New York Production Jobs

Exciting Opportunity: Seeking a PR Consultant with Extensive Media Connections!

We're currently in search of a dynamic PR consultant with a robust network of media contacts, particularly within television and radio affiliates. Additionally, we're looking for someone who has access to a diverse array of influencers capable of amplifying our casting call across various platforms.

The ideal candidate will possess the ability to craft and execute a compelling PR campaign centered around a significant casting opportunity. for our casting initiative, we want to hear from you!

Position begins as soon as Monday

Looking for an assistant camera with knowledge and experience with FX6 cameras for a verite sports docu follow series. Will also need to be able to media manage footage from the day and back up media to hard drives.

In addition to rate above a kit rental per day will be provided for laptop with shot put pro or resolve to download footage to drives.

***PLEASE READ THE DESCRIPTION***


We are currently seeking a skilled assistant camera with knowledge in DSLR cameras for a project in Pittsford, NY Sony A7s III, Canon 5D Mark IV.

The shoot will take place on Tuesday, May 21st (Full Day) Wednesday, May 22nd (Full Day)

The purpose of the shoot is to capture marketing and testimonial videos for a dental practice, both within the office and some exterior shots.

Assistant Camera Responsibilities:

Responsible for operating the camera and should have a strong understanding of the Sony A7s III.
Video Production will be 8-10 hours long per film day
Contractors are responsible for the provided photography shot list
Will be provided camera settings for photos and do's and dont's for photos
Contractors are responsible for monitoring the camera during filming for audio and focus
Contractors are to assist with the production wrap

Watching and maintaining composition and monitoring audio as well along with color balance for interview cameras, and keeping everything in sharp focus throughout each interview.

Assist moving lights and cameras if based on set changes and lighting preferences.

Have good knowledge of the Sony full frame DSLRs,

Be efficient and organized during video shoots, and pay close attention to the needs of the director.

Have a strong understanding of the typical video production workflow.

You will be working alongside a Progressive Dental Videographer who will be flying in from Florida. Prior to the shoot, we will contact you with detailed information regarding shoot location, filming times and director contact information.

Progressive Dental will reimburse up to $20.00 each film day for lunch plus tip if not provided by the client.
Progressive Dental does not reimburse for alcohol or tips over 20%.
In order to be reimbursed for lunch, an itemized receipt along with tip receipt must be provided.
Progressive Dental reimburses for mileage.
*Mileage is reimbursable outside of 25 miles from the shoot production.
Based on the most up to date rate from the IRS. Please add mileage amount to your invoice and submit a screenshot of the distance via Google Maps or GPS application you use.

NO equipment required
MUST live within an hour of location (mileage will be reimbursed at GSA standard rate)
Medical or dental shooting experience is considered a plus

If you meet the criteria mentioned above and are available for the specified date(s), we would love to consider you for this project.

Please let us know your interest and availability at your earliest convenience.

$325 per day rate plus Mileage

ISO of a PA in NY for approximately 5-7 days between Fri 5/24 and Mon 6/3/24

This is for a documentary shoot.
Please have a valid driver's license.
Rate: $250/12

You may be asked to assist with gear, so understanding camera gear/ lighting equipment is a big plus.

We are seeking a Post Production Technical & Creative Assistant. The candidate must be highly technical with knowledge of digital tools. We work with Avid Media Composer so we need someone with basic knowledge on how Avid works. The role requires someone flexible who can evolve with the project as the project expands during post development. The ideal candidate will also be creative with a strong desire to learn and grow.

This part-time position starts in early June and runs through approximately 6 months with the possibility of extension. Must be based in NYC and able to work in person. Salary commensurate with experience.

Qualifications
-Must be proficient in Google Suite, Asana, Video Editing Software
-Exception work ethic
-Strong communication skills, verbal and written
-Detail oriented
-Strong time management skills and ability to thrive in a fast paced environment
-Willingness to learn new applications and technology
-Loves to collaborate and works well with others
-Highly technical person
-High energy person with good vibes
-Resourceful and problem-solving mindset
-Avid Media Composer experience a plus but not required
-Position is in person at our Brooklyn office, 3 to 5 days a week
-Strong computer skills

Responsibilities include

-Filtering footage for translation, exporting, tracking what is sent to the translation team, managing a shared translation calendar.
-Avid Project Management: creating media folders / bins
-Backing up Media: Moving data between hard drives and cloud back ups, etc.
-Manage the Media Manager log of the breakdown of all media
-Manage the project scene log. Add tag words or update with new shoot days. Breakdown and log scenes.
-Help locate and log specific scenes, shots, characters and moments in the footage.
-Add tags to the log, get scenes on and off my miro white board, print scene boards, change naming conventions,
print the scenes, locate footage, etc.
-Work with the director and editors to locate footage, create B-roll sequences and gather footage on specific topics
inside the Avid Project
-Sit in on meetings with director and editors, track story beats and arcs and help coordinate everyone around a miro
board.
-Purchase and install software, manage software licenses, troubleshoot basic technical problems
-Maintaining social media pages
-Run office errands
-Additional office duties as required: purchasing office supplies, office craft, booking cleaning services, etc.

I need a client-friendly experienced DIT who has a great attitude and works well with others. This is part of an activation where you will need to interface with clients and participants as well as the production crew, so I need someone with great people skills as well as technical skills. Thank you!

Looking for a 2nd cam operator with a gimbal to do some b cam event coverage this Tuesday evening in NYC at a black tie event. Should have experience with this type of production and examples of work to show. Cam op also needs to be able to dress appropriately for the occasion. Please let us know what your camera package entails.

Looking for a Production Manager with strong office/admin experience to help out for a week or two with a busy production company that has too much going on at the moment.

Ideal candidate is well organize and a problem solver that takes initiative and always looks to improve processes and work flows. Someone great with Google Drive and knows their way around Excel/Google Sheets. Knows the docs and paperwork of production in and out and can work independently.

Job is short term for a week or two. Can be done remote, preference given to east coast/NYC based candidates as we are east coast based. Duties would include:
- Assisting with organizing company Google Drive/Share Drives
- Consolidating templates and documents in to one place
- Cleaning up document templates,
- Updating staff list and vendor list
- Assisting EIC with establish workflows for new series

Position is ideal for someone with extensive office experience but also has knowledge of field. Prior production management experience is required.

Please detail your experience and its relevance to this positions tasks in your cover letter.

Job description
Overview:

Condé Nast Entertainment is looking for video editors to cut Ukrainian-language digital content. Candidates must speak fluent Ukrainian and be able to translate and edit videos involving Ukrainian-speaking talent. CNE Video Editors bring compelling, culturally-impactful, entertaining, and diverse creative content to life every day. Candidates should be natural storytellers and creatives first, interested in a role that spans a wide array of projects and styles, and able to collaborate with many creative partners in Production and Programming. This position works closely with Directors, Producers, Post Production Supervisors, other post-production team members, and reports to the Supervising Editor.

Primary Responsibilities:

Edit a variety of complex digital video concepts across Condé Nast’s portfolio of brands, primarily for YouTube in both English and Korean
Collaborate with Directors and Producers to meet the creative and technical goals of each unique project
Able to quickly and independently cut to the essence of a story, and create compelling and entertaining narratives from diverse raw materials
Maintain active lines of communication with Post Production Supervisors, Directors, and Producers throughout the course of a project; be vocal when it comes to a project’s scheduling, creative, and technical needs, and flag concerns or delays promptly
Time management skills and flexibility are key to successfully stay on schedule in CNE’s fast-paced, high-volume post-production environment.
For any assigned project, complete motion graphics, color correction, sound design and mix, deliverables, and cue sheets
Desired Skills and Qualifications:

Fluency in Ukrainian required
Minimum 4 years editing experience, primarily in digital video content; past work in a fast-paced, high-volume studio, media company, or post facility environment preferred
Must be proficient in Adobe Premiere, with advanced capabilities with After Effects strongly preferred
Strong finishing skills; able to handle color correction, sound mix, motion graphics, and possess the capability to deliver high quality design and stylized content
Strong understanding of editing principles and current digital trends, with an ability to tell a cohesive story
Must have impeccable organizational and communication skills
Must be able to self-organize priorities to ensure that deadlines are met, adhering to best practices set forth by senior management
Ability to problem solve and work through issues and produce under the pressure of deadlines
What happens next?

If you are interested in this opportunity, please apply below, and we will review your application as soon as possible. You can update your resume or upload a cover letter at any time by accessing your candidate profile.

A portfolio, viewing room, or links to individual, applicable pieces of past work is required. Videos that have achieved demonstrable success on YouTube are desired. Demo or sizzle reels are discouraged.

Condé Nast is an equal opportunity workplace.
Duties and responsibilities may be adjusted based on years of experience.
Salary is also commensurate with experience.

Job Type: Full-time

Benefits:

Flexible schedule
Schedule:

8 hour shift
Monday to Friday
Experience:

Adobe Premiere: 1 year (Preferred)
Adobe After Effects: 1 year (Preferred)
Work Location: Remote

Looking for a camera operator with verite documentary experience as well as experience filming live sporting events. We are shooting on FX6’s.

If you could please send over reels with documentary and/or verite filming.

We are a small crew looking for a Production Assistant local to NY/NJ Area. Previous set experience is a must!

This position will require driving of company minivans and cargo vans, along with crew and gear. Eligibility will be based on a driving/background check.

Should be knowledgeable about the area and freeways. Must be comfortable going on runs and assisting with crew meals. As well as assisting with different departments on an as-needed basis.

Must provide a valid drivers license & reliable transportation.

Looking for a DP for a small shoot in New York.
If you have your own cameras + gear, we can talk about additional rental fee.

Thank you!

$500/day (12-hours)

Looking for a Sound Mixer for a small shoot in New York.
Need to have their own kit with 5 lavs.

Thank you!

$600/day
All in rate (labor+kit fee)

Looking for a local Production Coordinator for a small shoot in New York.
1 Prep day to do a handover/prep with Production Manager
1 full day of shoot

Looking for freelance scriptwriters / copywriters for entertainment forward branded content agency.

Must be local to location (or willing to work as a local).

Seeking a DP to to capture interviews and b-roll for our client in Chazy, NY. This is for a local agricultural research and development company.

Seeking candidates with documentary and corporate experience, ideally in the commercial/event space.

Gear Required: Camera, Tripod, Stabilizer, Three-Point Lighting,

Call time is TBD

Rate is $350 for five hrs on set

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside of a Hotel Building in Manhattan. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday and Sunday. Schedule will be confirmed upon hiring. Start of May 22nd may be changed...

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

Production assistant works closely with the lead producer of the event, bringing a professional attitude to a variety of production-related tasks including but not limited to assisting with set-up and wrap, running and taping cables, general computer work, and going on runs. Experience in live events/reality TV/documentary preferred. General knowledge of sports and production also preferred. Must be able to help with lifting and carrying heavy gear. Reliable transportation, valid driver’s license and good driving record are required.

The Production Assistant (PA) assists the Lead Producer of the event with a variety of tasks.

Production Assistant (PA) responsibilities include:
With a professional attitude, handles a variety of tasks including but not limited to: lead producer requests, production set up and strike, running and taping cables, generalized computer work, and runs to assist the production.
Experience working live sports events, reality TV, or documentaries preferred
General knowledge of sports preferred
A valid driver’s license, reliable transportation, and good driving record required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Looking for production assistants to support us for filming in NYC from 7/2 - 7/8 for a docu-follow series. Duties will include: airport runs, set & crew support, loading in / out of gear, meal & supply shopping runs, and appearance release signing assistance. Valid driver's license and clean driving record required.

Seeking an PA with experience in AVID and interest in becoming an AE. Who can help with research and development for documentaries and to help bring in footage and organize it in AVID for new development projects. Also other clerical PA tasks.

Looking for a junior / early in their career AE or PA who is proficient in AVID.

Just an evening corporate event for 3-4 hours. B roll. no editing. No interviews. We'd provide a drive to dump footage end of day. Just need some pretty 4k b-roll of a tech event to make a sizzle out of.

Gimbal + Cam provided by op