversees new, facility approved, show-specific workflow and technology innovations. May perform or delegate the 'product owner' role for new technology on the show, however remains ultimately accountable for the success of those efforts.
• Ensures show approach decisions are consistent with the facility canonical pipeline goals and that new technology developed on the show meets the show's needs. Ensures those efforts are visible to R&D, P.E., IT and the CG Technology Supervisors.
• Partners with CG Technology Supervisors and R&D, PE and IT supervisors on canonical issues and priorities related to show needs.
• Communicates proactively and consistently across show and studio about show technical priorities, requirements and concerns, in particular to show producer and VFX supervisor, CG technology supervisor leadership team and within weekly CG Supervisor meeting.
• Flags and communicates the need for any show decisions which create divergence in canonical asset management tools and workflow (i.e. any changes to core, facility naming conventions, shotfile structure, choice of software, etc...)
• Collaborates with outsource vendors and other ILM production partners on all shot and data sharing issues including file formats and standardization, colour space issues, etc. related to show

Required Skills / Technical Competencies:

• Strong working knowledge of Linux, Python and shell scripting required.
• Strong awareness of deadlines.
• Demonstrates ability to work with competency, energy and enthusiasm within a team environment with minimal supervision.
• Demonstrates excellent listening and communication skills by openly receiving direction and criticism by asking good questions to confirm clear interpretation of the directions and how to approach what needs to be done. Once clear, implements the requested changes im *** tely and raises flags right away.
• Demonstrates the ability to engage in the creative process without ego, and accepts all final decisions with a positive and encouraging attitude.
• Demonstrates an excellent eye toward anticipating potential problems and knowing exactly what could look *** ter in one's shot and an excellent knowledge of how to use the tools to achieve the desired look.
• Demonstrates superb problem solving skills and takes the initiative to offer ideas and suggestions.
• Demonstrates the ability to prioritize tasks managing time very well, providing everyone with accurate time estimates on shot task completion.
• Demonstrates the ability to help and teach more junior level artists and lead others on huge shots or small sequences.
• Sets a standard for all Technical Directors in continually raising the bar of for speed, quality of work and adaptability.
• Conversant in many of the ILM methodologies.
• Look dev and/or shader writing a plus, layout and matchmove a plus.
• Technical Skills: Familiar with Maya, Katana, Zeno and Nuke.

Education / Experience:

• Bachelor's degree in Computer Science or Computer Graphics (or equiv. experience) with at least 5+ years hands-on production experience.
• Significant post production experience including experience working as a CG Supervisor

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var jobInfo = { category: 'Production', location: 'Sydney, New South Wales, Australia', req: '10000406', }

About *** :

Founded in 1975 by George Lucas, ILM is the leading effects facility in the world, serving the motion picture, commercial production, and attraction industries. ILM has created visual effects for over 325 feature films and has played a key role in seven of the top 10 worldwide box-office hits of all time and has contributed to 25 of the top 50. ILM has set the standard for visual effects, creating some of the most stunning images in the history of film. At the forefront of the digital revolution, the company continues to break new ground in visual effects, VR, AR, and Immersive Cinema.

About *** :

*** , together with its subsidiaries and affiliates, is a leading diversified international family entertainment and *** enterprise with the following business segments: *** networks, parks and resorts, studio entertainment, consumer products and interactive *** . From humble beginnings as a cartoon studio in the 1920s to its preeminent name in the entertainment industry today, *** proudly continues its legacy of creating world-class stories and experiences for every member of the family. *** 's stories, characters and experiences reach consumers and guests from every corner of the globe. With operations in more than 40 countries, our employees and cast members work together to create entertainment experiences that are both universally and locally cherished.
This position is with ILM (Australia) Pty. Ltd. , which is part of a business we call *** .

OVERVIEW OF THE COMPANY *** Sports

*** Sports is the umbrella entity representing *** Corporation's wide array of multi-platform US-based sports assets. Built with brands capable of reaching more than 100 million viewers in a single weekend, the business has ownership and interests in linear television networks, digital and mobile programming, broadband platforms, multiple web sites, joint-venture businesses and several licensing relationships. *** Sports includes the sports television arm of the *** Network; FS1, FS2, *** Soccer Plus and *** Deportes. *** Sports' digital properties include *** Sports.com and the *** Sports App, which provides live streaming video of *** Sports content, instant scores, stats and alerts to iOS and Android devices. Additionally, *** Sports and social broadcasting platform, Caffeine jointly own Caffeine *** which creates exclusive eSports, sports and live entertainment content. Also included in *** Sports' portfolio are *** 's interests in joint-venture business Big Ten Network as well as a licensing agreement that established the *** Sports Radio Network.

JOB DESCRIPTION
*** Sports is looking for a Freelance Graphics Coordinator to join their team in Charlotte, NC. As the Freelance Graphics Coordinator, you will exist as a liaison *** ween various production arms within the FSMG and the graphics department. The line management for the position is from the Freelance Graphics Coordinator to the Director, Production and RSN Integration, to the Senior *** President, Graphic Production, to Executive *** President/Creative Director, Graphics.

A SNAPSHOT OF YOUR RESPONSIBILITIES

• Receive, research, and process all requests for graphic creation from assigned production and follow through to completion and delivery
• Establish communication with Coordinating Producer to ensure proper scheduling and tracking of projects
• Deal with day-to-day operations of all production in progress through producers
• Compile and maintain all compilation reels for assigned production along with seasonal updates
• Attend all project related meetings, take notes and distribute
• Follow-up with logs, style guides, and tool kits
• Schedule and supervise edit and audio sessions as needed
• Work with Graphics Technology group within department for all elements (including style guides) needed to complete remote and studio deliveries
• Assist assigned designer, artist or operator in creation of requested graphic by supplying all necessary information for project; goal should be to minimize repetitive work through editorial errors
• Establish and maintain communication to appropriate technical personnel in order to ensure proper completion and delivery of graphic request
• Maintain working knowledge of all production relating to graphics at all times
• Assist producers in timely delivery of all sales enhancements
• Accurately QC elements both on tape and digital formats
• This position will require non-standard hours, such as early morning or evening shifts
• Work weekends and requested rotational shifts when necessary
• Take on additional tasks as needed

**** YOU **** NEED

• A strong attention to detail
• Ability to prioritize multiple projects and tasks
• Strong working knowledge of all digital graphic file formats and their appropriate applications
• Basic understanding of on-air graphic systems
• Working knowledge of all graphic systems in department and how they relate to one another and to the equipment of requesting party
• Strong working knowledge of all department technologies relating to file transfer from studio to remote production units
• Fundamental understanding of time management technique
• Working knowledge of Adobe Photoshop, Illustrator, and After Effects
• Working knowledge of file sharing and its implications for graphic production

We are an equal opportunity employer and all qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, gender identity, disability, protected veteran status, or any other characteristic protected by law. We will consider for employment qualified applicants with criminal histories consistent with applicable law.

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